FRANCISCO See also:

• FRANCISCO PACHECO (1571-1654)

PACHECO (1571-1654)  , See also:

• SPANISH

Spanish painter and See also:

• ART

art historian, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• SEVILLE
• SEVILLE (Span. Sevilla, Lat. Ispalis or Hispalis, Moorish Ishbiliya)

Seville in 1571 . Favourable specimens of his See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style are to be setn in the See also:

• MADRID

Madrid picture See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

gallery, and also in two churches at See also:

• ALCALA (Moorish al Kala, the " Fortress " or " Castle ")

Alcala de Guadaira near Seville . He attained See also:

• GREAT

great popularity, and about the beginning of the 17th See also:

• CENTURY (from Lat. centuria, a division of a hundred men)

century opened an See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

academy of See also:

• PAINTING

painting which was largely attended . Of his pupils by far the most distinguished was See also:

• VELAZQUEZ, DIEGO RODRIGUEZ DE SILVA Y (1599-166o)

Velazquez, who afterwards became his son-in-See also:

• LAW
• LAW (0. Eng. lagu, M. Eng. lawe; from an old Teutonic root lag, " lie," what lies fixed or evenly; cf. Lat. lex, Fr. loi)
• LAW, JOHN (1671—1729)
• LAW, WILLIAM (1686-1761)

law . From about 1625 he gave up painting and betook himself to See also:

• LITERARY

literary society and pursuits; the most important of his See also:

• WORKS

works in this See also:

• DEPARTMENT (Fr. departement, from departir, to separate into parts)

department is a See also:

• TREATISE

treatise on the art of painting (Arte de la pintura: su antigiiedad y grandeza, 1649), which is of considerable value for the See also:

• INFORMATION (from Lat. informare, to give shape or form to, to represent, describe)

information it contains on matters See also:

• RELATING

relating to Spanish art . He died in 1654 .