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PANEGYRIC , strictly a formal public speech delivered in high praise of a See also: person or thing, and generally high studied or undiscriminating eulogy
.
It is derived from 7raeflyvpiKes (a speech) " See also: fit for a general See also: assembly " (7ravtityvpts, panegyris)
.
In Athens such speeches were delivered at See also: national festivals or See also: games, with the See also: object of rousing the citizens to emulate the glorious deeds gf their ancestors
.
The most famous are the Olympiacus of See also: Gorgias, the Olympiacus of See also: Lysias, and the Panegyricus and Panathenaicus (neither of them, however, actually delivered) of Isocrates
.
Funeral orations, such as the famous speech put into the mouth of See also: Pericles by See also: Thucydides, also partook of the nature of panegyrics
.
The See also: Romans confined the panegyric to the living, and reserved the funeral oration exclusively for the dead
.
The most celebrated example of a Latin panegyric (panegyricus) is that delivered by the younger See also: Pliny (A.D. zoo) in the senate on the occasion of his See also: assumption of the consulship, containing a somewhat fulsome eulogy of Trajan
.
Towards the end of the 3rd and during the 4th century, as a result of the orientalizing of the Imperial See also: court by See also: Diocletian, it became customary to celebrate as a See also: matter of course the superhuman virtues and achievements of the reigning emperor
.
Twelve speeches of the kind (Pliny's included), eight of them by famous Gallic rhetoricians (See also: Claudius Mamertinus, See also: Eumenius, See also: Nazarius, Drepanius Pacatus) and three of See also: anonymous author-See also: ship, have been collected under the title of Panegyrici veteres See also: latini (ed
.
E
.
Bahrens, 1874)
.
Speaking generally, they are characterized by a See also: stilted, affected See also: style and a See also: tone of See also: gross adulation
.
There are extant similar orations by Ausonius, six or seven strings, one played by aSee also: Moor; both have the tail-piece in the See also: form of a See also: crescent
.
6 See See also: Hammer von Purgstall on the " Seven Seas," in Jahrbiicher der Literatur, See also: xxxvi
.
290 (Vienna, 1826)
.
3 Syntagma musicum (See also: Wolfenbuttel, 1618), pl. xvii. and ch
.
28, 63; reprint in Publik. d
.
Ges. f
.
Musikforschung (Berlin, 1884), Jahrgang XII
.
See Dr F
.
J
.
Furnivall's edition of Captain See also: Cox or Robert Lane-See also: ham's letter, Ballad Society (See also: London, 1871), p
.
67
.
3 See Gabinetto armonico, ch
.
49, pl . 97 ( See also: Rome, 1722)
.
See also: Symmachus and Ennodius, and panegyrics in verse by Claudian, Merobaudes, See also: Priscian, See also: Corippus and others
.
See C
.
G
.
See also: Heyne, " Censura xii. panegyricorum veterum," in his
Opuscula academica (1812), vi
.
8o-118; H
.
Rihl, De xii panegyricis latinis (progr
.
Greifswald, 1868) ; R
.
Pichin, See also: Les Derniers ecrivains profanes (See also: Paris, 1906)
.
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