See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

JOHN See also:

• CHRISTOPHER, SAINT (Christophorus, Christoferus)

CHRISTOPHER See also:

• JOHN CHRISTOPHER PEPUSCH (1667-1752)

PEPUSCH (1667-1752)  , See also:

• ENGLISH

English musician, of See also:

• GERMAN
• GERMAN, DUTCH AND SCANDINAVIAN

German parentage, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• BERLIN
• BERLIN, CONGRESS AND TREATY OF
• BERLIN, ISAIAH (1725–1799)

Berlin . He began his study of See also:

• MUSIC

music at an See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age, and about 1700 See also:

• LEFT

left Berlin and went to See also:

• ENGLAND
• ENGLAND, THE CHURCH OF

England, where he had various engagements, and where he went on with his researches into See also:

• ANCIENT
• ANCIENT (also spelt ANTIENT; derived, through the Fr. ancien, old, from the late Lat. antianum, from ante, before)

ancient music . He composed a number of See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

church services and instrumental pieces, besides music for masques and plays, but he is best known in connexion with the See also:

• FOUNDING (from Lat. fundere, to pour)

founding in 1710 of the See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy of Ancient Music . In 1713 he was made a See also:

• MUS

Mus.D. of See also:

• OXFORD
• OXFORD, EARLS OF
• OXFORD, EDWARD DE VERE, 17TH EARL
• OXFORD, JOHN DE VERE, 13TH EARL OF (1443-1513)
• OXFORD, PROVISIONS OF
• OXFORD, ROBERT DE VERE, 9TH EARL OF (1362-1392)
• OXFORD, ROBERT HARLEY, 1ST

Oxford, and in 1746 F.R.S . In 1718 he married See also:

• MARGARITA

Margarita de t'Epine (d . 1746), who, as the first See also:

• ITALIAN

Italian to sing in England, was described in 1692 in the See also:

• LONDON

London See also:

• GAZETTE

Gazette simply as " the Italian woman." See also:

• PEPUSCH, JOHN CHRISTOPHER (1667-1752)

Pepusch died in London on the loth of See also:

• JULY

July 1752 . His See also:

• TREATISE

Treatise on See also:

• HARMONY (Gr. dpµovia, a concord of musical sounds, dpA'ew to join; &plan midi (sc. TeXvil)

Harmony (See also:

• ANONYMOUS

anonymous 1st ed . 1730) is believed to have been an embodiment of his rules drafted by his See also:

• PUPIL (Lat. pupillus, orphan, minor, dim. of pupus, boy, allied to puer, from root pm- or peu-, to beget, cf. "pupa," Lat. for " doll," the name given to the stage intervening between the larval and imaginal stages in certain insects)

pupil See also:

• VISCOUNT (through O. Fr. viscomte, mod. vicomte, from Low Lat. vice-comes, cf. Portug. visconde, Ital. visconte)

Viscount See also:

• PAISLEY
• PAISLEY, CLAUD HAMILTON, LORD (c. 1543-1622)

Paisley, afterwards See also:

• EARL

earl of See also:

• ABERCORN, JAMES HAMILTON 1ST EARL OF (c. 1575–1618)

Abercorn .