See also:

• JEAN

JEAN See also:

• LOUIS
• LOUIS (804–876)
• LOUIS (893–911)
• LOUIS, JOSEPH DOMINIQUE, BARON (1755-1837)
• LOUIS, or LEWIS (from the Frankish Chlodowich, Chlodwig, Latinized as Chlodowius, Lodhuwicus, Lodhuvicus, whence-in the Strassburg oath of 842-0. Fr. Lodhuwigs, then Chlovis, Loys and later Louis, whence Span. Luiz and—through the Angevin kings—Hungarian

LOUIS See also:

• PETITOT, JEAN (1608–1691)
• JEAN LOUIS PETITOT (1652–c. 1730)

PETITOT (1652–c. 1730)  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French See also:

• ENAMEL (formerly " amel," derived through the Fr. amail, emmll, esmail, from a Latin word smaltum, first found in a 9th-century life of Leo IV.)

enamel painter, was the eldest son of See also:

• JEAN

Jean See also:

• PETITOT, JEAN (1608–1691)
• PETITOT, JEAN LOUIS (1652–c. 1730)

Petitot (q.v.), and was instructed in enamelling by his See also:

• FATHER

father . Some of his See also:

• WORKS

works so closely resemble those of the See also:

• ELDER (0. Eng. ellarn; Ger. Holunder; Fr. sureau)
• ELDER (Gr. 1rpev(3iTepos)

elder Petitot that it is difficult to distinguish between them, and he was really the only serious See also:

• RIVAL

rival his father ever had . He settled for a while in See also:

• LONDON

London, where he remained till 1682, and painted many enamel portraits of See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

Charles II . In 1682 he removed to See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris, but in 1695 was back again in London, where he remained until the See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time of his See also:

• DEATH

death . His portrait by See also:

• MIGNARD, PIERRE (1610-1695)

Mignard is in the museum at See also:

• GENEVA
• GENEVA (Fr. Geneve, Ger. Genf, Ital. Ginevra, Late Lat. Gebenna, though Genava in good Latin)
• GENEVA, LAKE OF

Geneva, and another in enamel by himself in the collection of the See also:

• EARL

earl of Dartrey, who also owns two of his wife, Madeleine Bordier, whom he married in 1683 . Another portrait believed to represent him is in the collection of Mr Pierpont See also:

• MORGAN
• MORGAN, DANIEL (1736-1802)
• MORGAN, EDWIN DENNISON (1811-1883)
• MORGAN, JOHN HUNT (1825-1864)
• MORGAN, JOHN PIERPONT (1837–1913)
• MORGAN, LEWIS HENRY (1818-1881)
• MORGAN, SYDNEY, LADY (c. 1783-1859)
• MORGAN, THOMAS (d. 1743)

Morgan . (G . C . W.) PETITS-CHEVAUX (Fr. for " little horses" ), a gambling See also:

• GAME

game played with a See also:

• MECHANICAL

mechanical See also:

• DEVICE

device consisting of a See also:

• BOARD (O. Eng. bord)

board perforated with a number of concentric circular slits, in which revolve, each independently on its own See also:

• AXIS (Lat. for " axle ")

axis, figures of jockeys on horseback, distinguished by See also:

• NUMBERS, BOOK OF
• NUMBERS, PARTITION OF

numbers or See also:

• COLOURS, MILITARY

colours . The bystanders having staked their See also:

• MONEY

money according to their choice on a board marked in divisions for this purpose, the horses are started revolving rapidly together by means of mechanism attached to the board, and the See also:

• HORSE (a word common to Teutonic languages in such forms as hors, hros, ros; cf. the Ger. ross)

horse which stops nearest a marked See also:

• GOAL

goal wins, every player who has staked on that horse receiving so many times his stake . Figures of railway trains and other See also:

• OBJECTS

objects sometimes take the See also:

• PLACE (through Fr. from Lat. platea, street; Gr. IrAar6s, wide)

place of horses . In See also:

• RECENT

recent years there has been a tendency to supplant the petits chevaux at French resorts by the See also:

• BOULE (Gr. 0ovXi ,, literally " will," " advice "; hence a " council ")

boule or See also:

• BALL (in Mid. Eng. bal; the word is probably cognate with " bale," Teutonic in origin, cf. also Lat. falls, and Gr. 7raXXa)
• BALL, JOHN (1585-1640)
• BALL, JOHN (1818-1889)
• BALL, JOHN (d. 1381)
• BALL, SIR ALEXANDER JOHN, BART
• BALL, THOMAS (1819- )

ball game, on the same principle of gambling; in this a ball is rolled on a See also:

• BASIN, or BASON (the older form bacin is found in many of the Romanic languages, from the Late Lat. baccinus or bacchinus, probably derived from bacca, a bowl)
• BASIN, THOMAS (1412—1491)

basin-shaped table so that it' may eventually See also:

• SETTLE
• SETTLE, ELKANAH (1648–1724)

settle in one of a number of shallow cups, each marked with a figure .