See also:

• HENRY
• HENRY (1129-1195)
• HENRY (c. 1108-1139)
• HENRY (c. 1174–1216)
• HENRY (Fr. Henri; Span. Enrique; Ger. Heinrich; Mid. H. Ger. Heinrich and Heimrich; O.H.G. Haimi- or Heimirih, i.e. " prince, or chief of the house," from O.H.G. heim, the Eng. home, and rih, Goth. reiks; compare Lat. rex " king "—" rich," therefore " mig
• HENRY, EDWARD LAMSON (1841– )
• HENRY, JAMES (1798-1876)
• HENRY, JOSEPH (1797-1878)
• HENRY, MATTHEW (1662-1714)
• HENRY, PATRICK (1736–1799)
• HENRY, PRINCE OF BATTENBERG (1858-1896)
• HENRY, ROBERT (1718-1790)
• HENRY, VICTOR (1850– )
• HENRY, WILLIAM (1795-1836)

HENRY See also:

• HUGO, GUSTAV VON (1764–1844)
• HUGO, VICTOR MARIE (1802-1885)

HUGO [properly HENRY See also:

• HUGH
• HUGH, ST

HUGH See also:

• PEARSON, CHARLES HENRY (1830-1894)
• PEARSON, JOHN (1612-1686)
• PEARSON, JOHN LOUGHBOROUGH (1817-1897)

PEARSON] See also:

• HENRY HUGO [properly HENRY HUGH PEARSON] PIERSON (181 1873)

PIERSON (181 1873)  , See also:

• ENGLISH

English composer, was the son of the Rev . Dr See also:

• PEARSON, CHARLES HENRY (1830-1894)
• PEARSON, JOHN (1612-1686)
• PEARSON, JOHN LOUGHBOROUGH (1817-1897)

Pearson of St See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

John's See also:

• COLLEGE (Collegium)

College, See also:

• OXFORD
• OXFORD, EARLS OF
• OXFORD, EDWARD DE VERE, 17TH EARL
• OXFORD, JOHN DE VERE, 13TH EARL OF (1443-1513)
• OXFORD, PROVISIONS OF
• OXFORD, ROBERT DE VERE, 9TH EARL OF (1362-1392)
• OXFORD, ROBERT HARLEY, 1ST

Oxford, where he was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in 1815; his See also:

• FATHER

father afterwards became See also:

• DEAN (Lat. decanus, derived from the Gr. 8eaa, ten)
• DEAN, FOREST OF

dean of See also:

• SALISBURY
• SALISBURY, EARLS OF
• SALISBURY, ROBERT ARTHUR TALBOT GASCOYNECECIL, 3RD MARQUESS OF (1830-1903)
• SALISBURY, ROBERT CECIL, 1ST EARL OF (c. 1565-1612)
• SALISBURY, THOMAS DE MONTACUTE, 4TH EARL OF (1388-1428)
• SALISBURY, WILLIAM LONGSWORD (or LONGESPEE), EARL OF (d. 1226)

Salisbury . See also:

• PIERSON, HENRY HUGO [properly HENRY HUGH PEARSON], (181 1873)

Pierson was educated at See also:

• HARROW

Harrow and Trinity College, See also:

• CAMBRIDGE
• CAMBRIDGE, EARLS AND DUKES OF
• CAMBRIDGE, RICHARD OWEN (1717-1802)

Cambridge, and was at first intended for the career of See also:

• MEDICINE

medicine . His musical See also:

• POWERS, HIRAM (1805-1873)

powers were too strong to be repressed, and after receiving instruction from See also:

• ATTWOOD, THOMAS (1765-1838)
• ATTWOOD, THOMAS (1783-1856)

Attwood and A . T . Corfe he went in 1839 to See also:

• GERMANY
• GERMANY (Ger. Deutschland)

Germany to study under C . H . Rink, Tomaschek and Reissiger . He was elected See also:

• REID, ROBERT (1862– )
• REID, SIR GEORGE (1841- )
• REID, SIR ROBERT GILLESPIE (184o-19o8)
• REID, SIR WILLIAM (1791-1858)
• REID, THOMAS (1710-1796)
• REID, THOMAS MAYNE (1818-1883)
• REID, WHITELAW (1837- )

Reid See also:

• PROFESSOR (the Latin noun formed from the verb profiteri, to declare publicly, to acknowledge, profess)

Professor of See also:

• MUSIC

Music in See also:

• EDINBURGH

Edinburgh in 1844, but, owing to a disagreement with the authorities, he resigned in the following See also:

• YEAR

year, and definitely adopted Germany as his See also:

• COUNTRY (from the Mid. Eng. contre or contrie, and O. Fr. cuntree; Late Lat. contrata, showing the derivation from contra, opposite, over against, thus the tract of land which fronts the sight, cf. Ger. Gegend, neighbourhood)

country about the same See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time, making the See also:

• CHANGE (derived through the Fr. from the Late Lat. cambium, cambiare, to barter; the ultimate derivation is probably from the root which appears in the Gr. «a urmu', to bend)

change in his names noted above . His two operas, Leila (See also:

• HAMBURG

Hamburg, 1848) and See also:

• CONTARINI

Contarini (Hamburg, 1872), have not retained their hold upon the See also:

• GERMAN
• GERMAN, DUTCH AND SCANDINAVIAN

German public as his music to See also:

• FAUST, or FAUSTUS

Faust has done, a See also:

• WORK

work which until quite recently was frequently associated with See also:

• GOETHE, JOHANN WOLFGANG VON (1749-1832)

Goethe's See also:

• DRAMA (literally "action," from Gr. Snail, act or do)

drama . Ile was never recognized in See also:

• ENGLAND
• ENGLAND, THE CHURCH OF

England as he was in Germany, for most of his career See also:

• FELL
• FELL, JOHN (1625-1686)

fell in the See also:

• PERIOD
• PERIOD (Gr. irepioSos, a going or way round, circuit, aepi, round, and &Sis, way, road)

period of the Mendelssohn See also:

• FASHION (adapted from Fr. facon, agon, Lat. factio, making, facere, to do or make)

fashion . His' most important work was the See also:

• ORATORIO

oratorio See also:

• JERUSALEM (Heb. ^S0-r, Yerushalaim, pronounced as a dual)
• JERUSALEM, SYNOD OF (1672)

Jerusalem, produced at the See also:

• NORWICH
• NORWICH, GEORGE GORING, EARL OF (1583?-1663)

Norwich Festival of 1852, and subsequently given in See also:

• LONDON

London (Sacred See also:

• HARMONIC

Harmonic Society, 1853) and See also:

• WURZBURG

Wurzburg (1862) .

For the Norwich Festival (at one of the meetings a selection from his Faust music was given with success) he began an oratorio, See also:

• HEZEKIAH (Heb. for " [my] strength is [of] Yah ")

Hezekiah, in 1869; it was not finished, but was given in a fragmentary See also:

• CONDITION (Lat. condicio, from condicere, to agree upon, arrange; not connected with conditio, from condere, conditum, to put together)

condition at the festival of that year . These two large See also:

• WORKS

works and a number of Pierson's songs, as well as the three overtures played at the Crystal See also:

• PALACE (Lat. Palatium, the name given by Augustus to his residence on the Palatine Hill)

Palace, reveal undeniable originality and a See also:

• WEALTH

wealth of melodic ideas . He was weak in contrapuntal skill, and his music was wanting in outline and coherence; but in more fortunate conditions his See also:

• GREAT

great gifts might have been turned to better See also:

• ACCOUNT
• ACCOUNT (through O. Fr. acont, Late Lat. comptum, cornputare, to calculate)

account . He died at See also:

• LEIPZIG

Leipzig on the 28th of See also:

• JANUARY

January 1873, and was buried at Sonning, Berks., of which See also:

• PARISH (Gr. irapouda, district, neighbourhood; 7r&poucos, one dwelling near or beside, from crap&, OtKOS, house; Lat. paroecur, Late Lat. parochia; cf. Fr. paroisse)

parish his See also:

• BROTHER

brother, See also:

• CANON

Canon Pearson, was See also:

• RECTOR (Lat. for " ruler," " guide," &c., from regere, " rule ")

rector .