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FERDINANDO See also: Italian musical composer, was See also: born at See also: Parma on the 1st of See also: June 1771
.
He studied the theory of See also: music under the violinist Ghiretti, a pupil of the Conservatoire della Pieta de' Turchini at Naples
.
His first See also: opera, La Locanda de' vagebondi, was published when he was only sixteen; others rapidly followed, and his name was soon famous throughout See also: Italy
.
In 1797 he went to Vienna, where his wife, the See also: singer Riccardi, had obtained an engagement at the opera; here he produced a series of operas, including his La Camilla ossia it Sotteraneo (1799) and his Achille (18ot)
.
In 1803 he was appointed composer to the See also: court theatre at See also: Dresden, where his wife was also engaged as a singer, and in 1804 the See also: life See also: appointment of Hofkapellmeister was bestowed upon him by the elector
.
At Dresden he produced, inter alia, Il Sargino (1803),
an opera which obtained a wide popularity, and Leonora (1804), based on the same See also: story as See also: Beethoven's Fidelio
.
In 1807 See also: Napoleon while in Dresden took a• fancy to him, and took him with him to Warsaw and See also: Paris at a See also: salary of 28,000 francs
.
In 1812 he succeeded Spontini as conductor of the Italian opera in Paris
.
This See also: post he retained at the Restoration, receiving also the posts of chamber composer to the See also: king and conductor of the private orchestra of the duke of
See also: Orleans
.
In 1823 he
retired from the Italian opera in favour of Rossini
.
In 1831
he was elected a member of the
See also: Academy, and in 1832 was
appointed conductor of his orchestra by King See also: Louis Philippe
.
He died on the 3rd of May 1839
.
See also: Paer wrote in all 43 operas, in the Italian See also: style of Paesiello and See also: Cimarosa
.
His other See also: works, which include nine religious compositions, 'thirteen cantatas, and a See also: short See also: list of orchestral and chamber pieces, are of little importance; in any See also: case the superficial quality of his compositions was such as to secure him popularity while he lived and after his See also: death oblivion
.
See R
.
Eitner, Quellen-Lexikon (See also: Leipzig, 1902), vii
.
277, sqq., where a list of his works is given
.
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