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See also: national table-See also: game of See also: India
.
In the palace of See also: Akbar at See also: Fatehpur Sikri the See also: court of the See also: zenana is divided into red and See also: white squares, representing a
See also: pachisi-See also: board, and here Akbar played the game with his courtiers, employing sixteen See also: young slaves from his See also: harem as living pieces
.
This was also done by the emperors of See also: Delhi in their palace of See also: Agra
.
A pachisi-board, which is usually embroidered on See also: cloth, is marked with a See also: cross of squares, each See also: limb consisting of three rows of 8 squares, placed around a centre square
.
The See also: outer rows each have ornaments on the See also: fourth square from the end and the See also: middle rows one on the end square, these ornamented squares forming " castles," in which pieces are safe from capture
.
The castles are so placed that from the centre square, or " home," whence all pieces start going down the middle See also: row and back on the outside and then to the end of the next limb, will be exactly 25 squares, whence the name
.
Four players, generally two on a See also: side, take See also: part
.
The pieces, of which each player has four, are coloured yellow, See also: green, red and black, and are entered, one at a See also: time, from the centre and move down the middle row, then round the entire board and up the middle row again to the home square
.
The moves are regulated by six cowrie shells, which are thrown by See also: hand down a slight incline
.
The throws indicate the number of squares a piece may move, as well as whether the player shall have a " See also: grace," without which no piece, if taken, may be re-entered
.
A piece may be taken if another piece lands on the same square, unless the square be a See also: castle
.
The See also: object of each side is to
get all eight pieces round and home before the opponents can do so
.
See See also: Games, See also: Ancient and See also: Oriental, by E
.
Falkner (See also: London, 1892)
.
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[back] FRANCISCO PACHECO (1571-1654) |
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