See also:

• WILLIAM
• WILLIAM (1143-1214)
• WILLIAM (1227-1256)
• WILLIAM (1J33-1584)
• WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
• WILLIAM (c. 1130-C. 1190)
• WILLIAM, 13TH

WILLIAM See also:

• WILLIAM MULREADY (1786–1863)

MULREADY (1786–1863)  , See also:

• ENGLISH

English subject painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• ENNIS (Gaelic, Innis, an island; Irish, Ennis and Irish)

Ennis, Co . See also:

• CLARE
• CLARE, JOHN (1793-1864)
• CLARE, JOHN FITZGIBBON, 1ST EARL OF (1749-1802)

Clare, on the 3oth of See also:

• APRIL

April 1786 . When he was about five years old his See also:

• FATHER

father, a See also:

• LEATHER (a word which appears in all Teutonic languages; cf. Ger. Leder, Dutch leer or leder, Swed. leder, and in such Celtic forms as Welsh llader)
• LEATHER, ARTIFICIAL

leather-breeches maker by See also:

• TRADE (O. Eng. trod, footstep, from tredan, to tread; in M. Eng. the forms teed, trod and trade appear, the last in the sense of a beaten track)
• TRADE, BOARD OF

trade, removed to See also:

• LONDON

London, where the son received a tolerable See also:

• EDUCATION

education, chiefly under See also:

• CATHOLIC (Gr. KcaBoXuK6s, general, universal)

Catholic priests . He was fond of See also:

• READING

reading, and fonder still of See also:

• DRAWING

drawing.' When eleven years old See also:

• MULREADY, WILLIAM (1786–1863)

Mulready was employed by an artist named See also:

• GRAHAM, SIR GERALD (1831–1899)
• GRAHAM, SIR JAMES ROBERT GEORGE
• GRAHAM, SYLVESTER (1794-1851)
• GRAHAM, THOMAS (1805-1869)

Graham as the See also:

• MODEL (0. Fr. modelle, mod. modele; It. modello, pattern, mould; from Lat. modus, measure, standard)

model for a figure in his picture of " See also:

• SOLOMON, ODES OF
• SOLOMON, PSALMS OF

Solomon Blessed by his Father See also:

• DAVID
• DAVID (a Hebrew name meaning probably beloved 1)
• DAVID, FELICIEN (1810—1876)
• DAVID, GERARD [GHEERAERT DAVIT], (?=1523)
• DAVID, PIERRE JEAN (1789–1856)
• DAVID, ST (Dewi, Sant)

David." The painter's See also:

• INTEREST

interest in the lad did much to confirm his See also:

• ARTISTIC

artistic proclivities; and, having studied at See also:

• HOME
• HOME, DANIEL DUNGLAS (1833-1886)
• HOME, EARLS OF

home for two years, Mulready applied for See also:

• ADVICE (Fr. avis, from Lat. ad, to, and visum, viewed)

advice to See also:

• BANKS, GEORGE LINNAEUS (1821-1881)
• BANKS, NATHANIEL PRENTISS (1816–1894)
• BANKS, SIR JOSEPH
• BANKS, THOMAS (1735-1805)

Banks the sculptor, who sent him to a drawing school and permitted him to See also:

• WORK

work in his own studio . In 1800 he was admitted a student of the See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy, and two years later he gained the See also:

• SILVER

silver See also:

• PALETTE (the Fr. diminutive of pale, spade, blade of an oar, from Lat. Pala, spade, baker's shovel or peel; cf. pandere, to spread)

palette of the Society of Arts . About this See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time he was associated with See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

John See also:

• VARLEY, CORNELIUS (1781-1873)
• VARLEY, JOHN (1778-1842)

Varley, the See also:

• ECCENTRIC (from Gr. F,c, out of, and Kivrpov, centre)

eccentric See also:

• WATER

water-See also:

• COLOUR (Lat. color, connected with celare, to hide, the root meaning, therefore, being that of a covering)

colour painter and drawing-See also:

• MASTER (Lat. magister, related to tnagis, more, as the corresponding minister is to minus, less; the English form is due partly to the O. Eng. maegister, and partly to O. Fr. maistre, mod. maitre; cf. Du. meester, Ger. Meister, Ital. maestro)

master, whom he assisted in the tuition of his pupils, who included See also:

• COX, DAVID (1783-1859)
• COX, JACOB DOLSON (1828-1900)
• COX, KENYON (1856– )
• COX, RICHARD (I3oo ?–1581)
• COX, SAMUEL (1826–1893)
• COX, SAMUEL HANSON (1793-1880)
• COX, SIR GEORGE WILLIAM (1827-1902)

Cox, See also:

• FIELDING, ANTHONY VANDYKE COPLEY (1787-1855)
• FIELDING, HENRY (1707-1754)
• FIELDING, WILLIAM STEVENS (1848– )

Fielding, See also:

• LINNELL, JOHN (1792—1882)

Linnell, See also:

• WILLIAM
• WILLIAM (1143-1214)
• WILLIAM (1227-1256)
• WILLIAM (1J33-1584)
• WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
• WILLIAM (c. 1130-C. 1190)
• WILLIAM, 13TH

William See also:

• HUNT, ALFRED WILLIAM (183o-1896)
• HUNT, HENRY (1i73-1835)
• HUNT, HENRY JACKSON (1819-1889)
• HUNT, JAMES HENRY LEIGH (1784-1859)
• HUNT, ROBERT (1807-1887)
• HUNT, THOMAS STERRY (1826-1892)
• HUNT, WILLIAM HENRY (1790—1864)
• HUNT, WILLIAM HOLMAN (1827-1910)
• HUNT, WILLIAM MORRIS (1824-1879)

Hunt, and 'Some reproductions of his See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early attempts in this direction are given, along with details of his See also:

• LIFE

life, in a scarce See also:

• VOLUME

volume for the See also:

• YOUNG
• YOUNG, A
• YOUNG, ARTHUR (1741-1820)
• YOUNG, BRIGHAM (1801-1877)
• YOUNG, CHARLES MAYNE (1777–1856)
• YOUNG, EDWARD (1683–1765)
• YOUNG, JAMES (1811-1883)
• YOUNG, THOMAS (1773-1829)

young, entitled The Looking-See also:

• GLASS
• GLASS (O.E. glees, cf. Ger. Glas, perhaps derived from an old Teutonic root gla-, a variant of glo-, having the general sense of shining, cf. " glare," " glow ")
• GLASS, STAINED

Glass, written by William See also:

• GODWIN, FRANCIS (1562-1633)
• GODWIN, MARY WOLLSTONECRAFT (1759-1797)
• GODWIN, WILLIAM

Godwin under the nom de plume of See also:

• THEOPHILUS

Theophilus Marcliffe, and published in 1805 . See also:

• TURNER, CHARLES (1773–1857)
• TURNER, JOSEPH MALLORD WILLIAM (1775–1851)
• TURNER, NAT (1800-1831)
• TURNER, SHARON (1768-1847)
• TURNER, SIR JAMES (1615–1686)
• TURNER, WILLIAM (d. 1568)

Turner of See also:

• OXFORD
• OXFORD, EARLS OF
• OXFORD, EDWARD DE VERE, 17TH EARL
• OXFORD, JOHN DE VERE, 13TH EARL OF (1443-1513)
• OXFORD, PROVISIONS OF
• OXFORD, ROBERT DE VERE, 9TH EARL OF (1362-1392)
• OXFORD, ROBERT HARLEY, 1ST

Oxford . At eighteen he married a See also:

• SISTER

sister of Varley's, and at twenty-four he was the father of four sons . The See also:

• MARRIAGE

marriage was unhappy, and the pair separated before many years . He " tried his See also:

• HAND
• HAND (a word common to Teutonic languages; cf. Ger. Hand, Goth. handus)
• HAND, FERDINAND GOTTHELF (1786-185r)

hand at everything," as he said, " from a See also:

• MINIATURE

miniature to a See also:

• PANORAMA (Gr. -rap, all, and opa,ua, view)

panorama." He painted portraits, taught drawing, and up till 1809 designed illustrations to a See also:

• SERIES (a Latin word from serere, to join)

series of See also:

• CHILDREN, LAW RELATING TO

children's See also:

• PENNY (Mid. Eng. peni or peny, from O. Eng. form penig, earlier penning and pending; the word appears in Ger. Pfennig and Du. penning; it has been connected with Du. pand, Ger. Pfand, and Eng. " pawn,". the word meaning a little pledge or token, or with G
• PENNY, GIANFRANCESCO (1488–1528)

penny books . His first pictures were classical and religious subjects of no See also:

• GREAT

great merit, and the early See also:

• WORKS

works which he sent to the Academy were mainly landscapes; but he soon discovered his See also:

• SPECIAL

special aptitude for genre-See also:

• PAINTING

painting, and in 1809 produced the "See also:

• CARPENTER, LANT (1780-1840)
• CARPENTER, MIRY (1807-1877)
• CARPENTER, WILLIAM BENJAMIN (1813-1885)

Carpenter's See also:

• SHOP

Shop," and in 18rr the "See also:

• BARBER (from Lat. barba, beard)

Barber's Shop," pictures influenced by the example of See also:

• WILKIE, SIR DAVID (1785–1841)

Wilkie and the Dutch painters . In 1813 he exhibited his " See also:

• PUNCH

Punch," a more See also:

• ORIGINAL

original and spontaneous work, which brought the artist into See also:

• NOTICE

notice, and two years later his " Idle Boys " procured his See also:

• ELECTION
• ELECTION (from Lat. eligere, to pick out)

election as See also:

• ASSOCIATE (Lat. associates, from ad, to, and sociare to join)

associate .

Next See also:

• YEAR

year he received full See also:

• ACADEMIC

academic honours, and the election was justified by the " Fight Interrupted " which he then exhibited . It was followed by the " See also:

• WOLF
• WOLF (Canis lupus)
• WOLF, FRIEDRICH AUGUST (1759-1824)
• WOLF, HUGO (1860-1903)
• WOLF, JOSEPH (1820-1899)

Wolf and the See also:

• LAMB (a word common to Teutonic languages; cf. Ger. Lamm)
• LAMB, CHARLES (1775–1834)

Lamb " (1820), the " Convalescent " (1822), "Interior of an English Cottage" (1828), " See also:

• DOGS, ISLE OF

Dogs of Two Minds " (183o), the " Seven Ages " (1838), and in 1839 and 1840 by the " See also:

• SONNET (Ital. Sonetto, dim. of Suono, Fr. Sonnet)

Sonnet and First Love," two of the most perfect and poetical of the artist's works . In x84o he designed an allegorically covered postal envelope (the " Mulready envelope," soon discontinued 2) for See also:

• ROWLAND, HENRY AUGUSTUS (1848-1901)

Rowland See also:

• HILL
• HILL (0. Eng. hyll; cf. Low Ger. hull, Mid. Dutch hul, allied to Lat. celsus, high, collis, hill, &c.)
• HILL, A
• HILL, AARON (1685-175o)
• HILL, AMBROSE POWELL
• HILL, DANIEL HARVEY (1821-1889)
• HILL, DAVID BENNETT (1843–1910)
• HILL, GEORGE BIRKBECK NORMAN (1835-1903)
• HILL, JAMES J
• HILL, JOHN (c. 1716-1775)
• HILL, MATTHEW DAVENPORT (1792-1872)
• HILL, OCTAVIA (1838– )
• HILL, ROWLAND (1744–1833)
• HILL, SIR ROWLAND (1795-1879)

Hill, and a .set of illustrations to The See also:

• VICAR (Lat. vicarius, substitute)

Vicar of See also:

• WAKEFIELD
• WAKEFIELD, GILBERT (1756-1801)

Wakefield, which were succeeded by his paintings of the " Whistonian Controversy " (1844), " Choosing the See also:

• WEDDING

Wedding See also:

• GOWN

Gown " (1846), and " See also:

• SOPHIA (1630-1714)

Sophia and Burchell Haymaking " (1849) . His later works, like the " Bathers " (1849), " See also:

• MOTHER

Mother teaching her Children " (1859), and the " See also:

• TOY
• TOY, CRAWFORD HOWELL (1836– )

Toy Seller " (1862), show declining See also:

• POWERS, HIRAM (1805-1873)

powers, mainly attributable to failing See also:

• HEALTH

health . The last evening of his life was spent at a See also:

• MEETING (from " to meet," to come together, assemble, 0. Eng. metals ; cf. Du. moeten, Swed. mota, Goth. gamotjan, &c., derivatives of the Teut. word for a meeting, seen in O. Eng. Wit, moot, an assembly of the people; cf. witanagemot)

meeting of the Academy, of which, for nearly fifty years, he had been a most active and efficient member . He died of See also:

• HEART
• HEART, LUNG

heart disease on the 7th of See also:

• JULY

July 1863 .