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JOANNES PHILOPONUS ( See also: Greek philosopher of Alexandria, lived in the later See also: part of the 5th and the beginning of the 6th century of our era
.
The surname Grammaticus he assumed in virtue of his lectures on language and literature; that of Philoponus owing to the large number of See also: treatises he composed
.
He was a pupil of Ammonius Hermiae, and is supposed to have written the See also: life of See also: Aristotle sometimes attributed to his master
.
To Philoponus are attributed a large number of See also: works on See also: theology and philosophy
.
It is said that, though he was a pupil of Ammonius, he was at first a Christian, and he has been credited with the authorship of a commentary on the Mosaic Cosmogony in eight books, dedicated to See also: Sergius, patriarch of Constantinople, and edited by Balthasar See also: Corderius in 163o
.
Other authorities maintain that this, as well as the Disputatio de paschale, was the See also: work of another author, See also: John the Tritheist
.
It was perhaps this Philoponus who tried to save the Alexandrian library from the
See also: caliph See also: Omar after Amu's victory in 639
.
440
The more certain writings of Philoponus consist of commentaries on Aristotle
.
These include works on the Physica, the See also: Prior and the Posterior Analytics, the Meteorologica, the De anima, the De generations' animalium, the De generatione et interitu and the Metaphysica
.
These have been frequently edited and are interesting in connexion with the adoption of Aristotelianism by the Christian See also: Church
.
They seem to have embodied the lectures of Ammonius with additions by Philoponus, and are remarkable rather for elaborate care than for originality and insight
.
He wrote also an attack on
See also: Proclus (De aeternitate mundi)
.
Two treatises on See also: mathematics are ascribed to him: A Commentary on the Mathematics of See also: Nicomachus, edited by See also: Hoche (1864 and 1867), and a See also: Treatise on the Use of the Astrolabe, published by Hase
.
The latter is the most See also: ancient work on this instrument, and its authenticity is rendered almost certain by its reference to Ammonius as the master of the author
.
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