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See also: English librarian, was See also: born at Brescello, in the duchy of See also: Modena, See also: Italy, on the 16th of See also: September 1797
.
After taking his degree at the university of See also: Parma, Antonio See also: Panizzi became an advocate
.
A fervent patriot, he was implicated in the See also: movement set on See also: foot in 1821 to overturn the See also: government of his native duchy, and in See also: October of that See also: year barely escaped arrest by a precipitate See also: flight
.
He first established himself at Lugano, where he published an See also: anonymous and now excessively rare pamphlet, generally known as I Processi di Rubiera,.an exposure of the monstrous injustice and illegalities of the Modenese government's proceedings against suspected persons
.
Expelled from See also: Switzerland at the joint instance of See also: Austria, See also: France and See also: Sardinia, he came to See also: England in May 1823, in a See also: state bordering upon destitution
.
His countryman, Ugo See also: Foscolo, provided him with introductions to See also: William
See also: Roscoe and Dr William Shepherd, a Unitarian See also: minister in Liverpool, and he earned a living for some See also: time by giving See also: Italian lessons
.
Roscoe introduced him to See also: Brougham, by whose influence he was made, in 1828, professor of Italian at University See also: College, See also: London
.
His chair was almost a sinecure; but his abilities rapidly gained him a footing in London; and in 1831 Brougham, then See also: lord chancellor, used his ex officio position as a See also: principal trustee of the See also: British Museum to obtain for Panizzi
the See also: post of an extra assistant librarian of the Printed See also: Book department
.
At the same time he was working at his edition of Boiardo's Orlando innamorato
.
Boiardo's fame had been eclipsed for three centuries by the adaptation of See also: Berni; and it is highly to the honour of Panizzi to have redeemed him from oblivion and restored to Italy one of the very best of her narrative poets
.
His edition of the Orlando innamorato and the Orlando furioso was published between 1830 and 1834, prefaced by a valuable essay on the influence of See also: Celtic legends on See also: medieval See also: romance
.
In 1835 he edited Boiardo's minor poems, and was about the same time engaged in preparing a See also: catalogue of the library of the Royal Society
.
The unsatisfactory condition and illiberal management of the British Museum had long excited discontent, and at length a trivial circumstance led to theSee also: appointment of a See also: parliamentary committee, which sat throughout the sessions of 1835-1836, and probed the condition of the institution very thoroughly
.
Panizzi's principal contributions to its inquiries with regard to the library were an enormous mass of See also: statistics respecting See also: foreign See also: libraries, and some admirable evidence on the catalogue of printed books then in contemplation
.
In 1839 he was appointed keeper of printed books
.
The entire collection, except the See also: King's Library, had to be removed from Montague
See also: House to the new See also: building, the See also: reading-See also: room service had to be reorganized, rules for the new printed catalogue had to be prepared, and the catalogue itself undertaken
.
All these tasks were successfully accomplished; but, although the rules of cataloguing devised by Panizzi and his assistants have become the basis of subsequent See also: work, progress of the catalogue itself was slow
.
The first See also: volume, comprising letter A, was published in 1841, and from that time, although the catalogue was continued and completed in MS., no attempt was made to See also: print any more until 1881
.
The chief cause of this See also: comparative failure was injudicious interference with Panizzi, occasioned by the impatience of the trustees and the public
.
Panizzi's appointment, as that of a foreigner, had from the first been highly unpopular
.
He gradually broke down opposition, partly by his social influence, but far more by the sterling merits of his administration and his See also: constant efforts to improve the library
.
The most remarkable of these was his report, printed in 1845, upon the museum's extraordinary deficiencies in general literature, which ultimately procured the increase of the See also: annual See also: grant for the
See also: purchase of books to £Io,000
.
His friendship with See also: Thomas
See also: Grenville (1955–1846) led to the nation being enriched by the bequest of the unique Grenville library, valued even then at £50,000
.
In 1849–1849 a royal commission sat to inquire into the general state of the museum, and Panizzi was the centre of the proceedings
.
His administration, fiercely attacked from many quarters; was triumphantly vindicated in every point . Panizzi immediately became by far the most influential official in the museum, though he did not actually succeed to the principal librarianship until 1856 . It was thus as merely keeper of printed books that he conceived and carried out the achievement by which he is probably best remembered—the erection of the new library and reading-room . Purchases had been discouraged from lack of room in which to deposit the books . Panizzi cast hisSee also: eye on the empty quadrangle enclosed by the museum buildings, and conceived the daring idea of occupying it with a central cupola too distant, and adjacent galleries too low, to obstruct the inner windows of the See also: original edifice
.
The cupola was to cover three See also: hundred readers, the galleries to provide storage for a million of books
.
The original design, sketched by Panizzi's own See also: hand on the 18th of See also: April 1852, was submitted to the trustees on the 5th of May; in May 1854 the necessary See also: expenditure was sanctioned by parliament, and the building was opened in May 1859
.
Its construction had involved a multitude of ingenious arrangements, all of which had been contrived or inspected by Panizzi, who had a See also: genius for minute detail and a gift for See also: mechanical invention
.
Panizzi succeeded See also: Sir See also: Henry
See also: Ellis as principal librarian in See also: March 1856
.
During his tenure of this post a
See also: great improvement was effected in the condition of the museumstaff by the recognition of the institution as a branch of the See also: civil service, and the decision was taken to remove the natural See also: history collections to See also: Kensington.- Of this questionable measure Panizzi was a warm advocate; he was heartily glad to be rid of the naturalists
.
He had small love for science and its professors, and, as his friend Macaulay said, " would at any time have given three mammoths for one Aldus." Many important additions to the collections were made during his administration, especially the See also: Temple bequest of antiquities, and the Halicarnassean sculptures discovered at Budrun (See also: Halicarnassus) by C
.
T
.
See also: Newton
.
Panizzi retired in See also: July 1866, but continued to See also: interest himself actively in the affairs of the museum until his See also: death, on the 8th of April 1899
.
He had been created a K.C.B. in 1869
.
Panizzi had become a naturalized Englishman, but his devotion to the British Museum was rivalled by his devotion to his native See also: land, and his See also: personal influence with English Liberal statesmen enabled him often to promote her cause
.
Through-out the revolutionary movements of 1848–1849, and again during the See also: campaign of 1859 and the subsequent transactions due to the union of Naples to the See also: kingdom of upper Italy, Panizzi was in constant communication with the Italian patriots and their confidential representative with the English ministers
.
He laboured, according to circumstances, now to excite, now to mitigate, the English jealousy of France; now to moderate their apprehensions of revolutionary excesses; now to secure encouragement or connivance for See also: Garibaldi
.
The letters addressed to him by patriotic Italians, edited by his See also: literary executor and biographer, L
.
Fagan, alone compose a thick volume
.
He was charitable to his exiled countrymen in England, and, chiefly at his own expense, equipped a steamer, which was lost at See also: sea, to rescue the Neapolitan prisoners of state on the See also: island of Santo Stefano
.
His services were recognized by the offer of a senator-See also: ship and of the direction of public instruction in Italy; these off ers he declined, though in his latter years he frequently visited the land of his See also: birth
.
His administrative faculty was extraordinary: to the widest grasp he See also: united the minutest See also: attention to matters of detail
.
By introducing great ideas into the management of the museum he not only redeemed it from being a See also: mere show-place, but raised the See also: standard of library administration all over England
.
His moral character was the counterpart of his intellectual: he was warm-hearted and magnanimous; extreme in love and hate—a formidable enemy, but a devoted friend . His intimateSee also: friends included Lord Palmerston, Gladstone, Roscoe, Grenville, Macaulay, Lord Langdale and his See also: family, Rutherfurd (lord advocate), and, above all- perhaps, See also: Francis See also: Haywood, the translator of See also: Kant
.
His most celebrated friendship, however, is that with Prosper See also: Merimee, who, having begun by seeking. to enlist his influence with the English government on behalf of See also: Napoleon IH., discovered a congeniality of tastes which . produced a delightful See also: correspondence
.
Merimee's See also: part has been published by Fagan; Panizzi's perished in the conflagration kindled by the See also: Paris commune
.
See Fagan, See also: Life of Sir Anthony Panizzi (Lon.; 1880)
.
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