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See also:OEDIPUS (OiSiirovs, O16tir63i7s, Wines, from Gr. ot&eiv swell, and gobs See also:foot, i.e. " the swollen-footed ")
' in See also:Greek See also:legend, son of Lalus, See also:
He comes to See also:Attica and See also:dies in the See also: 21) See also:sees in the See also:marriage of Oedipus with his mother an agrarian myth (with See also:special reference to Oed . See also:Tyr . 1497), while See also:Hofer (in Roscher's Lexikon) suggests that the episodes of the See also:murder of his father and of his marriage are reminiscences of the overthrow of Cronus by See also:Zeus and of the See also:union of Zeus with his own See also:sister . See also:Medieval Legends.—In the See also:Golden Legend of Jacobus de Voragine (13th See also:century) and the Mystere de la See also:Passion of See also:Jean See also:Michel (15th century) and Arnoul Greban (15th century), the See also:story of Oedipus is associated with the name of Judas . The See also:main See also:idea is the same as in the classical See also:account . The Judas legend, however, never really became popular, whereas that of Oedipus was handed down both orally and in written See also:national tales (Albanian, Finnish, Cypriote) . One incident (the See also:incest unwittingly committed) frequently recurs in connexion with the life of See also:Gregory the See also:Great . The Theban legend, which reached its fullest development in the Thebais of See also:Statius and in Seneca, reappeared in the See also:Roman de Thebes (the See also:work of an unknown imitator of See also:Benoit de Sainte-More) . Oedipus is also the subject of an See also:anonymous medieval See also:romance (15th century), Le Roman d' Edipus, fils de Layus, in which the sphinx is depicted as a cunning and ferocious See also:giant . The Oedipus legend was handed down to the See also:period of the See also:Renaissance by the Roman and its imitations, which then See also:fell into oblivion . Even to the See also:present day the legend has 1 It is probable that the story of the piercing of his feet is a subsequent invention to explain the name, or is due to a false See also:etymology (from otais), othiiroes in reality meaning the " See also:wise " (from oIha), chiefly in reference to his having solved the riddle, the syllable -revs having no significance . survived amongst the See also:modern Greeks, without any traces of the See also:influence of See also:Christianity (B . See also:Schmidt, Griechische Marchen, 1877) . The See also:works of the ancient tragedians (especially Seneca, in preference to the Greek) came into See also:vogue, and were slavishly followed by See also:French and See also:Italian imitators down to the 17th century . See L . See also:Constans, La Legende d'CEdipe clans l'antiquite, au moyen See also:age, et dans See also:les temps modernes (1881); D . See also:Comparetti's Edipo and See also:Jebb's introduction for the Oedipus of See also:Dryden, See also:Corneille and See also:Voltaire; A . Heintze, Gregorius auf dem Steine, der mittelalterliche Oedipus (progr., See also:Stolp, 1897); V . Diederichs, Russische Verwandte der Legende von Gregor auf dem See also:Stein and der Sage von Judas Ischariot," in Russische Revue (188o); S . Novakovitch, " Die Oedipussage in der siidslavischen Volksdichtung," in Archiv See also:fur slavische Philologie xi . (1888) . |
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