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See also: Greek epic poet, a native of Panopolis (See also: Akhmim) in the See also: Egyptian Thebaid, probably lived at the end of the 4th or the beginning of the 5th century A.D
.
His See also: principal See also: work is the Dionysiaca, an epic in See also: forty-eight books, the See also: main subject of which is the expedition of Dionysus to See also: India and his return
.
The earlier portions treat of the rape of See also: Europa, the See also: battle of the giants, the mythical See also: history of See also: Thebes, and it is not until the eighth See also: book that the See also: birth of the See also: god is described
.
Other poets had already treated the subject, and since the See also: time of See also: Alexander it had gained popularity from the favourite comparison of the
See also: king with the god and of his enemies with the giants
.
In its vast and formless luxuriance, its beautiful but artificial versification, its delineation of
See also: action and passion to the entire neglect of character, the poem resembles the epics of India
.
Like his countryman Claudian, See also: Nonnus is a writer of copious learning and still more copious fancy, whose faults are those of the age in which he lived
.
His chief merit consists in the systematic perfection to which he brought the Homeric See also: hexameter
.
But the very correctness of the versification renders it monotonous
.
His influence on the vocabulary of his successors was likewise very considerable
.
We also possess under his name a paraphrase (See also: gera/io?i7) of the Gospel of St See also: John, which is chiefly interesting as apparently indicating that Nonnus in his later years was a convert to
See also: Christianity
.
The See also: style is not inferior to that of his epic, but, employed in embellishing the See also: simple narrative of the evangelist, it produces an impression of extreme bombast and want of taste
.
According to an See also: epigram in the Palatine See also: Anthology (ix. r98), Nonnus was also the author of a Battle of the Giants, and four lines of the Bassarica (also on the subject of Dionysus) have been preserved in Stephanus of See also: Byzantium
.
Editio princeps (1569) ; H . KSchly (" Teubner " series, with critical introduction and fullSee also: index of names, 1858); the most generally useful edition is that by the comte de See also: Marcellus (1856), with notes and prolegomena, and a French See also: prose See also: translation
.
On the metre, see J
.
G
.
Hermann, Orphica (1805), p
.
69o; A
.
Ludwich, Beitrage zur Kritik See also: des Nonnus (1873), critical, grammatical and metrical; C
.
See also: Lehrs, Quaestiones epicae (1837), pp
.
255-302, chiefly on metrical questions; on the See also: sources, R
.
KShler, Ober die Dionysiaka des Nonnus (1853), a See also: short and connected analysis of the poem, with a comparison of the earlier and later myths; see also I
.
Negrisoli, Studio critico
.
.
.
Nonnus Panopolita, with short bibliography (1903) . The paraphrase on St John (editio princeps, c . 1505) is edited by F . Passow (1834) and A . Scheindler (1881), withSee also: complete index
.
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