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MUNICH (Ger. Munchen)

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Originally appearing in Volume V19, Page 7 of the 1911 Encyclopedia Britannica.
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MUNICH (Ger. Munchen)  , a See also:city of See also:Germany, See also:capital of the See also:kingdom of See also:Bavaria, and the third largest See also:town in the See also:German See also:Empire . It is situated on an elevated See also:plain, on the See also:river See also:Isar, 25 M . N. of the See also:foot-hills of the See also:Alps, about midway between See also:Strassburg and See also:Vienna . Owing to its lofty site (1700 ft. above the See also:sea) and the proximity of the Alps, the See also:climate is changeable, and its mean See also:annual temperature, 49° to 500 F., is little higher than that of many places much farther to the See also:north . The annual rainfall is nearly 30 in . See also:Munich lies at the centre of an important network of See also:railways connecting it directly with Strassburg (for See also:Paris), See also:Cologne, See also:Leipzig, See also:Berlin, See also:Rosenheim (for Vienna) and See also:Innsbruck (for See also:Italy via the See also:Brenner pass), which converge in a central station . Munich is divided into twenty-four municipal districts, nine-teen of which, including the old town, See also:lie on the See also:left See also:bank of the Isar, while the suburban districts of Au, Haidhausen, Giesing, Bogenhausen and Ramersdorf are on the opposite bank . The old town, containing many narrow and irregular streets, forms a semicircle with its See also:diameter towards the river, while See also:round its periphery has sprung up the greater See also:part of See also:modern Munich, including the handsome See also:Maximilian and See also:Ludwig districts . The walls with which Munich was formerly surrounded have been pulled down, but some of the See also:gates have been left . The most interesting is the Isartor and the Karlstor, restored in 1835 and adorned with frescoes . The Siegestor (or See also:gate of victory) is a modern See also:imitation of the See also:arch of See also:Constantine at See also:Rome, while the stately See also:Propylaea, built in 1854-1862, is a See also:reproduction of the gates of the Athenian See also:Acropolis . Munich owes its architectural magnificence largely to See also:Louis I. of Bavaria, who ascended the See also:throne in 1825, and his successors; while its collections of See also:art entitle it to See also:rank with See also:Dresden and Berlin .

Most of the modern buildings have been erected after celebrated prototypes of other countries and eras, so that, as 'has been said by Moriz See also:

Carriere, a walk through Munich affords a picture of the See also:architecture and art of two thousand years . In carrying out his plans Louis I. was seconded by the architect See also:Leo von Klenze, while the See also:external decorations of See also:painting and See also:sculpture were mainly designed by See also:Peter von See also:Cornelius, Wilhelm von See also:Kaulbach and See also:Schwanthaler . As opportunity offers, the narrow streets of the older city are converted into broad, straight boulevards, lined with palatial mansions and public buildings . The hygienic improvement effected by these changes, and by a new and excellent See also:water See also:supply, is shown by the mortality averages—4o•4 per thousand in 1871-1875, 30.4 per thousand in 1881-1885, and 20.5 per thousand in 1903-1904 . The architectural See also:style which has been principally followed in the later public buildings, among them the See also:law courts, finished in 1897, the German bank, St See also:Martin's See also:hospital, as well as in numerous private dwellings, is the See also:Italian and See also:French See also:Rococo, or See also:Renaissance, adapted to the traditions of Munich architecture in the 17th and 18th centuries . A large proportion of the most notable buildings in Munich are in two streets, the Ludwigstrasse and the Maximilianstrasse, the creations of the monarchs whose names they See also:bear . The former, three-quarters of a mile See also:long and 40 yds. wide, chiefly contains buildings in the Renaissance style by See also:Friedrich von Gartner . The most striking of these are the palaces of See also:Duke Max and of See also:Prince Luitpold; the Odeon, a large See also:building for concerts, adorned with frescoes and See also:marble busts; the See also:war See also:office; the royal library, in the Florentine palatial style; the Ludwigskirche, a successful reproduction of the Italian Romanesque style, built in 1829-1844, and containing a huge See also:fresco of the Last See also:Judgment by Cornelius; the See also:blind See also:asylum; and, lastly, the university . At one end this See also:street is terminated by the Siegestor, while at the other is the Feldherrenhalle (or See also:hall of the marshals), a copy of the Loggia dei See also:Lanzi at See also:Florence, containing statues of See also:Tilly and See also:Wrede by Schwanthaler . Adjacent is the See also:church of the Theatines, an imposing though somewhat over-ornamented example of the Italian Rococo style; it contains the royal See also:burial vault . In the Maximilianstrasse, which extends from Haidhausen on the right bank of the Isar to the Max-See also:Joseph Platz, See also:King Maximilian II. tried to introduce an entirely novel style of domestic architecture,formed by the See also:combination of older forms . At the See also:east end it is closed by the Maximilianeum, an extensive and imposing edifice, adorned externally with large sculptural See also:groups and internally with huge paintings representing the See also:chief scenes in the See also:history of the See also:world .

Descending the street, towards the See also:

west are passed in See also:succession the old buildings of the Bavarian See also:national museum, the See also:government buildings in which the Composite style of Maximilian has been most consistently carried out, and the See also:mint . On the north See also:side of the Max-Joseph Platz lies the royal See also:palace, consisting of the Alte Residenz, the K6nigsbau, and the Festsaalbau . The Alte Residenz See also:dates from 16or to 1616; its apartments are handsomely fitted up in the Rococo style, and the private See also:chapel and the See also:treasury contain several crowns and many other interesting and valuable See also:objects . The Festsaalbau, erected by Klenze in the Italian Renaissance style, is adorned with mural paintings and sculptures, while the Konigsbau, a reduced copy of the Pitti Palace at Florence, contains a See also:series of admirable frescoes from the Niebelungenlied by See also:Julius Schnorr von Carolsfeld . Adjoining the palace are two theatres, the Residenz or private See also:theatre, and the handsome Hoftheater, accommodating 2500 spectators . The Allerheiligen-Hofkirche, or See also:court-church, is in the See also:Byzantine style, with a Romanesque See also:facade . The Ludwigstrasse and the Maximilianstrasse both end at no See also:great distance from the Frauenplatz in the centre of the old town . On this square stands the Frauenkirche, the See also:cathedral church of the See also:archbishop of Munich-See also:Freising, with its lofty See also:cupola capped towers dominating the whole town . It is imposing from its See also:size, and interesting as one of the few examples of indigenous Munich art . On the adjacent Marienplatz are the old town-hall, dating from the 14th See also:century and restored in 1865, and the new town-hall, the latter a magnificent modern See also:Gothic erection, freely embellished with statues, frescoes, and stained-See also:glass windows, and enlarged in 1900-1905 . The See also:column in the centre of the square was erected in 1638, to commemorate the defeat of the Protestants near See also:Prague by the Bavarians during the See also:Thirty Years' War . Among the other churches of Munich the chief See also:place is due to St See also:Boniface's, an admirable copy of an See also:early See also:Christian See also:basilica .

It is adorned with a See also:

cycle of religious paintings by Heinrich von See also:Hess (1798-1863), and the See also:dome is supported by sixty-four monoliths of See also:grey Tyrolese marble . The See also:parish church of Au, in the Early Gothic style, contains gigantic stained-glass windows and some excellent See also:wood-See also:carving; and the church of St See also:John in Haidhausen is another See also:fine Gothic structure . St See also:Michael's in the Renaissance style, erected for the See also:Jesuits in 1583-1595, contains the See also:monument of See also:Eugene See also:Beauharnais by See also:Thorwaldsen . The facade is divided into storeys, anc the See also:general effect is by no means ecclesiastical . St Peter's is interesting as the See also:oldest church in Munich (12th century), though no trace of the See also:original basilica remains . Among newer churches the most noticeable are the Evangelical church of St See also:Luke, a Transitional building, with an imposing dome, finished in 1896, and the Gothic parochial church of the Giesing suburb, with a See also:tower 312 ft. high and See also:rich interior decorations (1866-1884) . The valuable collections of art are enshrined in handsome buildings, mostly in the ,Maximilian suburb on the north side of the town . The old Pinakothek, erected by Klenze in 1826-1836, and somewhat resembling the Vatican, is embellished externally with frescoes by Cornelius and with statues of twenty-four celebrated painters from sketches by Schwanthaler . It contains a valuable and extensive collection of pictures by the earlier masters, the chief treasures, being the early German and Flemish See also:works and the unusually numerous examples of See also:Rubens . It also affords See also:accommodation to more than 300,000 engravings, over 20,000 drawings, and a large collection of vases . Opposite stands the new Pinakothek, built 1846-1853, the frescoes on which, designed by Kaulbach, show the effects of See also:wind and See also:weather . It is devoted to works by painters of the last century, among which Karl Rottmann's See also:Greek landscapes are perhaps the most important .

Phoenix-squares

The See also:

Glyptothek, a building by Klenze in the Ionic style, and adorned with several groups and single statues, contains a valuable series of sculptures, extending from See also:Assyrian and See also:Egyptian monuments down to works by Thorwaldsen and other modern masters . The celebrated Aeginetan See also:marbles preserved here were found in the See also:island of See also:Aegina in 1811 . Opposite the Glyptothek stands the See also:exhibition building, in the Corinthian style, it was finished in 1845, and is used for periodic exhibitions of art . In addition to the museum of See also:plaster casts, the Antiquarium (a collection of Egyptian, Greek and See also:Roman antiquities under the roof of the new Pinakothek) and the Maillinger collection, connected with the See also:historical museum, Munich also contains several private galleries . Fore-most among these stand the See also:Schack See also:Gallery, bequeathed by the founder, See also:Count Adolph von Schack, to the See also:emperor See also:William II. in 1894, rich in works by modern German masters, and the Lotzbeck collection of sculptures and paintings . Other structures and. institutions are the new buildings of the art association; the See also:academy of the plastic arts (1874-1885), in the Renaissance style; and the royal See also:arsenal (Zeughaus) with the military museum . The Schwanthaler museum contains See also:models of most of the great sculptor's works . The immense scientific collection in the Bavarian national museum, illustrative of the See also:march of progress from the Roman See also:period down to the See also:present See also:day, compares in completeness with the similar collections at See also:South See also:Kensington and the Musee de See also:Cluny . The building which now houses this collection was erected in 1894-1900 . On the walls is a series of well-executed frescoes of scenes from Bavarian history, occupying a space of 16,000 sq. ft . The ethnographical museum, the See also:cabinet of coins, and the collections of fossils, minerals, and See also:physical and See also:optical See also:instruments, are also worthy of mention . The art See also:union, the oldest and most extensive in Germany, possesses a See also:good collection of modern works .

The chief place among the scientific institutions is due to the academy of See also:

science, founded in 1759 . The royal library contains over 1,300,000 printed volumes and 30,000 See also:manuscripts . The See also:observatory is equipped with instruments by the celebrated Josef See also:Fraunhofer . At the See also:head of the educational institutions of Munich stands the university, founded at See also:Ingolstadt in 1472, removed to See also:Landshut in 1800, and transferred thence to Munich in 1826 . In addition to the four usual faculties there is a fifth—of See also:political See also:economy . In connexion with the university are medical and other See also:schools, a priests' See also:seminary, and a library of 300,000 volumes . The See also:polytechnic See also:institute (Technische Hochschule) in 1899 acquired the See also:privilege of conferring the degree of See also:doctor of technical science . Munich contains several gymnasia or See also:grammar-schools, a military academy, a veterinary See also:college, an agricultural college, a school for architects and builders, and several other technical schools, and a conservatory of See also:music . The general See also:prison in the suburb of Au is considered a See also:model of its See also:kind; and there is also a large military prison . Among other public buildings, the crystal palace (See also:Glas-palast), 765 ft. in length, erected for the great exhibition of 1854, is now used, as occasion requires, for temporary exhibitions . The See also:Wittelsbach palace, built in 1843-1850, in the Early See also:English Pointed style, is one of the residences of the royal See also:family . Among the numerous monuments with which the squares and streets are adorned, the most important are the See also:colossal statue of Maximilian II. in the Maximilianstrasse, the equestrian statues of Louis I. and the elector Maximilian I., the See also:obelisk erected to the 30,000 Bavarians who perished in See also:Napoleon's expedition to See also:Moscow, the Wittelsbach See also:fountain (1895), the monument commemorative of the See also:peace of 1871, and the marble statue of Justus See also:Liebig, the chemist, set up in 1883 .

The English See also:

garden (Englischer Garten), to the north-east of the town, is 600 acres in extent, and was laid out by Count See also:Rumford in imitation of an English See also:park . On the opposite bank of the Isar, above and below the Maximilianeum, extend the Gasteig promenades, commanding fine views of the town . To the south-west of the town is the Theresienwiese, a large See also:common where the popular festival is celebrated in See also:October . Here is situated the Ruhmeshalle or hall of fame, a Doric See also:colonnade containing busts of eminent Bavarians . In front of it is acolossal See also:bronze statue of Bavaria, 170 ft. high, designed by Schwanthaler . The botanical garden, with its large See also:palm-See also:house, the Hofgarten, surrounded with arcades containing frescoes of Greek landscapes by Rottmann, and the Maximilian park to the east of the Isar, See also:complete the See also:list of public parks . The See also:population of Munich in 1905 was 538,393 . The permanent See also:garrison See also:numbers about 10,000 men . Of the population, 84% are Roman See also:Catholic, 14% Protestants, and 2% See also:Jews . Munich is the seat of the archbishop of Munich-Freising and of the general See also:Protestant See also:consistory for Bavaria . About twenty See also:newspapers are published here, including the Allgemeine Zeitung . Some of the festivals of the Roman Church are celebrated with considerable pomp; and the See also:people also cling to various national fetes, such as the Metzgersprung, the Schaffiertanz, and the great October festival .

Munich has long been celebrated for its See also:

artistic handicrafts, such as bronze-See also:founding, glass-staining, silversmith's See also:work, and wood-carving, while the astronomical instruments of Fraunhofer and the mathematical instruments of Traugott Lieberecht von Ertel (1778-1858) are also widely known . See also:Lithography, which was invented at Munich at the end of the 18th century, is extensively practised here . The other See also:industrial products include See also:wall-See also:paper, railway plant, machinery, gloves and artificial See also:flowers . The most characteristic See also:industry, however, is See also:brewing . Four important markets are held at Munich annually . The city is served by an extensive electric See also:tramway See also:system . History.—The See also:Villa Munichen or See also:Forum ad monachos, so called from the monkish owners of the ground on which it See also:lay, was first called into prominence by Duke See also:Henry the See also:Lion, who established a mint here in 1158, and made it the See also:emporium for the See also:salt coming from Hallein and See also:Reichenhall . The Bavarian See also:dukes of the Wittelsbach house occasionally resided at Munich, and in 1255 Duke Louis made it his capital, having previously surrounded it with walls and a See also:moat . The town was almost entirely destroyed by See also:fire in 1327, after which the emperor Louis the Bavarian, in recognition of the See also:loyalty of the citizens, rebuilt it very much on the See also:scale it retained down to the beginning of the 19th century . Among the succeeding rulers those who did most for the town in the erection of handsome buildings and the See also:foundation of schools and scientific institutions were See also:Albert V., William V., Maximilian I., Max Joseph and See also:Charles See also:Theodore . In 1632 Munich was occupied by Gustavus See also:Adolphus, and in 1705, and again in 1742, it was in See also:possession of the Austrians . In 1791 the fortifications were razed .

Munich's importance in the history of art is entirely of modern growth, and may be dated from the acquisition of the Aeginetan marbles by Louis I., then See also:

crown prince, in 1812 . Among the eminent artists of this period whose names are more or less identified with Munich were Leo von Klenze (1784-1864), Joseph See also:Daniel Ohlmuller (1791-1839), Friedrich von Gartner (1792-1847), and Georg Friedrich Ziebland (18o0-1873), the architects; Peter von Cornelius (1783-1867), Wilhelm von Kaulbach (1804-1874), Julius Schnorr von Carolsfeld (1794-1872), and Karl Rottmann, the painters; and Ludwig von Schwanthaler, the sculptor . Munich is still the leading school of painting in Germany, but the romanticism of the earlier masters has been abandoned for See also:drawing and colouring of a realistic See also:character . Karl von See also:Piloty (1826-1886) and Wilhelm See also:Diez (1839-1907) long stood at the head of this school . See Mittheilungen See also:des statistischen Bureaus der Stadt Munchen (vols. i.–v., 1875–1882); Soltl, Munchen mit seinen Umgebungen (1854); Reber, Bautechnischer Fiihrer durch See also:die Stadt Munchen (1876) ; Daniel, Handbuch der Geographie (new ed., 1895); Prantl, Geschichte der Ludwig-Maximilian Universitat (Munich, 1872) ; Goering, 3o Jahre Munchen (Munich, 1904) ; von See also:Ammon, Die Gegend von Munchen geologisch geschildert (Munich, 1895) ; Kronegg, Illustrierte Geschichte der Stadt Munchen (Munich, 1903); the Jahrbuch See also:fur Munchener Geschichte, edited by Reinhardstottner and Trautmann (Munich, 1887-1894) ; Aufleger and Trautmann, Alt-Munchen in Bild and Wort (Munich, 1895) ; Rohmeder, Munchen als Handelsstadt (Munich, 1905) ; H . Tinsch, Das Stadtrecht von Munchen (See also:Bamberg, 1891) ; F . Pecht, Geschichte der munchener Kunst See also:im 19 Jahrhundert (Munich, 1888) ; and Trautwein, Fi hrer durch Munchen (Both ed., 1906) . There is an English See also:book on Munich by H . R . Wadleigh (1910) .

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