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OEDIPUS (OiSiirovs, O16tir63i7s, Wines, from Gr. ot&eiv swell, and gobs See also: Greek See also: legend, son of Lalus, See also: king of
See also: Thebes, and See also: Jocasta (Iocaste)
.
Lalus, having been warned by an See also: oracle that he would be killed by his son, ordered him to be exposed, with his feet pierced, immediately after his See also: birth
.
Thus Oedipus See also: grew up ignorant of his parentage, and, meeting Lalus in a narrow way, quarrelled with him and slew him
.
The country was ravaged by a See also: monster, the Sphinx; Oedipus solved the riddle which it proposed to its victims, freed the country, and married- his own See also: mother
.
In the Odyssey it is said that the gods disclosed the impiety
.
Epicaste (as Jocasta is called in See also: Homer) hanged herself, and Oedipus lived as king in Thebes tormented by the See also: Erinyes of his mother
.
In the tragic poets the tale takes a different See also: form
.
Oedipus fulfils an See also: ancient prophecy in killing his See also: father; he is the See also: blind instrument in the hands of See also: fate
.
The further treatment of the tale by See also: Aeschylus is unknown
.
See also: Sophocles describes in his Oedipus Tyrannus how Oedipus was resolved to pursue to the end the mystery of the See also: death of LaIus, and thus unravelled the dark tale, and in horror put out his own eyes
.
The sequel of the tale is told in the Oedipus Coloneus
.
Banished by his sons, he is tended by the loving care of his daughters
.
He comes to See also: Attica and See also: dies in the See also: grove of the Eumenides at Colonus, in his death welcomed and pardoned by the fate which had pursued him throughout his
See also: life
.
In addition to the two tragedies of Sophocles, the legend formed the subject of a trilogy by Aeschylus, of which only the Seven against Thebes is extant; of the Phoenissae of See also: Euripides; and of the Oedipus and Phoenissae of See also: Seneca
.
See A
.
Miler's exhaustive article in Roscher's Lexikon der Mythologic; F
.
W
.
Schneidewin, Die See also: Sage von Oedipus (1852); D
.
Cornparetti, Edipo e la mitologia comparata (1867); M
.
Brea], " Le Mythe d' Edipe," in Melanges de mythologie (1878), who explains Oedipus as a personification of See also: light, and his See also: blinding as the disappearance of the See also: sun at the end of the See also: day; J
.
Paulson in Eranos
.
Acta philologica Suecana, i, (See also: Upsala, 1896) places the See also: original home of the legend in See also: Egyptian Thebes, and identifies Oedipus with the Egyptian See also: god See also: Seth, represented as the hippopotamus " with swollen See also: foot," which was said to kill its father in See also: order to take its place with the mother
.
0
.
Crusius (Beitrage zur griechischen Mythologie, 1886, p
.
21) See also: sees in the See also: marriage of Oedipus with his mother an agrarian myth (with See also: special reference to Oed
.
See also: Tyr
.
1497), while See also: Hofer (in Roscher's Lexikon) suggests that the episodes of the See also: murder of his father and of his marriage are reminiscences of the overthrow of Cronus by See also: Zeus and of the union of Zeus with his own See also: sister
.
See also: Medieval Legends.—In the See also: Golden Legend of Jacobus de Voragine (13th century) and the Mystere de la Passion of See also: Jean Michel (15th century) and Arnoul Greban (15th century), the See also: story of Oedipus is associated with the name of Judas
.
The See also: main idea is the same as in the classical account
.
The Judas legend, however, never really became popular, whereas that of Oedipus was handed down both orally and in written See also: national tales (Albanian, Finnish, Cypriote)
.
One incident (the See also: incest unwittingly committed) frequently recurs in connexion with the life of See also: Gregory the See also: Great
.
The Theban legend, which reached its fullest development in the Thebais of Statius and in Seneca, reappeared in the See also: Roman de Thebes (the See also: work of an unknown imitator of Benoit de Sainte-More)
.
Oedipus is also the subject of an See also: anonymous medieval See also: romance (15th century), Le Roman d' Edipus, fils de Layus, in which the sphinx is depicted as a cunning and ferocious giant
.
The Oedipus legend was handed down to the See also: period of the See also: Renaissance by the Roman and its imitations, which then See also: fell into oblivion
.
Even to the See also: present day the legend has
1 It is probable that the story of the piercing of his feet is a subsequent invention to explain the name, or is due to a false etymology (from otais), othiiroes in reality meaning the " wise " (from oIha), chiefly in reference to his having solved the riddle, the syllable -revs having no significance
.
survived amongst the See also: modern Greeks, without any traces of the influence of See also: Christianity (B
.
See also: Schmidt, Griechische Marchen, 1877)
.
The See also: works of the ancient tragedians (especially Seneca, in preference to the Greek) came into vogue, and were slavishly followed by French and See also: Italian imitators down to the 17th century
.
See L
.
Constans, La Legende d'CEdipe clans l'antiquite, au moyen age, et dans See also: les temps modernes (1881); D
.
See also: Comparetti's Edipo and Jebb's introduction for the Oedipus of See also: Dryden, Corneille and Voltaire; A
.
Heintze, Gregorius auf dem Steine, der mittelalterliche Oedipus (progr., See also: Stolp, 1897); V
.
Diederichs, Russische Verwandte der Legende von Gregor auf dem Stein and der Sage von Judas Ischariot," in Russische Revue (188o); S
.
Novakovitch, " Die Oedipussage in der siidslavischen Volksdichtung," in Archiv fur slavische Philologie xi
.
(1888)
.
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