See also:

• ADAM
• ADAM (or ADAN) DE LE HALE (died c. 1288)
• ADAM, ALEXANDER (1741–1809)
• ADAM, JULIETTE (1836– )
• ADAM, LAMBERT SIGISBERT (1700-1759)
• ADAM, MELCHIOR (d. 1622)
• ADAM, PAUL (1862– )
• ADAM, ROBERT (1728—1792)
• ADAM, SIR FREDERICK (1781-1853)
• ADAM, WILLIAM (1751-1839)

ADAM ADOLF See also:

• ADAM ADOLF OBERLANDER (1845— )

OBERLANDER (1845— )  , See also:

• GERMAN
• GERMAN, DUTCH AND SCANDINAVIAN

German caricaturist, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at Ratisbon, but after 1847 lived in See also:

• MUNICH (Ger. Munchen)

Munich . He studied See also:

• PAINTING

painting at the Munich See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy under See also:

• PILOTY, KARL VON (1826-1886)

Piloty, and soon discovered that the true expression of his See also:

• GENIUS (from Lat. genere, gignere)

genius was in the See also:

• FIELD (a word common to many West German languages, cf. Ger. Feld, Dutch veld, possibly cognate with O.E. f olde, the earth, and ultimately with root of the Gr. irAaror, broad)
• FIELD, CYRUS WEST (1819-1892)
• FIELD, DAVID DUDLEY (18o5-1894)
• FIELD, EUGENE (1850-1895)
• FIELD, FREDERICK (18o1—1885)
• FIELD, HENRY MARTYN (1822-1907)
• FIELD, JOHN (1782—1837)
• FIELD, MARSHALL (183 1906)
• FIELD, NATHAN (1587—1633)
• FIELD, STEPHEN JOHNSON (1816-1899)
• FIELD, WILLIAM VENTRIS FIELD, BARON (1813-1907)

field of See also:

• CARICATURE (Ital. caricatura, i.e. "ritratto ridicolo," from caricare, to load, to charge; Fr. charge)

caricature and comic drawings . He joined the See also:

• STAFF (O. Eng. staef, cf. Du. staf, Ger. Stab, &c.; Icel. stafr meant also a written letter, and O. Eng. stafas, the letters of the alphabet; " stave," one of the thin pieces of wood of which a cask is made, is a doublet)

staff of the Fliegende Bldtter, to which he became a See also:

• CONSTANT, BENJAMIN (1845-1902)

constant contributor . Unlike See also:

• BUSCH, JULIUS HERMANN MORITZ (1821-1899)
• BUSCH, WILHELM (1832-1908)

Busch, whose aim was the utmost simplicity of See also:

• LINE

line and whose drawings See also:

• FORM (Lat. forma)

form a See also:

• RUNNING

running commentary to the See also:

• LEGEND (through the French from the med. Lat. legenda, things to be read, from legere, to read)

legend, See also:

• OBERLANDER, ADAM ADOLF (1845— )

Oberlander's See also:

• WORK

work is essentially pictorial, and expressive in itself, without the extraneous aid of the written line . Among his best drawings are his parodies on the See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style of well-known painters, such as the " See also:

• VARIATIONS
• VARIATIONS, CALCULUS
• VARIATIONS, CALCULUS OF

Variations on the Kissing Theme." His See also:

• WORKS

works have been collected in the Oberldnder-See also:

• ALBUM (Lat. albus, white)

Album, published by Braun and See also:

• SCHNEIDER, JOHANN GOTTLOB (1750-1822)
• SCHNEIDER, LOUIS (1805-1878)

Schneider in Munich .