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OCCLEVE (or HOCCLEVE), See also: English poet, was See also: born probably in 1368/9, for, writing in 1421/2 he says he was fifty-three years old (Dialog, i
.
246)
.
He ranks, like his more voluminous and better known contemporary See also: Lydgate, among those poets who have a See also: historical rather than intrinsic importance in English literature
.
Their See also: work rarely if ever rises above mediocrity; in neither is there even any clear evidence of a poetic temperament
.
Yet they represented for the 15th century the literature of their See also: time, and kept alive, however faintly, the See also: torch handed on to them by their "'mister " See also: Chaucer, to whom Occleve pays an affectionate tribute in three passages in the De Regimine Principum
.
What is known of Occleve's See also: life has to be gathered mainly from his See also: works
.
At eighteen or nineteen he obtained a clerkship in the Privy See also: Seal Office, which he retained on and off, in spite of much grumbling, for about See also: thirty-five years
.
He had hoped for a See also: benefice, but none came; and in 1399 he received instead a small See also: annuity, which was not always paid as regularly as he would have wished
.
" The Letter to See also: Cupid," his first poem to which we can affix a date, was translated from L'Epistre au Dieu d'Amours of Christine de See also: Pisan in 1402, evidently as a sort of antidote to the moral of See also: Troilus and Cressida, to some See also: MSS. of which we find it attached
.
" La Male Regle," one of his most readable poems, written about 1406, gives some interesting glimpses of his " misruly " youth
.
But about 1410 he settled down to married life, and the composition of moral and religious poems
.
His longest work, The Regement of Princes or De Regimine Principum, written for See also: Prince See also: Hal shortly before his accession, is a tedious See also: homily on the virtues and vices, imitated from Aegidius de Colonna's work of the same name, from the supposititious See also: epistle of See also: Aristotle, known as the Secreta secretorum, and the work of Jacques de Cessoles (fl
.
1300) englished later by See also: Caxton as The See also: Game and Playe of Chesse
.
It is relieved by a proem, about a third of the whole, containing some further reminiscences of See also: London See also: tavern and See also: club life, in the See also: form of See also: dialogue between the poet and a See also: beggar
.
On the accession of See also: Henry V
.
Occleve turned his muse to the service of orthodoxy and the
See also: Church, and one of his poems is a remonstrance addressed to
See also: Oldcastle, calling upon him to " rise up, a manly knight, out of the See also: slough of See also: heresy." Then a long illness was followed for a time, as he tells us, by insanity
.
His " Dialog with a Friend," written after his recovery, gives a naive and pathetic picture of the poor poet, now fifty-three, with sight and mind impaired, but with hopes still See also: left of writing a tale he owes his See also: good See also: patron, Humphrey of See also: Gloucester, and of translating a small Latin See also: treatise, Scite Mori, before he See also: dies
.
His hopes were fulfilled in
his moralized tales of " Jereslaus' Wife " and of " Jonathas," both from the Gesta Romanorum, which, with his " Learn to die," belong to his old age
.
After finally retiring from his privy seal clerkship, he was granted in 1424 sustenance for life in the priory of Southsvick, Hants, on which, with his former annuity, he appears to have lived till about the See also: middle of the century
.
A " Balade to my gracious See also: Lord of Yorke " probably See also: dates from 1448 or later
.
The See also: main See also: interest for us in Occleve's poems is that they are characteristic of his time
.
His See also: hymns to the Virgin, balades to patrons, complaints to the See also: king and the king's treasurer, versified homilies and moral tales, with warnings to heretics like Old-
See also: castle, are illustrative of the blight that had fallen upon See also: poetry on the See also: death of Chaucer
.
The nearest approach to the realistic touch of his master is to be found in Occleve's " Male Regle." But these pictures of 15th-century London are without even the occasional flash of See also: humour that lightens up Lydgate's London Lackpenny
.
Yet Occleve has at least the negative virtue of knowing the limits of his See also: powers
.
He says simply what he means, and does not affect what he does not feel . A Londoner, to whom the country was evidently aSee also: bore, he has not afflicted us with artificial May mornings; and it is doubtful whether a single reference to nature can be found among his poems
.
He has yet another distinction among his contemporaries: he wrote no allegory
.
Whether we ascribe it to his lack of See also: engine," or to the influence of Chaucer when in his later years he had discovered the limitations of this poetic form, we cannot but be grateful to the poet who has spared us
.
As a metrist Occleve is also modest of his powers
.
He confesses that
Fader Chaucer fayn wolde han me taught,
But I was dul and learned lite or naught;
and it is true that the scansion of his verses seems occasionally to require, in French fashion, an See also: accent on an unstressed syllable
.
Yet his seven-See also: line (or rime royale) and eight-line stanzas, to which he limited himself, are perhaps more frequently reminiscent of Chaucer's rhythm than are those of Lydgate
.
A poem, " Ad beatam Virginem," generally known as the " See also: Mother of See also: God," and once attributed to Chaucer, is copied among Occleve's works in MS
.
Phillipps 8151 (See also: Cheltenham), and may thus be regarded as his work
.
Occleve found an admirer in the 17th century in See also: William
See also: Browne, who included his " Jonathas " in the Shepheards
See also: Pipe (1614)
.
Browne added a eulogy of the old poet, whose works he intended to publish in their entirety (Works, ed
.
W
.
C . See also: Hazlitt, 1869, ii
.
196-198)
.
In 1796 See also: George See also: Mason printed six Poems by See also: Thomas Hoccleve never before printed
...
; " De Regimine Principum " was printed for the
See also: Roxburghe Club in 186o, and by the Early English Text Society in 1897
.
See Dr F
.
J
.
Furnivall's introduction to Iloccleve's Works; I
.
The Minor Poems, in the Phillipps MS
.
8151, and the Durham MS
.
III
.
9 (Early English Text Society, 1892)
.
(W . S . |
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