See also:- MARTIN (Martinus)
- MARTIN, BON LOUIS HENRI (1810-1883)
- MARTIN, CLAUD (1735-1800)
- MARTIN, FRANCOIS XAVIER (1762-1846)
- MARTIN, HOMER DODGE (1836-1897)
- MARTIN, JOHN (1789-1854)
- MARTIN, LUTHER (1748-1826)
- MARTIN, SIR THEODORE (1816-1909)
- MARTIN, SIR WILLIAM FANSHAWE (1801–1895)
- MARTIN, ST (c. 316-400)
- MARTIN, WILLIAM (1767-1810)
MARTIN OPITZ VON BOBERFELD (1597-1639)
, See also:German poet, was See also:born at Bunzla.0 in See also:Silesia on the 23rd of See also:December 1597, the son of a prosperous See also:citizen
.
He received his See also:early See also:education at the Gymnasium of his native See also:town, of which his See also:uncle was See also:rector, and in 1617 attended the high school—" Schonaichianum "—at See also:Beuthen, where he made a See also:special study of See also:French, Dutch and See also:Italian See also:poetry
.
In 1618 he entered the university of See also:Frankfort-on-See also:Oder as a student of literae humaniores, and in the same See also:year published his first See also:essay, See also:Aristarchus, sive De contemptu linguae Teutonicae, a plea for the See also:purification of the German See also:language from See also:foreign See also:adulteration
.
In 1619 he went to See also:Heidelberg, where he became the See also:leader of the school of See also:young poets which at that See also:- TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
- TIME, MEASUREMENT OF
- TIME, STANDARD
time made that university town remarkable
.
Visiting See also:Leiden in the following year he sat at the feet of the famous Dutch lyric poet See also:Daniel See also:Heinsius (1580-1655), whose Lobgesang Jesu Christi and Lobgesang Bacchi he had already translated into alexandrines
.
After being for a See also:short year (1622) See also:professor of See also:philosophy at the Gymnasium of See also:Weissenburg (now Karlsburg) in Transylvania; he led a wandering See also:life in the service of various territorial nobles
.
In 1624 he was appointed councillor to See also:Duke See also:George See also:Rudolf of See also:Liegnitz and See also:Brieg in Silesia, and in 1625, as See also:reward for a See also:requiem poem composed on the See also:death of See also:Archduke See also:Charles of See also:Austria, was crowned See also:laureate by the See also:emperor See also:Ferdinand II. who a few years later ennobled him under the See also:title " von Boberfeld." He was elected a member of the Fruchtbringende Gesellschaft in 1629, and in 1630 went to See also:Paris, where he made the acquaintance of See also:Hugo See also:Grotius
.
He settled in 1635 at See also:Danzig, where See also:Ladislaus IV. of See also:Poland made him his historiographer and secretary
.
Here he died of the See also:plague on the loth of See also:August 1639
.
Opitz was the See also:head of the so-called First Silesian School of poets(see See also:GERMANY :Literature), and was during his life regarded as the greatest German poet
.
Although he would not to-See also:day be considered a poetical See also:genius, he may justly claim to have been the " See also:father of German poetry " in respect at least of its See also:form; his See also:Buch von der deutschen Poeterey (1624) put an end to the See also:hybridism that had until then prevailed, and established rules for the " purity " of language, See also:style, See also:verse and See also:rhyme
.
Opitz's own poems are in accordance with the rigorous rules which he laid down
.
They are mostly a formal and sober elaboration of carefully considered themes, and contain little beauty and less feeling
.
To this didactic and descriptive See also:category belong his best poems, Trost-Gedichte in Widerwartigkeit See also:des Krieges (written 1621, but not published till 1633); Zlatna, oder von Rieke des Gemuts (1622); Lob des Feldlebens (1623); Vielgut, oder vom wahren Glitch (1629), and See also:Vesuvius (1633)
.
These contain some vivid poetical descriptions, but are in the See also:main See also:treatises in poetical form
.
In 1624 Opitz published a collected edition of his poetry under the title Acht See also:Bucher deutscher Poematum (though, owing to a See also:mistake on the See also:part of the printer, there are only five books); his Dafne (1627), to which Heinrich Schutz composed the See also:music, is the earliest German See also:opera
.
Besides numerous See also:translations, Opitz edited (1639) Das Annolied, a See also:Middle High German poem of the end of the 11th See also:century, and thus preserved it from oblivion
.
Collected See also:editions of Opitz's See also:works appeared in 1625, 1629, 1637, 1641, 1690 and 1746
.
His Ausgewahlte Dichtungen have been edited by J
.
Tittmann (1869) and by H
.
Oesterley (Kiirschner's Deutsche Nationalliteratur, vol. See also:xxvii
.
1889)
.
There are See also:modern reprints of the Buch von der deutschen Poeterey by W
.
Braune (2nd ed., 1882), and, together with Aristarchus, by G
.
Witkowski (1888), and also of the Teutsche Poemata, of 1624, by G
.
Witkowski (1902)
.
See H
.
See also:Palm, Beitrage zurGeschichte der deutschen Literatur des 16ten and.7ten Jahrhunderts (1877); K
.
Borinski, See also:Die Poetik der See also:Renaissance (1886); R
.
Beckherrn, Opitz, See also:Ronsard and Heinsius (1888)
.
Bibliography by H
.
Oesterley in the Zentralblatt See also:fur Bibliothekswesen for 1885
.
End of Article: