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PERCEPTION (from See also: term specially applied to the See also: mental See also: process by which the mind becomes conscious of an See also: external See also: object; it is the mental completion of a sensation, which would otherwise have nothing but a momentary existence coextensive with the duration of the stimulus, and is intermediate between sensation and the " ideal revival," which can reinstate a perceptual consciousness when the object is no longer See also: present
.
This narrow and precise usage of the term " perception " is due to See also: Thomas
See also: Reid, whose view has been generally adopted in principle by See also: modern psychologists
.
On the other See also: hand some psychologists decline to accept the view that the three processes are delimited by See also: sharp lines of cleavage
.
It is held on the one hand that sensation is in fact impossible as a purely subjective See also: state without cognition; on the other that sensation and perception differ only in degree, perception being the more complex
.
The former view admits, which the latter practically denies, the distinction in principle
.
Among those who adopt the second view are E
.
B
.
Titchener and See also: William
See also: James
.
James (Principles of Psychology, ii
.
76) compares sensation and perception as " the barer and the richer consciousness," and says that " beyond the first crude sensation all our consciousness is a
See also: matter of See also: suggestion, and the various suggestions shade gradually into each other, being one and all products of the same psychological machinery of association." Similarly See also: Wundt and Titchener incline to obliterate the distinction between perception and ideal revival
.
See also: Prior to Reid, the word perception had a long See also: history in the wider sense of cognition in general
.
See also: Locke and Hume both use it in this sense, and regard thinking as that See also: special kind of perception which implies deliberate See also: attention
.
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