See also:

• PHILEMON
• PHILEMON (c. 361–263 B.C.)
• PHILEMON, EPISTLE TO

PHILEMON (c. 361–263 B.C.)  , See also:

• GREEK
• GREEK, ETRUSCAN AND

Greek poet of the New See also:

• COMEDY

Comedy, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• SOLI
• SOLI (mod. Mezetlii)

Soli in See also:

• CILICIA

Cilicia, or at See also:

• SYRACUSE
• SYRACUSE (Gr. Mvpaaovoat; Lat. Syracusae, Ital. Siracusa)

Syracuse . He settled at See also:

• ATHENS
• ATHENS ['AN vat, Athenae, modem colloquial Greek `Ath va]

Athens See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early in See also:

• LIFE

life, and his first See also:

• PLAY

play was produced in 330 . He was a contemporary and See also:

• RIVAL

rival of See also:

• MENANDER
• MENANDER (342–291 B.C.)
• MENANDER (MILINDA)

Menander, whom he frequently vanquished in poetical contests . Posterity reversed the See also:

• VERDICT (O. Fr. verdit, Lat. vere dictum, truly said, used in Late Latin in one word with its present significance)

verdict and attributed See also:

• PHILEMON
• PHILEMON (c. 361–263 B.C.)
• PHILEMON, EPISTLE TO

Philemon's successes to unfair See also:

• INFLUENCE (Late Lat. influentia, from influere, to flow in)

influence . He made a See also:

• JOURNEY (through O. Fr. jornee or journee, mod. Fr. journee, from med. Lat. diurnata, Lat. diurnus, of or belonging to dies, day)

journey to the See also:

• EAST
• EAST, ALFRED (1849- )

east, and resided at the See also:

• COURT
• COURT (from the O. Fr. court, Late Lat. cortis, curtis, a popular form of class. Lat. cohors, gen. cohortis; the mod. Fr. form tour is due to the influence of the Lat. curia, the word used in medieval documents to translate " court " in the feudal sense)
• COURT, ANTOINE (1696-176o)

court of See also:

• PTOLEMY (CLAUDIUS PTOLEMAEUS)

Ptolemy, See also:

• KING
• KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
• KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
• KING, CHARLES WILLIAM (1818-1888)
• KING, CLARENCE (1842–1901)
• KING, EDWARD (1612–1637)
• KING, EDWARD (1829–1910)
• KING, HENRY (1591-1669)
• KING, RUFUS (1755–1827)
• KING, THOMAS (1730–1805)
• KING, WILLIAM (1650-1729)
• KING, WILLIAM (1663–1712)

king of See also:

• EGYPT

Egypt, for some See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time . See also:

• PLUTARCH
• PLUTARCH (Gr. llXoi rapxos) (c. A.D. 46–120)

Plutarch (De Cohibenda Ira, 9) relates that on his journey he was driven by a See also:

• STORM (in O. Eng..storm, and so in Du. and Low Ger.; in O. H. Ger. and mod. Ger. Sturm; the root is probably that seen in " stir," to rouse, move, disturb, cf. Ger. storen)
• STORM, THEODOR WOLDSEN (1817-1888)

storm to See also:

• CYRENE [mod. Ain Shahat-Grenna]

Cyrene, and See also:

• FELL
• FELL, JOHN (1625-1686)

fell into the hands of its king Magas, whom he had formerly satirized . Magas treated him with contempt, and finally dismissed him with a See also:

• PRESENT

present of toys . Various accounts of his See also:

• DEATH

death are given; a violent outburst of See also:

• LAUGHTER

laughter, excess of joy at a dramatic victory, or a peaceful end while engaged in composing his last See also:

• WORK

work (See also:

• APULEIUS, LUCIUS

Apuleius, See also:

• FLORIDA

Florida, 16; See also:

• LUCIAN (d. 312)
• LUCIAN [Aowaavos] (c. A.D. 120-180)

Lucian, Macrob . 25; Plutarch, An Seni, p . 725) . Of the ninety-seven plays which he is said to have composed, the titles of fifty-seven and considerable fragments have been preserved . Some of these may have been the work of his son, the younger Philemon, who is said to have composed fifty-four comedies .

The See also:

• MERCHANT (O. Fr. marcheant, modern marchand; from Lat. mercari, to trade, merx, goods, merchandise)

Merchant and The Treasure of Philemon were the originals respectively of the See also:

• MERCATOR, GERARDUS [latinized form of GERHARD KREMER] (1512-1594)

Mercator and Trinummus of See also:

• PLAUTUS, TITUS MACCIUS (originally perhaps MACCUS; cf. Asin. Prol. 11)

Plautus . The fragments preserved by See also:

• STOBAEUS, JOANNES

Stobaeus, See also:

• ATHENAEUS

Athenaeus and other writers contain much wit and See also:

• GOOD, JOHN MASON (1764-1827)

good sense . See also:

• QUINTILIAN [MARCUS FABIUS QUINTILIANUS] (C. A.D. 35-95)

Quintilian (Instil. x . 1, 72) assigned the second See also:

• PLACE (through Fr. from Lat. platea, street; Gr. IrAar6s, wide)

place among the poets of the New Comedy christl . Behandlung sozialer Fragen (1896), as well as in Dr A . H. to Philemon, and Apuleius, who had a high See also:

• OPINION (Lat. opinio, from opinari, to think)

opinion of him, has See also:

• DRAWN

drawn a comparison between him and Menander . See A . See also:

• MEINEKE, JOHANN ALBRECHT FRIEDRICH AUGUST (1790-1870)

Meineke, Menandri et Philemonis reliquiae (1823, including See also:

• BENTLEY, RICHARD (1662-1742)
• BENTLEY, RICHARD (1794-1871)

Bentley's emendations); T . See also:

• KOCK, CHARLES PAUL DE (1793-1871)

Kock, Comicorum graecorum fragmenta, vol. iii . (1884) .