See also:

• GIROLAMO (1450-1486)

GIROLAMO DEL See also:

• GIROLAMO DEL PACCHIA

PACCHIA  , and PACCHIAROTTO (or PACCHIAROTTI), JACOPO, two painters of the Sienese school . One or other of them produced some See also:

• GOOD, JOHN MASON (1764-1827)

good pictures, which used to pass as the performance of See also:

• PERUGINO, PIETRO (1446-1524)

Perugino; reclaimed from Perugino, they were assigned to Pacchiarotto; now it is sufficiently settled that the good See also:

• WORKS

works are by G. del See also:

• PACCHIA, GIROLAMO DEL

Pacchia, while nothing of Pacchiarotto's own doing transcends mediocrity . The mythical Pacchiarotto who worked actively at See also:

• FONTAINEBLEAU

Fontainebleau has no authenticity . See also:

• GIROLAMO (1450-1486)

Girolamo del Pacchia, son of a Hungarian See also:

• CANNON (a word common to Romance languages, from the Lat. canna, a reed, tube, with the addition of the augmentative termination -on, -one)

cannon-founder, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born, probably in See also:

• SIENA

Siena, in 1477 . Having joined a turbulent See also:

• CLUB (connected with " clump ")

club named the Bardotti he disappeared from Siena in 1535, when the club was dispersed, and nothing of a later date is known about him . His most celebrated See also:

• WORK

work is a See also:

• FRESCO (Ital. for cool, " fresh ")

fresco of the "Nativity of the Virgin," in the See also:

• CHAPEL

chapel of S Bernardino, Siena, graceful and See also:

• TENDER

tender, with a certain artificiality . Another renowned fresco, in the See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

church of S Caterina, represents that See also:

• SAINT (lat. sanctus, " holy ")

saint on her visit to St See also:

• AGNES, SAINT

Agnes of See also:

• MONTEPULCIANO

Montepulciano, who, having just expired, raises her See also:

• FOOT

foot by See also:

• MIRACLE (Lat. miraculum, from mirari, to wonder)

miracle . In the See also:

• NATIONAL

National See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

Gallery of See also:

• LONDON

London there is a " Virgin and See also:

• CHILD
• CHILD, FRANCIS JAMES (1825-1896)
• CHILD, L
• CHILD, LYDIA MARIA (1802-1880)
• CHILD, SIR FRANCIS (1642-1713)
• CHILD, SIR JOHN (d. 1690)
• CHILD, SIR JOSIAH (163o - 1699)

Child." The forms of G. del Pacchia are See also:

• FULLER, ANDREW (1954-1815)
• FULLER, GEORGE (1822—1884)
• FULLER, M
• FULLER, MARGARET, MARCHIONESS
• FULLER, MELVILLE WESTON (1833-1910)
• FULLER, THOMAS (16o8-1661)
• FULLER, WILLIAM (1670--c. 1717)

fuller than those of Perugino (his See also:

• PRINCIPAL

principal See also:

• MODEL (0. Fr. modelle, mod. modele; It. modello, pattern, mould; from Lat. modus, measure, standard)

model of See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style appears to have been in reality See also:

• FRANCIABIGIO (1482–1525)

Franciabigio) ; the See also:

• DRAWING

drawing is not always unexceptionable; the See also:

• FEMALE

female heads have sweetness and beauty of feature, and some of the colouring has noticeable force . Pacchiarotto was born in Siena in 1474 . In 1530 he took See also:

• PART

part in the See also:

• CONSPIRACY (from Lat. conspirare, literally to breathe together, to agree, combine, and especially to form a secret plot)

conspiracy of the Libertini and Popolani, and in 1534 he joined the Bardotti . He had to hide for his See also:

• LIFE

life in 1535, and was concealed by the Observantine fathers in a See also:

• TOMB (Gr. Tuµ/3a, Tuµ(3os, probably allied to Lat. tumulus, literally a swelling, tumere, to swell)

tomb in the church of S Giovanni . He was stuffed in See also:

• CLOSE
• CLOSE (from Lat. clausum, shut)
• CLOSE, MAXWELL HENRY (1822-1903)

close to a new-buried See also:

• CORPSE (Lat. corpus, the body)

corpse, and got covered with See also:

• VERMIN (Fr. vermine, formed as if from Lat. verminus, vcrmis, a worm)

vermin and dreadfully exhausted by the close of the second See also:

• DAY (O. Eng. dreg, Ger. Tag; according to the New English Dictionary, " in no way related to the Lat. dies")
• DAY, JOHN (1574-1640?)
• DAY, THOMAS (1748-1789)

day .

After a while he resumed work; he was exiled in 1539, but recalled in the following See also:

• YEAR

year, and in that year or soon afterwards he died . Among the few extant works with which he is still credited is an " See also:

• ASSUMPTION, FEAST OF

Assumption of the Virgin," in the See also:

• CARMINE

Carmine of Siena . Other works rather dubiously attributed to him are in Siena, Buonconvento, See also:

• FLORENCE
• FLORENCE (Ital. Firenze, Lat. Florentia)

Florence, See also:

• ROME
• ROME (Roma)

Rome and London .