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See also: English actor and manager, was See also: born at See also: Devonport on the 13th of See also: February 1804
.
He was early thrown upon his own resources, and worked in various newspaper offices
.
Shortly after his See also: marriage in 1826 to Sarah See also: Cooper (d
.
1867), he accepted a theatrical engagement in the
See also: York circuit at eighteen shillings a week, and afterwards appeared in See also: south of See also: England towns in prominent tragic roles, attracting sufficient See also: attention to be spoken of as a See also: rival to See also: Kean He made his first See also: London appearance on the 28th of See also: August 1837 as Shylock .at the Haymarket
.
After a See also: short season there he was with Macready for about six years at Covent Garden, the Haymarket and See also: Drury Lane successively
.
In 1844 he became co-lessee of Sadler's See also: Wells Theatre with See also: Thomas L
.
Greenwood and Mrs Mary Amelia Warner (1804-18J4)
.
Greenwood supplied the business capacity, Phelps was the theatrical manager, and Mrs 'Warner leading lady
.
In this position Phelps remained for twenty years, during which
See also: time he raised the Sadler's Wells See also: house to an important position,
See also: PHENACETIN 363
and himself appeared in a very exsensive and varied repertory
.
See also: Thirty-four of See also: Shakespeare's plays were presented there under his direction, with See also: great educational effect, both on public and players
.
In 1861 Greenwood retired from the partnership, and Phelps, unable to See also: cope with the business of management, retired from it in the following See also: year
.
For the next fifteen years he acted under various managements, achieving considerable success in some of Halliday's dramatic versions of See also: Scott's novels, such as The Fortunes of See also: Nigel and Ivanhoe
.
His last appearance was in 1878 as See also: Wolsey in See also: Henry VIII., and he died on the 6th of
See also: November 1878
.
He was a See also: sound and capable actor, rather than one of any marked See also: genius; and, in spite of his predilection for tragedy, was most successful in such characters of See also: comedy as called for dry See also: humour
.
Perhaps See also: Sir Pertinax Macsycophant in See also: Charles
See also: Macklin's The See also: Man of the See also: World was his finest impersonation
.
He published an annotated edition of Shakespeare's plays (2 vols., 1852-1854)
.
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