JUAN See also:

• FERNANDEZ, ALVARO
• FERNANDEZ, DIEGO
• FERNANDEZ, JOHN (Joao, Joam)
• FERNANDEZ, JUAN (fl. c. 1570)
• FERNANDEZ, LUCAS

FERNANDEZ See also:

• JUAN FERNANDEZ NAVARRETE (1526-1579)
• NAVARRETE, MARTIN FERNANDEZ DE (1765–1844)

NAVARRETE (1526-1579)  , surnamed El Mudo (The See also:

• MUTE (Lat. tnutus, dumb)

Mute), See also:

• SPANISH

Spanish painter of the See also:

• MADRID

Madrid school, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at Logrono in 1526 . An illness in See also:

• INFANCY

infancy deprived him of his See also:

• HEARING (formed from the verb " to hear," O. Eng. hyran, heron, &c., a common Teutonic verb; cf. Ger. Koren, Dutch hooren, &c.; the O. Tent. form is seen in Goth. hausjan; the initial h makes any connexion with " ear," Lat. audire, or Gr. &Kobew very doub

hearing, but at a very See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age he began to See also:

• EXPRESS (through the French from the past participle of the Lat. exprimere, to press out, by transference used of representing objects in painting or sculpture, or of thoughts, &c. in words)

express his wants by sketching See also:

• OBJECTS

objects with a piece of See also:

• CHARCOAL

charcoal . He received his first instructions in See also:

• ART

art from Fray See also:

• VICENTE, GIL (147o-1540)

Vicente de Santo Domingo, a Hieronymite See also:

• MONK (O.Eng. munuc; this with the Teutonic forms, e.g. Du. monnik, Ger. Witch, and the Romanic, e.g. Fr. moine, Ital. monacho and Span. monje, are from the Lat. monachus, adaptedfrom Gr. µovaXos, one living alone, a solitary; Own, alone)
• MONK (or MONCK), GEORGE
• MONK, JAMES HENRY (1784-1856)
• MONK, MARIA (c. 1817—1850)

monk at See also:

• ESTELLA

Estella, and afterwards he visited See also:

• NAPLES
• NAPLES (Ital. Napoli, and Lat. Neapolis)
• NAPLES, KINGDOM OF

Naples, See also:

• ROME
• ROME (Roma)

Rome, See also:

• FLORENCE
• FLORENCE (Ital. Firenze, Lat. Florentia)

Florence and See also:

• MILAN
• MILAN (Ital. Milano, Ger. Mailand, anc. Mediolanum, q.v.)

Milan . According to the See also:

• ORDINARY (med. Lat. ordinarius, Fr. ordinaire)

ordinary See also:

• ACCOUNT
• ACCOUNT (through O. Fr. acont, Late Lat. comptum, cornputare, to calculate)

account he was for a considerable See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time the See also:

• PUPIL (Lat. pupillus, orphan, minor, dim. of pupus, boy, allied to puer, from root pm- or peu-, to beget, cf. "pupa," Lat. for " doll," the name given to the stage intervening between the larval and imaginal stages in certain insects)

pupil of See also:

• TITIAN
• TITIAN (c. 1477-1576)

Titian at See also:

• VENICE
• VENICE (continued)
• VENICE (Venezia)

Venice . In 1568 See also:

• PHILIP
• PHILIP (Gr.'FiXtrsro , fond of horses, from dn)^eiv, to love, and limos, horse; Lat. Philip pus, whence e.g. M. H. Ger. Philippes, Dutch Filips, and, with dropping of the final s, It. Filippo, Fr. Philippe, Ger. Philipp, Sp. Felipe)
• PHILIP, JOHN (1775-1851)
• PHILIP, KING (c. 1639-1676)
• PHILIP, LANOGRAVE OF HESSE (1504-1567)

Philip II. summoned him to Madrid with the See also:

• TITLE (0. Fr. title, mod. titre, from Lat. titulus)

title of See also:

• KING
• KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
• KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
• KING, CHARLES WILLIAM (1818-1888)
• KING, CLARENCE (1842–1901)
• KING, EDWARD (1612–1637)
• KING, EDWARD (1829–1910)
• KING, HENRY (1591-1669)
• KING, RUFUS (1755–1827)
• KING, THOMAS (1730–1805)
• KING, WILLIAM (1650-1729)
• KING, WILLIAM (1663–1712)

king's painter and a See also:

• SALARY

salary, and employed him to execute pictures for the See also:

• ESCORIAL

Escorial . The most celebrated of the See also:

• WORKS

works he there produced are a "Nativity" (in which, as in the well-known See also:

• WORK

work on the same subject by See also:

• CORREGGIO
• CORREGGIO, or COREGGIO

Correggio, the See also:

• LIGHT

light emanates from the See also:

• INFANT (in early forms enfaunt, enfant, through the Fr. enfant, from Lat. infans, in, not, and fans, the present participle of fari, to speak)

infant Saviour), a "See also:

• BAPTISM

Baptism of See also:

• CHRIST (Gr. X pLQTOS, Anointed)
• CHRIST, WILHELM VON (1831-1906)

Christ" (now in the Madrid Picture See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

Gallery), and " See also:

• ABRAHAM, or ABRAM (Hebrew for " father is high ")

Abraham Receiving the Three Angels" (one of his last performances, dated 1576) .