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VINCENT See also: English musician, son of an See also: Italian who married an English wife, was See also: born in See also: London on the 6th of See also: September 1781
.
As a boy he was a chorister at the Sardinian See also: chapel in Duke Street, Lincoln's See also: Inn See also: Fields, where he learnt the See also: organ; and from 1796 to 1822 he became in succession organist of the Sardinian, See also: Spanish (in Manchester Square) and Portuguese (in See also: South Street, Grosvenor Square) chapels, and from 184o to 1843 of St Mary's chapel, Moorfields
.
He was an See also: original member of the Philharmonic Society, of the Classical Harmonists and of the Choral Harmonists, officiating frequently as conductor
.
In 1849 he went to live at See also: Nice, where he died on the 9th of See also: August 1861
.
He composed an immense quantity of sacred See also: music, much of which is still deservedly popular; but his See also: great See also: work See also: lay in the introduction to See also: England of unknown compositions by the great masters
.
The Masses of See also: Haydn and Mozart were absolutely unknown in England until he edited them, as were also the See also: works of Palestrina, the treasures of the See also: Fitzwilliam Museum, and innumerable great compositions now well known to every one
.
His first work, a collection of Sacred Music, as performed at the Royal Portuguese Chapel, which appeared in 1811, has the additional See also: interest of giving a date to the See also: practical founding of the See also: publishing See also: firm with which his name is associated, as See also: Novello issued it from his own See also: house; and he did the same with succeeding works, till his son JosErs See also: ALFRED NOVELLO (1810-1896), who had started as a See also: bass See also: singer, became a See also: regular music publisher in 1829
.
It was the latter who really created the business, and who has the See also: credit of introducing cheap music, and departing from the method of publishing by subscription
.
From 1841 See also: Henry Littleton assisted him, becoming a partner in 1861, when the firm became Novello & Co., and, on J
.
A
.
Novello's retirement in 1866,
See also: sole proprietor
.
Having incorporated the firm of Ewer & Co. in 1867, the title was changed to Novello, Ewer & Co., and still later back to Novello & Co., and, on Henry Littleton's See also: death in 1888, his two sons carried on the business
.
Vincent Novello had several other See also: children besides his son See also: Joseph Alfred
.
Four of his daughters (of whom the youngest, Mary, married See also: Charles Cowden
See also: Clarke) were gifted singers; but the most famous was
See also: CLARA NOVELLO (1818-19o8), whose beautiful high See also: soprano and pure See also: style made her one of the greatest vocalists, alike in See also: opera, See also: oratorio and on the concert stage, from 1833 onwards
.
In 1843 she married Count Gigliucci, but after a few years returned to her profession, and only retired in 186o
.
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