PAUSIAS  , a See also:

• GREEK
• GREEK, ETRUSCAN AND

Greek painter of the 4th See also:

• CENTURY (from Lat. centuria, a division of a hundred men)

century, of the school of See also:

• SICYON, or SECYON (the latter being the older form used by the natives)

Sicyon . He introduced the See also:

• CUSTOM (from O. Fr. costume, costume or coustume; Low Lat. costuma, a shortened form of consuetudo)

custom of See also:

• PAINTING

painting ceilings of houses . His See also:

• GREAT

great merit appears to have lain in the better rendering of foreshortening . The words in which See also:

• PLINY, THE ELDER
• PLINY, THE YOUNGER

Pliny (See also:

• XXXV

xxxv . 127) describes a See also:

• BULL
• BULL, GEORGE (1634–1710)
• BULL, JOHN (c. 1562–1628)
• BULL, OLE BORNEMANN (18ro-188o)

bull painted by him should be quoted: " Wishing to display the length of the bull's See also:

• BODY

body, he painted it from the front, not in See also:

• PROFILE

profile, and yet fully indicated its measure . Again, while others fill in with See also:

• WHITE
• WHITE, ANDREW DICKSON (1832– )
• WHITE, GILBERT (1720–1793)
• WHITE, HENRY KIRKE (1785-1806)
• WHITE, HUGH LAWSON (1773-1840)
• WHITE, JOSEPH BLANCO (1775-1841)
• WHITE, RICHARD GRANT (1822-1885)
• WHITE, ROBERT (1645-1704)
• WHITE, SIR GEORGE STUART (1835– )
• WHITE, SIR THOMAS (1492-1567)
• WHITE, SIR WILLIAM ARTHUR (1824--1891)
• WHITE, SIR WILLIAM HENRY (1845– )
• WHITE, THOMAS (1628-1698)
• WHITE, THOMAS (c. 1550-1624)

white the high See also:

• LIGHTS, CEREMONIAL USE OF

lights, and paint in See also:

• BLACK
• BLACK, ADAM (1784-1874)
• BLACK, JEREMIAH SULLIVAN (1810–1883)
• BLACK, WILLIAM (1841-1898)

black what is less salient, he painted the whole bull of dark See also:

• COLOUR (Lat. color, connected with celare, to hide, the root meaning, therefore, being that of a covering)

colour, and gave substance to the See also:

• SHADOW (0. Eng. Schadewe, sceadu; a form of " shade "; connected with Gr. 6-Ore's, darkness)

shadow out of the shadow itself, with great skill making his figures stand out from a See also:

• FLAT (a modification of O. Eng. flet, an obsolete word of Teutonic origin, meaning the ground beneath the feet)

flat background, and indicating their shape when foreshortened." This passage well marks the See also:

• STATE
• STATE, GREAT OFFICERS OF

state of painting at the See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time .