See also:

• PIERROT (Ital. Pedrolino)

PIERROT (Ital. Pedrolino)  , the name given to the leading See also:

• CHARACTER (Gr. xapareri7p, from xap&crew, to scratch)

character in the See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French See also:

• PANTOMIME

pantomime plays since the 18th See also:

• CENTURY (from Lat. centuria, a division of a hundred men)

century; transferred from the See also:

• ITALIAN

Italian See also:

• STAGE (Fr. 6/age; from Lat. stare, to stand)

stage, and revived especially in See also:

• RECENT

recent times . He is always in See also:

• WHITE
• WHITE, ANDREW DICKSON (1832– )
• WHITE, GILBERT (1720–1793)
• WHITE, HENRY KIRKE (1785-1806)
• WHITE, HUGH LAWSON (1773-1840)
• WHITE, JOSEPH BLANCO (1775-1841)
• WHITE, RICHARD GRANT (1822-1885)
• WHITE, ROBERT (1645-1704)
• WHITE, SIR GEORGE STUART (1835– )
• WHITE, SIR THOMAS (1492-1567)
• WHITE, SIR WILLIAM ARTHUR (1824--1891)
• WHITE, SIR WILLIAM HENRY (1845– )
• WHITE, THOMAS (1628-1698)
• WHITE, THOMAS (c. 1550-1624)

white, both See also:

• FACE (from Lat. fades, derived either from facere, to make, or from a root fa-, meaning " appear "; cf. Gr. cbatvstv)

face and See also:

• COSTUME
• COSTUME (through the Fr. costume, from Ital. costume, Late Lat. costuma, a contracted form of Lat. consuetudinem, ace. of consuetudo, custom, habit, manner, &c.)

costume, with a loose and daintily clownish garb, and is represented as of a freakish disposition . See also:

• MODERN

Modern See also:

• PIERROT (Ital. Pedrolino)

pierrot plays have converted the pierrot into a romantic and even pathetic figure .