GEORGES See also:

• GEORGES OHNET (1848– )

OHNET (1848– )  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French novelist and See also:

• MAN
• MAN, ISLE OF (anc. Mona)

man of letters, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris on the 3rd of See also:

• APRIL

April 1848 . After the See also:

• WAR
• WAR (O. Eng. werre, Fr. guerre, of Teutonic origin; cf. O.H.G. werran, to confound)

war of 1870 he became editor of the Pays and the Constitutionnel in See also:

• SUCCESSION (Lat. successio, from succedere, to follow after)

succession . In collaboration with the engineer and dramatist See also:

• LOUIS
• LOUIS (804–876)
• LOUIS (893–911)
• LOUIS, JOSEPH DOMINIQUE, BARON (1755-1837)
• LOUIS, or LEWIS (from the Frankish Chlodowich, Chlodwig, Latinized as Chlodowius, Lodhuwicus, Lodhuvicus, whence-in the Strassburg oath of 842-0. Fr. Lodhuwigs, then Chlovis, Loys and later Louis, whence Span. Luiz and—through the Angevin kings—Hungarian

Louis Denayrouze (b . 1848) he produced the See also:

• PLAY

play See also:

• REGINA

Regina See also:

• SARPI, PAOLO (1552-1623)

Sarpi, and in 1877 See also:

• MARCHE
• MARCHE, or LA MARCHE

Marche . He was an admirer of Georges See also:

• SAND
• SAND, GEORGE (1804-1876)

Sand and bitterly opposed to the realistic See also:

• MODERN

modern novel . He began a See also:

• SERIES (a Latin word from serere, to join)

series of novels, See also:

• LES

Les Batailles de la See also:

• VIE

vie, of a See also:

• SIMPLE

simple and idealistic See also:

• CHARACTER (Gr. xapareri7p, from xap&crew, to scratch)

character, which, although attacked by the critics as unreal and See also:

• COMMONPLACE

commonplace, were very popular . The series included Serge Panine (1881) which was crowned by the See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy; Le Maitre de forges (1882), La Grande Marniere (1885), Volonte (x888), Dernier amour (1891) . Many of his novels have been dramatized with See also:

• GREAT

great success, Le Maitre de forges, produced at the Gymnase in 1883, holding the See also:

• STAGE (Fr. 6/age; from Lat. stare, to stand)

stage for a whole See also:

• YEAR

year . His later publications include Le Crepuscule (1902), Le Marchand de poisons (1903), La Conquerante (1905), La Dixihme Muse (1906) .