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See also: English portrait and subject painter, was See also: born at See also: Dudley in See also: Warwickshire on the 18th of See also: October 1770
.
Having acquired the See also: art of See also: glass-See also: painting at See also: Birmingham he visited See also: London in 1790 with an introduction to Benjamin West, who found him employment on the windows in St See also: George's See also: Chapel at Windsor
.
In 1792 See also: Phillips painted a view of Windsor See also: Castle, and in the next two years he exhibited the " See also: Death of Talbot, See also: Earl of See also: Shrewsbury, at the See also: Battle of Castillon," " See also: Ruth and Naomi," " Elijah re-storing the Widow's Son," " See also: Cupid disarmed by See also: Euphrosyne," and other pictures
.
After 1796, however, he mainly See also: con-fined himself to portrait-painting
.
It was not long before he became the chosen painter of men of See also: genius and talent, notwithstanding the rivalry of See also: Hoppner, See also: Owen, See also: Jackson and See also: Lawrence; and he See also: left behind portraits of nearly all the illus-trious characters of his See also: day
.
In 1804 he was elected associate and in 18o8 member of the Royal See also: Academy
.
In 1824 Phillips succeeded See also: Fuseli as professor of painting to the Royal Academy, an office which he held till 1832
.
During this See also: period he de-livered ten Lectures on the See also: History and Principles of Painting, which were published in 1833
.
He died on the loth of Aprii 1845
.
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