See also:

• ALPHONSE, COUNT OF TOULOUSE AND OF POITIERS (I220-1271)

ALPHONSE See also:

• MARIE

MARIE DE See also:

• ALPHONSE MARIE DE NEUVILLE (1836-1885)

NEUVILLE (1836-1885)  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born, the son of wealthy parents, at See also:

• SAINT (lat. sanctus, " holy ")

Saint-Omer, See also:

• FRANCE
• FRANCE, ANATOLE (1844– )

France, on the 31st of May 1836 . From school he went to See also:

• COLLEGE (Collegium)

college, where he took his degree of bachelier es lettres . In spite of the opposition of his See also:

• FAMILY

family he entered the See also:

• NAVAL

naval school at See also:

• LORIENT

Lorient, and it was here, in 1856, that his See also:

• ARTISTIC

artistic instincts first declared themselves . After being discouraged by several painters of repute, he was admitted to See also:

• WORK

work in Picot's studio . He did not remain there See also:

• LONG, GEORGE (1800-1879)
• LONG, JOHN DAVIS (1838– )

long, and he was See also:

• PAINTING

painting by himself when he produced his first picture, " The Fifth See also:

• BATTALION

Battalion of Chasseurs at the See also:

• GERVAIS, PAUL (1816-1879)

Gervais See also:

• BATTERY (Fr. batterie, from battles, to beat)

Battery (Malakoff)." In 186o de See also:

• NEUVILLE, ALPHONSE MARIE DE (1836-1885)

Neuville painted an " See also:

• EPISODE

Episode of the taking of See also:

• NAPLES
• NAPLES (Ital. Napoli, and Lat. Neapolis)
• NAPLES, KINGDOM OF

Naples by See also:

• GARIBALDI, GIUSEPPE (1807-1882)

Garibaldi " for the Artists' See also:

• CLUB (connected with " clump ")

Club in the See also:

• RUE (Fr. rue, Lat. ruta, from Gr. pur)

Rue de See also:

• PROVENCE (Provincia, Proenza)

Provence, and sent to the See also:

• SALON

Salon in 1861 " The See also:

• LIGHT

Light See also:

• HORSE (a word common to Teutonic languages in such forms as hors, hros, ros; cf. the Ger. ross)

Horse See also:

• GUARDS, AND HOUSEHOLD TROOPS

Guards in the Trenches of the Mamelon Vert." He also illustrated Le Tour du monde and See also:

• GUIZOT, FRANCOIS PIERRE GUILLAUME (1787-1874)

Guizot's See also:

• HISTORY

History of France . At the same See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time he painted a number of remarkable pictures: " The Attack in the Streets of See also:

• MAGENTA

Magenta by Zouaves and the Light Horse " (1864), " A See also:

• ZOUAVE

Zouave See also:

• SENTINEL, or SENTRY

Sentinel " (1865), " The See also:

• BATTLE

Battle of See also:

• SAN

San Lorenzo " (1867), and " Dismounted See also:

• CAVALRY (Fr. cavalerie, Ger. Kavallerie or Reiterei, derived ultimately from late Lat. caballus, horse)

Cavalry See also:

• CROSSING

crossing the Tchernaia " (1869) . In these he showed See also:

• PECULIAR

peculiar insight into military See also:

• LIFE

life, but his full See also:

• POWER [WILLIAM GRATTAN] TYRONE (1797-1841)

power was not reached till after the See also:

• WAR
• WAR (O. Eng. werre, Fr. guerre, of Teutonic origin; cf. O.H.G. werran, to confound)

war of 1870 . He then aimed at depicting in his See also:

• WORKS

works the episodes of that war, and began by representing the " See also:

• BIVOUAC (a French word generally said to have been introduced during the Thirty Years' War, perhaps derived from Beiwacht, extra guard)

Bivouac before Le See also:

• BOURGET, PAUL CHARLES JOSEPH (1852– )

Bourget " (1872) . His fame spread rapidly, and was increased by " The Last Cartridges " (1873), in which it is easy to discern the vast difference between the conventional treatment of military subjects, as practised by See also:

• HORACE [QuINTus HORATIUS FLACCUS] (65-8 B.C.)

Horace See also:

• VERNET

Vernet, and that of a See also:

• MAN
• MAN, ISLE OF (anc. Mona)

man who had lived through the life he painted . In 1874 the " Fight on a Railroad " was not less successful, and was followed by the " Attack on a See also:

• HOUSE
• HOUSE (O. Eng. hiss, a word common to Teutonic languages, cf. Dut. huis, Ger. Haus; in Gothic it is only found in gudhiss, a temple; it may be ultimately connected with the root of " hide," conceal)

House at Villersexel " (1875) and the " Railway See also:

• BRIDGE

Bridge at Styring " (1877) . In 1878 the painter exhibited (not at the See also:

• GREAT

Great See also:

• EXHIBITION

Exhibition) " Le Bourget," the " Surprise at Daybreak," " The Intercepted Despatch-See also:

• BEARER

bearer," and a considerable number of drawings . He also exhibited in See also:

• LONDON

London some episodes of the Zulu War .

In 1881 he was made an officer of the See also:

• LEGION (Lat. legio)

Legion of See also:

• HONOUR (Lat. honos or lwnor, honoris; in English the word was spelled with or without the u indifferently until the 17th century, but during the 18th century it became fashion-able to spell the word " honor "; Johnson's and Webster's Dictionaries stereoty

Honour for " The See also:

• CEMETERY (Gr. Korrsnri7pwv, from Hoiµav, to sleep)

Cemetery of Saint-Privat " and " The Despatch-bearer." During these years de Neuville was at work with See also:

• DETAILLE, JEAN BAPTISTE

Detaille on an important though less artistic work, " The See also:

• PANORAMA (Gr. -rap, all, and opa,ua, view)

Panorama of Rezonville." De Neuville died in See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris on the 18th of May 1885 . At the See also:

• SALE
• SALE, GEORGE (c. 1697-1736)
• SALE, SIR ROBERT HENRY (1782—1845)

sale of his works the See also:

• STATE
• STATE, GREAT OFFICERS OF

state See also:

• PURCHASED

purchased for the Luxembourg the " Bourget " and the " Attack on a Barricaded House," with a See also:

• WATER

water-See also:

• COLOUR (Lat. color, connected with celare, to hide, the root meaning, therefore, being that of a covering)

colour " The Parley," and a See also:

• DRAWING

drawing of a " Turco in Fighting See also:

• TRIM

Trim." See Montrosier, See also:

• LES

Les Peintres militaires (Paris, 1881), "De Neuville," in See also:

• GAZETTE

Gazette See also:

• DES

des See also:

• BEAUX, CECILIA (1863– )

beaux arts (Paris, 1885) .