PETER

See also:

• HESS
• HESS, HEINRICH HERMANN JOSEF, FREIHERR VON (1788-1870)

HESS (1792–11871)—afterwards von Hess—was

See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at

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• DUSSELDORF

Dusseldorf and accompanied his younger

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• BROTHER

brother Heinrich Maria to

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• MUNICH (Ger. Munchen)

Munich in 18o6. Being of an

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• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age to receive vivid impressions, he

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• FELT (cognate with Ger. Filz, Du. vilt, Swed. and Dan. fill; the root is unknown; the word has given Med. Lat. filtrum, " filter ")

felt the stirring impulses of the

See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time and became a painter of skirmi  shes and battles . In 1813–1815 he was allowed to join the staff of General Wrede, who commanded the Bavarians in the military operations which led to the abdication of Napoleon; and there he gained novel experiences of war and a taste for extensive travel . In the course of years he successively visited Austria, Switzerland and Italy . On Prince Otho's election to the Greek throne King Louis sent Peter Hess to Athens to gather materials for pictures of the war of liberation . The sketches which he then made were placed, forty in number, in the Pinakothek, after being copied in wax on a large scale (and little to the edification of German feeling) by Nilsen, in the northern arcades of the Hofgarten at Munich . King Otho's entrance into Nauplia was the subject of a large and crowded canvas now in the Pinakothek, which Hess executed in person . From these, and from battlepieces on a scale of great size in the Royal Palace, as well as from military episodes executed for the czar Nicholas, and the battle of Waterloo now in the Munich Gallery, we gather that Hess was a clever painter of horses . His conception of subject was lifelike, and his drawing invariably correct, but his style is not so congenial to modern taste as that of the painters of touch . He finished almost too carefully with thin medium and pointed tools; and on that account he lacked to a certain extent the boldness of Horace Vernet, to whom he was not unaptly compared . He died suddenly, full of honours, at Munich, in April 1871 . Several of his genre pictures, horse hunts, and brigand scenes may be found in the gallery of Munich .