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ROBERT See also: English writer, the only son of See also: Thomas
See also: Paltock of St See also: James's,
See also: Westminster, was See also: born in 1697
.
He became an attorney and lived for some See also: time in See also: Clement's See also: Inn, whence he removed, before 1759, to Back Lane, See also: Lambeth
.
He married Anna Skinner, through whom his son, also named Robert, inherited a small See also: property at Ryme Intrinseca, Dorset
.
There Robert Paltock, who died in See also: London on the 20th of See also: March 1767, was buried
.
Paltock owes his fame to his romantic
See also: Life and Adventures of See also: Peter See also: Wilkins (1751), which excited the admiration of men like See also: Coleridge, See also: Southey, See also: Charles Lamb,
See also: Sir Walter See also: Scott and See also: Leigh See also: Hunt
.
It has been several times reprinted, notably with an introduction by Mr A
.
H
.
Bullen in 1884
.
It was translated into French (1763) and into See also: German (1767)
.
PALUDAN-See also: MULLER, FREDERIK (1809-1876), Danish poet, was the third son of Jens Paludan-Muller, from 183o to 1845
See also: bishop of See also: Aarhus, and born at Kjerteminde in Fiinen, on the 7th of See also: February 1809
.
In 1819 his See also: father was transferred to See also: Odense, and Frederik began to attend the Latin school there
.
In 1828 he passed to the university of See also: Copenhagen
.
In 1832 he opened his poetical career with Four Romances, and a romantic See also: comedy entitled Kjcerlighed ved ho See also: jet (" Love at See also: Court ")
.
This enjoyed a considerable success, and was succeeded in 1833 by Dandserinden (" The Dancing Girl ")
.
Paludan-Muller was accepted by See also: criticism without a struggle, and few writers have excited less hostility than he
.
He was not, however, well inspired in his lyrical drama of Amor and See also: Psyche in 1834 nor in his See also: Oriental tale of Zuleimas flugt (" Zuleima's See also: Flight ") in 1835, in each of which he was too vividly influenced by See also: Byron
.
But heregained all that he had lost by his two volumes of poems in 1836 and 1838
.
From 1838 to 184o Paludan-Muller was making the See also: grand tour in See also: Europe and his See also: genius greatly See also: expanded; in See also: Italy he wrote See also: Venus, a lyrical poem of extreme beauty
.
In the same See also: year, 1841, he began to publish a See also: great See also: work on which he had long been engaged, and which he did not conclude until 1848; this was See also: Adam Homo, a narrative epic, satirical, See also: modern and descriptive,into which Paludan-Muller wove all his variegated impressions of See also: Denmark and of love
.
This remains the typical classic of Danish poetical literature
.
In 1844 he composed three enchanting idylls, Dryadens bryllup (" The Dryad's See also: Wedding ") Tithon (" See also: Tithonus ") and Abels dad (" The See also: Death of See also: Abel ")
.
From r85o a certain decline in the poet's See also: physical energy became manifest and he wrote less
.
His majestic drama of Kaianus belongs to 1854
.
Then for seven years he kept silence
.
Para disel (" See also: Paradise ") 1861; and Benedikt fra Nurcia (" Benedict of Nurcia ") 1861; bear evidence of malady, both physical and See also: mental
.
Paludan-Muller wrote considerably after this, but never recovered his early raptures, except in the very latest of all his poems, the enchanting welcome to death, entitled See also: Adonis
.
The poet lived a very retired life, first in Copenhagen, then for many years in a cottage on the outskirts of the royal See also: park of Fredensborg, and finally in a See also: house in Ny Adelgade, Copenhagen, where he died on the 27th of See also: December 1876
.
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