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MICHAEL VON See also: LEO LIEB, was the third son of Michael Lieb, a See also: collector of See also: salt-tax in See also: Munkacs, Hungary, and of Cacilia See also: Rock
.
He was See also: born in that See also: town on the loth of See also: February 1844
.
In 1848 his See also: father was arrested at See also: Miskolcz for complicity in the Hungarian revolution, and died shortly after his See also: release; a little earlier he had also lost his See also: mother, and became dependent upon the charity of relations, of whom an See also: uncle, Rock, became mainly responsible for his maintenance and See also: education
.
He was apprenticed to a See also: carpenter, Langi, in 1855, but shortly afterwards made the acquaintance of the painters Fischer and Szamossy, whom he accompanied to See also: Arad in 1858
.
From them he received his first real instruction in See also: art
.
He worked mainly at See also: Budapest during 1863—1865, and at this See also: time first adopted, from patriotic motives, the name by which he is always known
.
In 1865 he visited Vienna, returning to Budapest in the following See also: year, and went thence to See also: Munich, where he contributed a few drawings to the Fliegende Blotter
.
About the end of 1867 he was working at See also: Dusseldorf, where he was much influenced by Ludwig Knaus, and painted (1868—1869) his first picture of importance, " The Last See also: Day of a Condemned Prisoner," which was exhibited in the See also: Paris See also: Salon in 1870, and obtained for him a medaille unique and a very considerable reputation
.
He had already paid a See also: short visit to Paris in 1867, but on the 25th of See also: January 1872 he took up his permanent abode in that city, and remained there during the rest of his working See also: life
.
See also: Munkacsy's other chief pictures are " See also: Milton dictating See also: Paradise Lost to his Daughters " (Paris See also: Exhibition, 1878), " Christ before See also: Pilate " (1881), " Golgotha " (1883), " The See also: Death of Mozart " (r884), " Arpad, chief of the See also: Magyars, taking possession of Hungary," painted for the new See also: House of Parliament in Budapest, and exhibited at the Salon in 1893, and " Ecce Homo." He had hardly completed the latter See also: work when a malady of the See also: brain overtook him, and he died on the 3oth of See also: April 1900, at Endenich, near See also: Bonn
.
Just before his last illness he had been offered the directorship of the Hungarian See also: State Gallery at Budapest
.
Munkacsy's masterly characterization, force and power of dramatic composition secured him a See also: great vogue for his See also: works, but it is doubtful if his reputation will be maintained at the level it reached during his lifetime
.
" Christ before Pilate " and " Golgotha " were sold for £32,000 and £35,000 respectively to an See also: American buyer
.
Munkacsy received the following awards for his work exhibited at Paris: Medal, 187o, Medal, 2nd class; See also: Legion of Honour, 1877; Medal of Honour, 1878; Officer of the Legion, 1878; See also: Grand Prix, Exhibition of 1889; See also: Commander of the Legion, 1889
.
See F
.
See also: Walther Ilges, " M. von Munkacsy," Kiinstler Monographien (1899); C
.
Sedelmeyer, Christ before Pilate (Paris, 1886) ; J
.
Beavington Atkinson, " Michael Munkacsy," See also: Magazine of Art (1881)
.
(E
.
F
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