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NICOLO See also: Italian virtuoso on the See also: violin, was See also: born at Genoa on the 18th of See also: February 1784
.
His See also: father Antonio, a See also: clever See also: amateur, who was in the See also: shipping business, taught him the violin at a very early age, and he had further lessons from the See also: maestro di cappella of the See also: cathedral of See also: San Lorenzo
.
He first appeared in public at Genoa in 1793, with triumphant success
.
In 1795 he visited See also: Parma for the purpose of taking lessons from Alessandro Rolla, who, however, said that he had nothing to teach him
.
On returning home, he studied more diligently than ever, practising single passages for ten See also: hours at a See also: time, and See also: publishing compositions so difficult that he alone could See also: play them
.
His first professional tour, through the cities of See also: Lombardy, was made with his father in 1797
.
For some years he led a chequered career; he gambled at See also: cards, and had to See also: pawn his violin; and between 18or and 1804 he lived in retirement, in See also: Tuscany, with a See also: noble lady who was in love with him
.
In 1805 however he started on a tour through See also: Europe, astonishing the See also: world with his matchless performances, and especially with his unprecedented playing on the See also: fourth See also: string alone
.
The princess of Lucca and Piombo, See also: Napoleon's See also: sister, made him her musical director, and he became a prominent figure at the See also: court where his caprices and audacities were a by-word
.
He abandoned this in 1813, and visited Bologna, Milan, and other cities, gaining further fame by his extraordinary virtuosity
.
In Venice, in 1815, he began a liaison with Antonia Bianchi, a dancer, which lasted till 1828; and by her he had a son Achillino, born in 1826
.
Meanwhile the world rang with his praises
.
In 1827 the See also: pope honoured him with the See also: Order of the See also: Golden Spur; and, in the following See also: year, he extended his travels to See also: Germany, beginning with Vienna, where he created a profound sensation
.
He first appeared in See also: Paris in 1831; and on the 3rd of See also: June in that year he played in See also: London at the See also: King's Theatre
.
His visit to
See also: England was preluded by the most romantic stories
.
He was described as a See also: political victim who had been immured for twenty years in a See also: dungeon, where he played all See also: day long upon an old broken violin with one string, and thus gained his wonderful See also: mechanical dexterity
.
The result of this and other foolish reports was that he could not walk the streets without being mobbed
.
He charged what for that time were enormous fees; and his See also: net profits in England alone, during his six years of See also: absence from his own country, amounted to some £17,000
.
In 1832 he returned to See also: Italy, and bought a See also: villa near Parma
.
In 1833 he spent the winter in Paris, and in 1834 See also: Berlioz composed for him his beautiful See also: symphony, Harold en Italie
.
He was than at the See also: zenith of his fame; but his See also: health, long since ruined by excessive study, declined rapidly
.
In 1838 he suffered serious losses in Paris through the failure of the " See also: Casino See also: Paganini," a gambling-See also: house which was refused a licence
.
The disasters of this year increased his malady—laryngeal phthisisand, after much suffering, he died at See also: Nice on the 17th of May x840
.
His will See also: left a See also: fortune of £8o,000 to his son Achillino; and he bequeathed one of his violins, a See also: fine See also: Joseph Guarnerius, given him in early See also: life by a kind French See also: merchant, to the See also: municipality of Genoa, who preserve it as one of their treasures
.
Paganini's See also: style was impressive and passionate to the last degree
.
His cantabile passages moved his See also: audience to tears, while his See also: tours de force were so astonishing that a Viennese amateur publicly declared that he had seen the devil assisting him
.
His name stands in See also: history as that of the most extraordinary executant ever known on the violin; and in spite of greater artists or no less remarkable later virtuosi, this reputation will remain with Paganini as the inaugurator of an epoch
.
He was the first to show what could be done by brilliance of technique, and his compositions were directed to that end
.
He was an undeniable See also: genius, and it may be added that he behaved and looked like one, with his tall, emaciated figure and long black hair
.
There are numerous lives of Paganini ; see the article and bibliography in See also: Grove's
See also: Dictionary of See also: Music
.
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