See also:

• HUGH
• HUGH, ST

HUGH See also:

• ANDREW (Gr. 'AvBp4as, manly)
• ANDREW, JOHN ALBION (1818-1867)

ANDREW See also:

• JOHNSTONE

JOHNSTONE See also:

• HUGH ANDREW JOHNSTONE MUNRO (1819-1885)
• MUNRO, MUNRO
• MUNRO, SIR HECTOR (1726-1805)
• MUNRO, SIR THOMAS (1761-1827)

MUNRO (1819-1885)  , See also:

• BRITISH

British See also:

• SCHOLAR, SCHOLARSHIP

scholar, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• ELGIN

Elgin on the 19th of See also:

• OCTOBER

October 1818 . He was educated at See also:

• SHREWSBURY
• SHREWSBURY, CHARLES TALBOT, DUKE OF (166o-1718)
• SHREWSBURY, DUKE
• SHREWSBURY, EARLS OF
• SHREWSBURY, ELIZABETH TALBOT, COUNTESS OF (1518–16o8)
• SHREWSBURY, JOHN TALBOT, 1ST EARL OF (d. 1453)

Shrewsbury school, where he was one of See also:

• KENNEDY
• KENNEDY, BENJAMIN HALL (1804-1889)
• KENNEDY, THOMAS FRANCIS (1788-1879)
• KENNEDY, WALTER (c. 1460–c. 1508)

Kennedy's first pupils, and proceeded to Trinity See also:

• COLLEGE (Collegium)

College, See also:

• CAM (CAO), DIOGO (fl. 1480-1486)

Cam-See also:

• BRIDGE

bridge, in 1838 . He became scholar of his college in 184o, second classic and first See also:

• CHANCELLOR (M. Eng. and Anglo-Fr. canceler, chanceler, Fr. chancelier, Lat. cancellarius)

chancellor's medaliist in 1842, and See also:

• FELLOW

fellow of his college in 1843 . He became classical lecturer at Trinity College, and in 1869 was elected to the newly-founded See also:

• CHAIR (in. Mid. Eng. chcere, through O. Fr. chaire or chaiere, from Lat. cathedra, later caledra, Gr. xaOi3pa, seat, cf. "cathedral"; the modern Fr. form chaise, a chair, has been adopted in English with a particular meaning as a form of carriage; chaire

chair of Latin at See also:

• CAMBRIDGE
• CAMBRIDGE, EARLS AND DUKES OF
• CAMBRIDGE, RICHARD OWEN (1717-1802)

Cambridge, but resigned it in 1872 . The See also:

• GREAT

great See also:

• WORK

work on which his reputation is mainly based is his edition of See also:

• LUCRETIUS (TITUS LUCRETIUS CARUS) (c. 98–55 B.C.)

Lucretius, the See also:

• FRUIT (through the French from the Lat. fructus; frui, to enjoy)

fruit of the labour of many years (See also:

• TEXT (Lat. textum, woven fabric, from texere, to weave)

text only, x vol., 186o; text, commentary and See also:

• TRANSLATION

translation, 2 vols., 1864) . As a textual critic his knowledge was profound and his See also:

• JUDGMENT

judgment unrivalled; and he made See also:

• CLOSE
• CLOSE (from Lat. clausum, shut)
• CLOSE, MAXWELL HENRY (1822-1903)

close archaeological studies by frequent travels in See also:

• ITALY
• ITALY (Italia)

Italy and See also:

• GREECE

Greece . In 1867 he published an improved text of Aetna with commentary, and in the following See also:

• YEAR

year a text of See also:

• HORACE [QuINTus HORATIUS FLACCUS] (65-8 B.C.)

Horace with See also:

• CRITICAL (in alphabetical order of authors)

critical introduction, illustrated by specimens of See also:

• ANCIENT
• ANCIENT (also spelt ANTIENT; derived, through the Fr. ancien, old, from the late Lat. antianum, from ante, before)

ancient gems selected by C . W . See also:

• KING
• KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
• KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
• KING, CHARLES WILLIAM (1818-1888)
• KING, CLARENCE (1842–1901)
• KING, EDWARD (1612–1637)
• KING, EDWARD (1829–1910)
• KING, HENRY (1591-1669)
• KING, RUFUS (1755–1827)
• KING, THOMAS (1730–1805)
• KING, WILLIAM (1650-1729)
• KING, WILLIAM (1663–1712)

King . His knowledge and See also:

• TASTE (from Lat. taxare, to touch sharply; tangere, to touch)

taste are nowhere better shown than in his Criticisms and Elucidations of Catuilus (1878) . He was a See also:

• MASTER (Lat. magister, related to tnagis, more, as the corresponding minister is to minus, less; the English form is due partly to the O. Eng. maegister, and partly to O. Fr. maistre, mod. maitre; cf. Du. meester, Ger. Meister, Ital. maestro)

master of the See also:

• ART

art of See also:

• GREEK
• GREEK, ETRUSCAN AND

Greek and Latin See also:

• VERSE (from Lat. versus, literally a line or furrow drawn by turning the plough, from vertere, and afterwards signifying an arrangement of syllables into feet)

verse See also:

• COMPOSITION
• COMPOSITION (Lat. compositio, from componere, to put together)

composition . His contributions to the famous See also:

• VOLUME

volume of Shrewsbury verse, Sabrinae corolla, are among the most remarkable of a remarkable collection .

His See also:

• TRANSLATIONS

Translations into Latin and Greek Verse were privately printed in 1884 . Like his translations into See also:

• ENGLISH

English, they are characterized by See also:

• MINUTE
• MINUTE (Lat. minutes, small; minuere, to make less)

minute fidelity to the See also:

• ORIGINAL

original, but never cease to be idiomatic . He died at See also:

• ROME
• ROME (Roma)

Rome on the 3oth of See also:

• MARCH
• MARCH (1) (from Fr. marcher, to walk; the earliest sense in French appears to be " to trample," and the origin has usually been found in the Lat. marcus, hammer; Low Lat. marcare, to hammer; hence to beat the road with the regular tread of a soldier: cf.
• MARCH, AUZIAS (c. "1395-1458)
• MARCH, EARLS OF
• MARCH, FRANCIS ANDREW (1825– )

March 1885 . See Memoir by J . D . See also:

• DUFF, ALEXANDER (1806-1878)

Duff, prefixed to a re-issue of the trans. of Lucretius in " See also:

• BOHN, HENRY GEORGE (1796-1884)

Bohn's Classical Library " (19o8) .