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NORWEGIAN LITERATURE See also:Early Norse literature is inextricably See also:bound up with Icelandic literature . See also:Iceland was colonized from See also:Norway in the 9th See also:century, and the colonists were See also:drawn chiefly from the upper and cultured classes . They took with them their See also:poetry and See also:literary traditions . Old Norse literature is therefore dealt with under Iceland (q.v.) . (See also See also:EDDA, See also:SAGA, See also:RUNES.) The See also:modern literature of Norway bears something of the same relation to that of See also:Denmark that See also:American literature bears to See also:English . In each See also:case the development and separation of a dependency have produced a See also:desire on the See also:part of persons speaking the See also:mother-See also:tongue for a literature that shall See also:express the See also:local emotions and conditions of the new nation . Two notable events led to the See also:foundation of a See also:separate Norwegian literature: the one was the creation of the university of See also:Christiania in 1811, and the other was the separation of Norway from Denmark in 1814 . Before this See also:time Norwegian writers had been content, as a See also:rule, to publish their See also:works at See also:Copenhagen . The first name on the See also:annals of Danish literature, Peder See also:Clausen, is that of a Norwegian; and if all Norse writers were removed from that See also:roll, the See also:list would be poorer by some of its most illustrious names, by See also:Holberg, Tullin, See also:Wessel, Treschow, See also:Steffens and See also:Hauch . The first See also:book printed in Norway was an See also:almanac, brought out in Christiania in 1643 by a wandering printer named Tyge Nielsen, who brought his types from Copenhagen . But the first See also:press set up definitely in Norway was that of Valentin See also:Kuhn, brought over from See also:Germany in 165o by the theologian See also:Christian Stephensen See also:Bang (158o--1678) to help in the circulation of his numerous tracts . Bang's Christianiae Stads Beskrifuelse (r65r), is the first book published in Norway . Christen See also:Jensen (d . 1653) was a See also:priest who collected a small glossary or glosebog of the local dialects, published in 1656 . See also:Gerhard Milzow (1629—1688), the author of a Presbylerologia Norwegica (1679), was also a Norse priest . The earliest Norwegian writer of any See also:original merit was Dorthe See also:Engelbrechtsdatter (1634—1716), afterwards the wife of the pastor Ambrosius Hardenbech . She is the author of several volumes of religious poetry which have enjoyed See also:great popularity . The hymn-writer Johan Brunsmann (1637—1707), though a Norseman by See also:birth, belongs by See also:education and See also:temper entirely to Denmark . Not so Petter See also:Dass (1647—1708) (q.v.), the most original writer whom Norway produced and retained at See also:home during the See also:period of See also:annexation . Another priest, See also:Jonas See also:Ramus (1649—1718), wrote Norriges Kongers Historic (See also:History of the Norse See also:Kings) in 1719, and Norriges Beskrivelse (1735) . The celebrated missionary to See also:Greenland, Hans See also:Egede (1686—1758), wrote several works on his experiences in that See also:country . Peder Hersleb (1689—1757) was the compiler of some popular See also:treatises of Lutheran See also:theology . Frederik Nannestad, See also:bishop of See also:Trondhjem (1693-1774), started a weekly See also:gazette in 176o . The missionary Knud Leem (1697—1774) published a number of works on the Lapps of Finmark, one at least of which, his Beskrivelse over Finmarkens Lapper (1767), still possesses considerable See also:interest . The famous Erik See also:Pontoppidan (1698—1764) cannot be regarded as a Norwegian, for he did not leave Denmark until he was made bishop of See also:Bergen, at the See also:age of See also:forty-nine . On the other See also:hand the far more famous See also:Baron Ludvig Holberg (1684—1754), belongs to Denmark by everything but birth, having See also:left Norway in childhood . A few Norsemen of the beginning of the 18th century distinguished themselves chiefly in See also:science . Of these Johan See also:Ernst Gunnerus (1718—1773), bishop of Trondhjem, was the first See also:man who gave See also:close See also:attention to the Norwegian See also:flora . He founded the Norwegian Royal Society of Sciences in 176o, with Gerhard Schoning (1722—1780) the historian and Hans Strom (1726—1797) the zoologist . Peder Christofer Stenersen (1723—1776), a writer of occasional verses, merely led the way for Christian Braumann Tullin (1728—1765), a lyrical poet of exquisite See also:genius, who is claimed by Denmark but who must be mentioned here, because his poetry was not only mainly composed in Christiania, but breathes a local spirit . Danish literature between the great names of Evald and See also:Baggesen presents us with hardly a single figure which is not that of a Norseman . The director of the Danish See also:national See also:theatre in 1771 was a Norwegian, Niels Krog Bredal (1733—1778), who was the first to write lyrical dramas in Danish . A Norwegian, Johan Nordahl Brun (1745—1816), was the See also:principal tragedian of the time, in the See also:French See also:taste . It was a Norwegian, J . H . Wessel (1742—1785), who laughed this taste out of See also:fashion .
In 1772 the Norwegian poets were so strong in Copenhagen that they formed a Norske Selskab (Norwegian Society), which exercised a tyranny over contemporary letters which was only shaken when Baggesen appeared
.
Among the leading writers of this period are Claus Frimann (1746—1829), See also:Peter Harboe Frimann (1752—1839), Claus See also:Fasting (1746—1791), Johan Wibe (1948—1782), Edvard See also:Storm (1749—1794), C
.
H
.
See also:Pram (1756—1821), Jonas See also:Rein (1760-1821), Jens Zetlitz (1761—1821), and Lyder Christian Sagen (1771—1850), all of whom, though Norwegians by birth, find their See also:place in the annals of Danish literature
.
To these poets must be added the philosophers Niels Treschow (1751—1833) and Henrik Steffens (1773—1845), and in later times the poet Johannes Carsten Hauch (1790-1872)
.
The first See also:form which Norwegian literature took as an See also:independent thing was what was called " Syttendemai-Poesi," or The poetry of the 17th of May, that being the See also:day on which „See also:Trefoil.” Norway obtained her See also:independence and proclaimed
forward her See also:
The third member of the Trefoil, Mauritz Kristoffer See also:Hansen (1794—1842), was a schoolmaster
.
His novels, of which Ottar de Bretagne (1819) was the earliest, were much esteemed in their day, and after his See also:death were collected and edited (8 vols., 1855—1858), with a memoir by Schwach
.
Hansen's Poems, printed at Christiania in 1816, were among the earliest publications of a liberated Norway, but were preceded by a See also:volume of Smaadigte (See also:Short Poems) by all three poets, edited by Schwach in 1815, as a semi-See also:political manifesto
.
These writers, of no great genius in themselves, did much by their See also:industry and patriotism to form a basis for Norwegian literature
.
The creator of Norwegian literature, however, was the poet Henrik See also:Arnold See also:Wergeland (1808—1845) (q.v.), a man of great genius and See also:enthusiasm, who contrived within the limits of a See also:life as short as See also:Byron's to concentrate the labours 8n"
of a dozen See also:ordinary men of letters
.
He held views in wethaven. most respects similar to those pronounced by See also:
He published a munch. See also:series of poems and dramas, one of which latter, See also:Kong
Sverres Ungdom (1837), attracted some See also:notice
.
His popularity commenced with the See also:appearance of his Poems Old and New in 1848
.
His highest level as a poet was reached by his epic called Kongedatterens Brudef See also:art (The Bridal See also:Journey of the King's Daughter) (1861)
.
Two of his See also:historical dramas have enjoyed a popularity greatly in excess of their merit; these are See also:Solomon de Caus (1854) and See also:Lord See also:
In 1882 he left Norway for See also:America as a Unitarian See also:minister, and from this See also:exile he sent home in 1885 what is perhaps the best of his books, The Saga of the See also:Prairie
.
See also:Superior to all the preceding in the quality of his lyrical See also:writing was the bishop of See also:Christiansand, Jurgen Moe (1813—1882)
.
He is,
however, better known by his labours in See also:comparative See also:mythology, in See also:conjunction with P
.
C
.
See also:Asbjornsen (see ASBJORNSEN AND MOE)
.
The names of the Norwegians See also:Ibsen (q.v.) and See also:Bjornson (q.v.), in the two See also:fields of the drama and the novel, stand out prominently in Modern the See also:European literature of the later 19th century; and novelists two writers of novels who owe much to their example are
and onas See also:Lie (q.v.), and See also:
She also wrote some lyrical poetry and successful dramas
.
The principal historian of Norway is History, Peter Andreas Munch (1810-1863), whose multifarious
writings include a See also:grammar of Old Norse (1847); a See also:col-etc. See also:lection of Norwegian See also:laws until the See also:year 1387 (1846-1849); a study of Runic See also:inscriptions (1848); a history and description of Norway during the See also:middle ages (1849) ; and a history of the Norwegian See also:people in 8 vols
.
(1852-1863); See also:Jakob Aall (1773-1844) was associated with Munch in this See also:work
.
Christian See also:Berg (1775-1852) was another worker in the same See also:
1834) has written the history of Christiania, and has traced the See also:chronicles of Norway during the Danish See also:possession
.
Bernt Moe (1814-185o) was a careful biographer of the heroes of Eidsvold
.
Eilert See also:Lund Sundt (1817-1875) published some very curious and valuable works on the See also:condition of the poorer classes in Norway
.
See also:Professor J
.
A
.
See also:Friis (b
.
1821) published the folk-See also:lore of the Lapps in a series of valuable volumes
.
The See also:German orientalist, Christian See also:Lassen (18o0-1876) was a Norwegian by birth
.
Lorentz Dietrichson (b
.
1834) wrote voluminously both on See also:Swedish and Norwegian, chiefly on Norwegian art and literature
.
In See also:jurisprudence the principal Norwegian authorities are Anton See also: In medical science, the great writer of the beginning of the 19th century was See also:Michael Skjelderup (1769-1852), who was succeeded by Frederik Holst (1791-1871) . See also:Daniel See also:Cornelius Danielsen (b . 1815) was a prominent dermatologist; but probably the most eminent of modern physiologists in Norway is Carl Wilhelm Boeck (1808-1875) . The elder See also:brother of the last-mentioned, Christian Peter Bianco Boeck (1798-1877), also demands recognition as a medical writer . See also:Christopher See also:Hansteen (1784-1873) was professor of See also:mathematics at the university for nearly sixty years . Michael Sars (1805-1869) obtained a European reputation through his investigations in invertebrate See also:zoology . He was assisted by his son Georg See also:Ossian Sars (b . 1837) . Baltazar See also:Matthias Keilhau (1797-1858) and Theodor See also:Kjerulf (1825-1888) have been the leading Norwegian geologists . Mathias Numsen Blytt (1789-1862) represents See also:botany . His Norges Flora, part of which was published in 1861, was left incomplete at his death . Niels Henrik See also:Abel (18o2-1829) (q.v.) was a mathematician of extraordinary promise; Ole Jakob Broch (1818-1889) must be mentioned in the same connexion . Among theological writers may be mentioned Hans Nielsen See also:Hauge (1771-1824), author of the See also:sect which bears his name; Svend Borchman Hersleb (1784-1836); Stener Johannes Stenersen (1789-1835); Wilhelm Andreas \\exels (1797-1866); a writer of extraordinary popularity; and Carl See also:Paul See also:Caspari (1814-1892), a German of Jewish birth, who adopted See also:Christianity and became professor of theology in the university of Christiania . The political crisis of 1884-1885, which produced so remarkable an effect upon the material and social life of Norway, was not without its influence upon literature . There had The new movement, followed to the great generation of the 'sixties, led by Ibsen and Bjornson, a See also:race of entirely prosaic writers, of no great talent, much exercised with " problems." The movement which began in 1885 brought back the See also:fine masters of a previous imaginative age, silenced the problem-setters, and encouraged a whole generation of new men, realists of a healthier sort . In 1885 the field was still held by the three main names of 817 modern Norse literature—Ibsen, Bjornson and Lie . Henrik Ibsen proceeded deliberately with his labours, and his name at the same time See also:grew in reputation and influence . The advance of Bjornstjerne Bjornson was not so See also:regular, because it was disturbed by political issues . Moreover, his early peasant tales once more, after having suffered great neglect, grew to be a force, and Bjornson's example has done much to revive an interest in the art of See also:verse in Norway . Jonas Lie, the most popular novelist of Norway, continued to publish his pure, fresh and eminently characteristic stories . His See also:style, colloquial almost to a See also:fault, has neither the See also:charm of Bjornson nor the art of some of the latest generation . Ibsen, Bjornson and Lie continued, however, to be the three representative authors of their country . Kristian See also:Elster (1841-1881) showed great talent in his pessimistic novels Tora Trondal (1879) and Dangerous People (1881) . Kristian Gloersen (b . 1838) had many See also:affinities with Elster . See also:Arne Garborg (1851) was brought up under sternly pietistic influences in a remote country parish, the See also:child of peasant parerts, in the See also:south-west corner of Norway, and the gloom of these early surroundings has tinged all his writings . The early novels of Garborg were written in the peasant dialect, and for that See also:reason, perhaps, attracted little attention . It was not until 1890 that he addressed the public in ordinary language, in his extraordinary novel, Tired Men, which produced a deep sensation . Subsequently Gargorg returned, with violence, to the cultivation of the peasant language, and took a foremost part in the maalstrrev . A novelist of considerable crude force was Amalie See also:Skram (1847-1905), wife of the Danish novelist, Erik Skram . Her novels are destitute of literary beauty, but excellent in their local See also:colour, dealing with life in Bergen and the west See also:coast . But the most extravagant product of the prosaic period was Hans Jwger (b . 1854), a sailor by profession, who left the See also:sea, obtained some instruction and embarked on literature . Jwger accepted the naturalistic formulas wholesale, and outdid See also:Zola himself in the harshness of his pictures of life . Several of Jwger's books, and in particular his novel Morbid Love (1893), were immediately suppressed, and can with great difficulty be referred to . Knud Hamsun (b . 186o) has been noted for his egotism, and for the bitterness of his attacks upon his See also:fellow writers and the great names of literature . Hamsun is seen at his best in the powerful romance called See also:Hunger (1888) . A writer of a much more pleasing, and in its quiet way of a much more original See also:order, is Hans Aanrud (b . 1863) . His See also:humour, applied to the observation of the Ostland peasants—Aanrud himself comes from the Gulbrandsdal—is exquisite; he is by far the most amusing of See also:recent Norwegian writers, a race whose fault it is to take life too seriously . His See also:story, How Our Lord made See also:Hay at Asmund Bergemellum's (1887), is a little masterpiece . Peter Egge (b . 1869), a See also:young novelist and playwright from Trondhjem, came to the front with careful studies of types of Norwegian temperament . In his See also:Jacob and Christopher (1900) Egge also proved himself a successful writer of See also:comedy . Gunnar See also:Heiberg (b . 1857), although older than most of the young generation, has but lately come into prominence . His poetical drama, The See also:Balcony, made a sensation in 1894, but ten years earlier his comedy of Aunt Ulrica should have awakened anticipation . His strongest work is Love's Tragedy (1904) . Two young writers of great promise were removed in the very heyday of success, See also:Gabriel Finne (1866-1899) and Sigbjorn Obstfelder (1866-1900) . The last mentioned, in The Red Drops and The See also:Cross, published in 1897, gave promise of something new in Norwegian literature . Obstfelder, who died in a See also:hospital in Copenhagen inAugust 1goo, left an important book in MS., A Priest's See also:Diary (1901) . Verse was banished from Norwegian literature, during the years that immediately preceded 1885 . The See also:credit of restoring it belongs to See also:Sigurd Bodtker, who wrote an extremely naturalistic piece called Love, in the manner of See also:Heine . The earliest real poet of the new generation is, however, Niels Collett See also:Vogt (b . 1864), who published a little volume of Poems in 1887 . Arne Dybfest (1868-1892), a young anarchist who committed See also:suicide, was a decadent egotist of the most pronounced type, but a poet of unquestionable talent, and the writer of a remarkably melodious See also:prose . In 1891 was printed in a See also:magazine Vilhelm Krag's (b . 1871) very remarkable poem called Fandango, and shortly afterwards a collection of his lyrics . Vogt and V .
Krag continued to be the leading lyrical writers of the period, and although they have many imitators, they cannot be said to have found any rivals
.
Vilhelm Krag turned to prose fiction, and his novels See also:Isaac Seehuusen (19o0) and Isaac Kapergast (1901) are excellent studies of Westland life
.
More distinguished as a novelist, however, is his brother, See also:
1864) is the author of a very successful novel, The Barque Franciska (1go1)
.
With him may be mentioned the popular dramatist and memoir-writer, See also: 1835) and Yngvar Nielsen (b . 1843) . The great historian of See also:northern jurisprudence was L . M . B . Aubert (1838-1896), and in this connexion T . H . Aschehoug (b . 1822) must also be mentioned . The leading philosopher of Norway in those years was the Hegelian |