See also:

• ROBERT
• ROBERT (1275—1343)
• ROBERT, HUBERT (1753-1808)
• ROBERT, LOUIS LEOPOLD (1794-1835)

ROBERT See also:

• ROBERT NANTEUIL (1623-1678)

NANTEUIL (1623-1678)  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French See also:

• LINE

line-engraver, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born about 1623, or, as other authorities See also:

• STATE
• STATE, GREAT OFFICERS OF

state, in 1630, the son of a See also:

• MERCHANT (O. Fr. marcheant, modern marchand; from Lat. mercari, to trade, merx, goods, merchandise)

merchant of See also:

• REIMS
• REIMS (RHEIMS)

Reims . Having received an excellent classical See also:

• EDUCATION

education, he studied See also:

• ENGRAVING

engraving under his See also:

• BROTHER

brother-in-See also:

• LAW
• LAW (0. Eng. lagu, M. Eng. lawe; from an old Teutonic root lag, " lie," what lies fixed or evenly; cf. Lat. lex, Fr. loi)
• LAW, JOHN (1671—1729)
• LAW, WILLIAM (1686-1761)

law, See also:

• NICHOLAS
• NICHOLAS (1841– )
• NICHOLAS (or NICLAES), HENRY (or HENDRIK) (c. 1501-C. 158o)
• NICHOLAS, SIR EDWARD (1593-1669)
• NICHOLAS, ST

Nicholas Regnesson; and, his See also:

• CRAYON (Fr. craie, chalk, from Lat. creta)

crayon portraits having attracted See also:

• ATTENTION (from Lat. ad-tendo, await, expect; the condition of being " stretched " or " tense ")

attention, he was pensioned by See also:

• LOUIS
• LOUIS (804–876)
• LOUIS (893–911)
• LOUIS, JOSEPH DOMINIQUE, BARON (1755-1837)
• LOUIS, or LEWIS (from the Frankish Chlodowich, Chlodwig, Latinized as Chlodowius, Lodhuwicus, Lodhuvicus, whence-in the Strassburg oath of 842-0. Fr. Lodhuwigs, then Chlovis, Loys and later Louis, whence Span. Luiz and—through the Angevin kings—Hungarian

Louis XIV. and appointed designer and engraver of the See also:

• CABINET

cabinet to that monarch . It was mainly due to his See also:

• INFLUENCE (Late Lat. influentia, from influere, to flow in)

influence that the See also:

• KING
• KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
• KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
• KING, CHARLES WILLIAM (1818-1888)
• KING, CLARENCE (1842–1901)
• KING, EDWARD (1612–1637)
• KING, EDWARD (1829–1910)
• KING, HENRY (1591-1669)
• KING, RUFUS (1755–1827)
• KING, THOMAS (1730–1805)
• KING, WILLIAM (1650-1729)
• KING, WILLIAM (1663–1712)

king granted the See also:

• EDICT (Lat. edictum, from e, out, and dicere, to say, speak)

edict of 1660, dated from St See also:

• JEAN

Jean de Luz, by which engraving was pronounced See also:

• FREE

free and distinct from the See also:

• MECHANICAL

mechanical arts, and its practitioners were declared entitled to the privileges of other artists . He died at See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris in 1678 . The plates of See also:

• NANTEUIL, ROBERT (1623-1678)

Nanteuil, several of them approaching the See also:

• SCALE
• SCALE (1) A

scale of See also:

• LIFE

life, number about three See also:

• HUNDRED

hundred . In his See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early practice he imitated the technique of his predecessors, working with straight lines, strengthened, but not crossed, in the shadows, in the See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style of See also:

• CLAUDE, JEAN (1619-1687)

Claude Mellan, and in other prints See also:

• CROSS

cross-hatching like Regnesson, or stippling in the manner of Jean See also:

• BOULANGER
• BOULANGER, GEORGE ERNEST JEAN MARIE (1837-1891)

Boulanger; but he gradually asserted his full individuality, modelling the faces of his portraits with the utmost precision and completeness, and employing various methods of See also:

• TOUCH (derived through Fr. toucher from a common Teutonic and Indo-Germanic root, cf. " tug," " tuck," O. H. Ger. zucchen, to twitch or draw)

touch for the draperies and other parts of his plates . Among the finest See also:

• WORKS

works of his fully See also:

• DEVELOPED

developed See also:

• PERIOD
• PERIOD (Gr. irepioSos, a going or way round, circuit, aepi, round, and &Sis, way, road)

period may be named the portraits of Pomponne de Bellievre, Gilles See also:

• MENAGE, GILLES (1613-1692)

Menage, Jean Loret, the duc de la Meilleraye and the duchess de See also:

• NEMOURS
• NEMOURS, LORDS AND DUKES OF
• NEMOURS, LOUIS CHARLES PHILIPPE RAPHAEL

Nemours . A See also:

• LIST (O.E. lisle, a Teutonic word, cf. Dut. lust, Ger. Leiste, adapted in Ital. lista and Fr. lisle)
• LIST, FRIEDRICH (1789-1846)

list of his works will be found in Dumesnil's Le Peintre-graveur See also:

• FRANCAIS, ANTOINE, COUNT (1756-1836)

francais, vol. iv .