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See also: Gerard Labrunie, French See also: man of letters, See also: born in See also: Paris on the 22nd of May 18o8
.
His See also: father was an army See also: doctor, and the See also: child was See also: left with an See also: uncle in the country, while Mme Labrunie accompanied her See also: husband in his See also: campaigns
.
She died in See also: Silesia
.
In 1811 his father returned, and beside See also: Greek and Latin taughtthe boy See also: modern See also: languages and the elements of Arabic and Persian
.
Gerard found his favourite See also: reading in old books on mysticism and the occult sciences
.
He distinguished himself by his successes at the See also: College Charlemagne, however, and his first See also: work, La See also: France guerriere, elegies nationales, was published while he was still a student
.
In 1828 he published a See also: translation of Goethe's See also: Faust, the choruses of which were afterwards used by See also: Berlioz for his See also: legend-See also: symphony, The Damnation of Faust
.
A number of poetical pieces and three comedies combined to acquire for him, at the age of twenty-one, a considerable See also: literary reputation, and led to his being associated with See also: Theophile Gautier in the preparation of the dramatic feuilleton for the Presse
.
He conceived a violent passion for the actress Jennie Colon, in whom he thought he recognized a certain Adrienne, who had fired his childish See also: imagination
.
Her See also: marriage and her See also: death in 1842 were blows from which his See also: nervous temperament never really recovered
.
He travelled in See also: Germany with Alexandre See also: Dumas, and alone in various parts of See also: Europe, leading a very irregular and eccentric See also: life
.
In 1843 he visited Constantinople and See also: Syria, where, among other adventures, he nearly married the daughter of a Druse See also: sheikh
.
He contributed accounts of his travels to the Revue See also: des Deux Mondes and other See also: periodicals
.
After his return to Paris in 1844 he resumed for a See also: short See also: time his feuilleton for the Presse, but his eccentricities increased and be committed suicide by See also: hanging, on the 25th of See also: January 1855
.
The literary See also: style of Gerard is See also: simple and unaffected, and he has a See also: peculiar faculty of giving to his imaginative creations an air of naturalness and reality
.
In a series of novelettes, afterwards published under the name of See also: Les Illumines, ou les precurseurs du socialisme (1852), containing studies on Retif de la Bretonne, Cagliostro and others, he gave a sort of analysis of the feelings which followed his third attack of insanity
.
Among his other See also: works the See also: principal are Les Filles du See also: feu (1854), which contains his masterpiece, the semi-autobiographical See also: romance of Syl ., Scenes de la See also: vie orientale (1848–185o) ; Contes et faceties (1852); La Boheeeme galante (1856); and L'Alchimiste, a drama in five acts, the joint composition of Gerard and Alexandre Dumas
.
His Poesies completes were published in 1877
.
There are many accounts of Gerard de See also: Nerval's unhappy life
.
Among them may be mentioned notices by his friend Theophile Gautier and by Arsene See also: Houssaye, prefixed to the See also: posthumous Le Reve et la vie (1855); See also: Maurice See also: Tourneux's sketch in his Age du romantisme (1887); and a sympathetic study of temperament in the Nevroses (1898) of Mme Arvede Barine
.
See also G
.
Ferricres, Gerard de Nerval (1906)
.
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