See also:

• STEPHEN
• STEPHEN (1097?-1154)
• STEPHEN (ISTVAN) BATHORY (1533-1586)
• STEPHEN, SIR JAMES (1789-1859)
• STEPHEN, SIR JAMES FITZJAMES, BART
• STEPHEN, SIR LESLIE (1832-1904)

STEPHEN See also:

• PHILLIPS
• PHILLIPS, ADELAIDE (1833-1882)
• PHILLIPS, EDWARD (163o-1696)
• PHILLIPS, JOHN (1800—1874)
• PHILLIPS, SAMUEL (1814—1854)
• STEPHEN PHILLIPS (1868– )
• PHILLIPS, THOMAS (1770-1845)
• PHILLIPS, WENDELL (1811-1884)

PHILLIPS (1868– )  , See also:

• BRITISH

British poet and dramatist, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born on the 28th of See also:

• JULY

July 1868 at Somertown near See also:

• OXFORD
• OXFORD, EARLS OF
• OXFORD, EDWARD DE VERE, 17TH EARL
• OXFORD, JOHN DE VERE, 13TH EARL OF (1443-1513)
• OXFORD, PROVISIONS OF
• OXFORD, ROBERT DE VERE, 9TH EARL OF (1362-1392)
• OXFORD, ROBERT HARLEY, 1ST

Oxford, the son of the Rev . See also:

• STEPHEN
• STEPHEN (1097?-1154)
• STEPHEN (ISTVAN) BATHORY (1533-1586)
• STEPHEN, SIR JAMES (1789-1859)
• STEPHEN, SIR JAMES FITZJAMES, BART
• STEPHEN, SIR LESLIE (1832-1904)

Stephen See also:

• PHILLIPS
• PHILLIPS, ADELAIDE (1833-1882)
• PHILLIPS, EDWARD (163o-1696)
• PHILLIPS, JOHN (1800—1874)
• PHILLIPS, SAMUEL (1814—1854)
• PHILLIPS, STEPHEN (1868– )
• PHILLIPS, THOMAS (1770-1845)
• PHILLIPS, WENDELL (1811-1884)

Phillips, See also:

• PRECENTOR (Late Lat. praecentor, from praecipere, to sing before, lead in singing)

precentor of See also:

• PETERBOROUGH

Peterborough See also:

• CATHEDRAL

Cathedral . He was educated at See also:

• STRATFORD
• STRATFORD, JOHN DE (d. 1348)

Stratford and Peterborough See also:

• GRAMMAR (from Lat. grammatica, sc. ars; Gr. ypaµ)

Grammar See also:

• SCHOOLS

Schools, and entered See also:

• QUEEN
• QUEEN (O.E. cwen, wife, related to "quean," O.E. cwene, a hussy; cf. Gr. yvvi7: from root gan-, to produce; cf. genus, " kin," &c.)

Queen's See also:

• COLLEGE (Collegium)

College, See also:

• CAMBRIDGE
• CAMBRIDGE, EARLS AND DUKES OF
• CAMBRIDGE, RICHARD OWEN (1717-1802)

Cambridge; but during his first See also:

• TERM

term at Cambridge, when F . R . See also:

• BENSON, EDWARD WHITE (182g—1896)
• BENSON, FRANCIS ROBERT (1858— )
• BENSON, FRANK WESTON (1862— )
• BENSON, GEORGE (1699–1762)

Benson's dramatic See also:

• COMPANY

company visited the See also:

• TOWN

town, he joined it, and for six years played various small parts . In 1890 a slender See also:

• VOLUME

volume of See also:

• VERSE (from Lat. versus, literally a line or furrow drawn by turning the plough, from vertere, and afterwards signifying an arrangement of syllables into feet)

verse was published at Oxford with the See also:

• TITLE (0. Fr. title, mod. titre, from Lat. titulus)

title Primavera, which contained contributions by him and by his See also:

• COUSIN (Fr. cousin, Ital. cugino, Late Lat. cosinus, perhaps a popular and familiar abbreviation of consobrinus, which has the same sense in classical Latin)
• COUSIN, JEAN (1500-1590)
• COUSIN, VICTOR (1792–1867)

cousin Laurence See also:

• BINYON, LAURENCE (1869- )

Binyon and others . In 1894 he published Eremus, a See also:

• LONG, GEORGE (1800-1879)
• LONG, JOHN DAVIS (1838– )

long poem of loose structure in See also:

• BLANK (from the Fr. blanc, white)

blank verse of a philosophical complexion . In 1596 appeared See also:

• CHRIST (Gr. X pLQTOS, Anointed)
• CHRIST, WILHELM VON (1831-1906)

Christ in Hades, forming with a few other See also:

• SHORT, FRANCIS JOB (1857– )

short pieces one of the slim See also:

• PAPER
• PAPER (Fr. papier, from Lat. papyrus)

paper-covered volumes of Elkin See also:

• MATHEWS, CHARLES (1776-1835)
• MATHEWS, THOMAS (1676-1751)

Mathews's " See also:

• SHILLING

Shilling See also:

• GARLAND, JOHN (fl. 1202—1252)

Garland." This poem arrested the See also:

• ATTENTION (from Lat. ad-tendo, await, expect; the condition of being " stretched " or " tense ")

attention of watchful critics of See also:

• POETRY

poetry, and when it was followed by a collection of Poems in 1897 the writer's position as a new poet of exceptional gifts was generally recognized . This volume contained a new edition of " Christ in Hades," together with " Marpessa," " The Woman with the Dead Soul," " The Wife " and shorter pieces, including the See also:

• FINE

fine lines " To See also:

• MILTON
• MILTON, JOHN (1608–1674)

Milton, See also:

• BLIND, MATHILDE (1841—1896)

Blind." The volume won the See also:

• PRIZE, or PRIZE OF WAR (Fr. prise, from prendre, to take)

prize of £too offered by the See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy See also:

• NEWS

news-paper for the best new See also:

• BOOK

book of its See also:

• YEAR

year, ran through See also:

• HALF

half a dozen See also:

• EDITIONS

editions in two years, and established Mr Phillips's See also:

• RANK (O.Fr. rant or rent, mod. rang, generally connected with the O.E. and O.H.G. bring, a ring)

rank as poet, which was sustained by the publication in the Nineteenth See also:

• CENTURY (from Lat. centuria, a division of a hundred men)

Century in 1898 of his poem " See also:

• ENDYMION

Endymion." See also:

• GEORGE
• GEORGE, 8TH MARQUESS OF TWEEDDALE (1787-1876)
• GEORGE, HENRY (1839—1897)
• GEORGE, LAKE
• GEORGE, SAINT (d. 303)

George See also:

• ALEXANDER
• ALEXANDER (1461-1506)
• ALEXANDER (ALEXANDER OF BATTENBERG) (1857-1893)
• ALEXANDER (ALEXANDER OsxENOVici) (1876-1903)
• ALEXANDER, ARCHIBALD (1772—1851)
• ALEXANDER, FRANCIS (1800—1881)
• ALEXANDER, GEORGE (1858— )
• ALEXANDER, JOHN WHITE (1856- )
• ALEXANDER, JOSEPH ADDISON (18o9—186o)
• ALEXANDER, SIR JAMES EDWARD (1803—1885)
• ALEXANDER, WILLIAM (1824— )
• ALEXANDER, WILLIAM LINDSAY (1808—1884)

Alexander, the actor-manager, moved perhaps by a certain clamour among the critics for a See also:

• LITERARY

literary See also:

• DRAMA (literally "action," from Gr. Snail, act or do)

drama, then commissioned Mr Phillips to write him a See also:

• PLAY

play, the result being See also:

• PAOLO (GIROLAMO GASPARE)5 (1532-1600)

Paolo and Francesca (1900), a drama founded on See also:

• DANTE

Dante's famous See also:

• EPISODE

episode . Encouraged by the See also:

• GREAT

great success of the drama in its literary See also:

• FORM (Lat. forma)

form, Mr Alexander produced the piece at the St See also:

• JAMES
• JAMES (Gr. 'IlrKw,l3or, the Heb. Ya`akob or Jacob)
• JAMES (JAMES FRANCIS EDWARD STUART) (1688-1766)
• JAMES, 2ND EARL OF DOUGLAS AND MAR(c. 1358–1388)
• JAMES, DAVID (1839-1893)
• JAMES, EPISTLE OF
• JAMES, GEORGE PAYNE RAINSFOP
• JAMES, HENRY (1843— )
• JAMES, JOHN ANGELL (1785-1859)
• JAMES, THOMAS (c. 1573–1629)
• JAMES, WILLIAM (1842–1910)
• JAMES, WILLIAM (d. 1827)

James's See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

Theatre in the course of 19ot . In the meantime, Mr Phillips's next play, See also:

• HEROD
• HEROD (surnamed THE GREAT)

Herod: a Tragedy, had been produced by Beerbohm See also:

• TREE (0. Eng. treo, treow, cf. Dan. tree, Swed. Odd, tree, trd, timber; allied forms are found in Russ. drevo, Gr. opus, oak, and 36pv, spear, Welsh derw, Irish darog, oak, and Skr. dare, wood)
• TREE, SIR HERBERT BEERBOHM (1853- )

Tree on the 31st of See also:

• OCTOBER

October 1900, and was published as a book in 1901; Ulysses, also produced by Beerbohm Tree, was published in 1902; The See also:

• SIN
• SIN (O. Eng. syn: a common Teutonic word, cf. Dutch zonde, Ger. Siinde)

Sin of See also:

• DAVID
• DAVID (a Hebrew name meaning probably beloved 1)
• DAVID, FELICIEN (1810—1876)
• DAVID, GERARD [GHEERAERT DAVIT], (?=1523)
• DAVID, PIERRE JEAN (1789–1856)
• DAVID, ST (Dewi, Sant)

David, a drama on the See also:

• STORY, JOHN (c. 1510-1571)
• STORY, JOSEPH (1779-1845)
• STORY, ROBERT HERBERT (1835-1907)
• STORY, WILLIAM WETMORE (1819—1895)

story of David and Bathsheba, translated into the times and terms of Cromwellian See also:

• ENGLAND
• ENGLAND, THE CHURCH OF

England, was published in 1904; and See also:

• NERO (37-68)

Nero, produced by Beerbohm Tree, was published in 1906 . In these plays the poet's avowed aim was, instead of attempting to revive the method of See also:

• SHAKESPEARE, WILLIAM (1564-1616)

Shakespeare and the Elizabethans, to revitalize the method of See also:

• GREEK
• GREEK, ETRUSCAN AND

Greek drama .

Paolo and Francesca (which admitted certainly one See also:

• SCENE (Fr. scene, Lat. scaena, Gr. oflvil, a tent or booth, a stage or scene)

scene on an Elizabethan See also:

• MODEL (0. Fr. modelle, mod. modele; It. modello, pattern, mould; from Lat. modus, measure, standard)

model) was the most successful, the subject being best adapted to the lyrical See also:

• CAST (from the verb meaning " to throw "; the word is Scand. in origin, cf. Dan. kaste, and Swed. kasta; " cast " in Middle Eng. took the place of the A.S. weor pan, cf. Ger. werf en)

cast of Mr Phillips's poetical temperament; but all contained fine poetry, skilfully See also:

• STAGE (Fr. 6/age; from Lat. stare, to stand)

stage-managed by a writer who had See also:

• PRACTICAL

practical experience of stage See also:

• CRAFT (a word common to Teutonic languages for strength, or power; cf. Ger. Kraft)

craft . See the See also:

• SECTION
• SECTION (Lat. sectio, cutting, secare, to cut)

section on Stephen Phillips in Poets of the Younger See also:

• GENERATION (from Lat. generare, to beget, procreate; genus, stock, race)

Generation, by See also:

• WILLIAM
• WILLIAM (1143-1214)
• WILLIAM (1227-1256)
• WILLIAM (1J33-1584)
• WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
• WILLIAM (c. 1130-C. 1190)
• WILLIAM, 13TH

William See also:

• ARCHER, WILLIAM (1856— )

Archer (19o2); also the articles on "Tragedy and Mr Stephen Phillips," by William See also:

• WATSON, RICHARD (1737-1816)
• WATSON, THOMAS (c. 1557–1592)
• WATSON, WILLIAM (1858- )
• WATSON, WILLIAM (c. 1559-1603)

Watson, in the Fortnightly See also:

• REVIEW (Fr. revue, from revoir, to see again, Lat. re and videre)

Review (See also:

• MARCH
• MARCH (1) (from Fr. marcher, to walk; the earliest sense in French appears to be " to trample," and the origin has usually been found in the Lat. marcus, hammer; Low Lat. marcare, to hammer; hence to beat the road with the regular tread of a soldier: cf.
• MARCH, AUZIAS (c. "1395-1458)
• MARCH, EARLS OF
• MARCH, FRANCIS ANDREW (1825– )

March 1898) ; " The Poetry of Mr Stephen Phillips," in the See also:

• EDINBURGH

Edinburgh Review (See also:

• JANUARY

January 1900); " Mr Stephen Phillips," in the Century (January 1901), by See also:

• EDMUND
• EDMUND, or EADMUND (c. 980-1016)
• EDMUND, SAINT [EDMUND RICE] (d. 1240)

Edmund See also:

• GOSSE, EDMUND (1849– )
• GOSSE, PHILIP HENRY (1810–r888)

Gosse; and " Mr Stephen Phillips," in the Quarterly Review (See also:

• APRIL

April 1902), by See also:

• ARTHUR (Fr. Arius)
• ARTHUR, CHESTER ALAN (1830 – 1886)

Arthur See also:

• SYMONS
• SYMONS, GEORGE JAMES (1838-1900)

Symons . For bibliography up to July 1903, see See also:

• ENGLISH

English Illustrated See also:

• MAGAZINE

Magazine new See also:

• SERIES (a Latin word from serere, to join)

series, vol. See also:

• XXIX

xxix. p . 442 .