See also:- HENRY
- HENRY (1129-1195)
- HENRY (c. 1108-1139)
- HENRY (c. 1174–1216)
- HENRY (Fr. Henri; Span. Enrique; Ger. Heinrich; Mid. H. Ger. Heinrich and Heimrich; O.H.G. Haimi- or Heimirih, i.e. " prince, or chief of the house," from O.H.G. heim, the Eng. home, and rih, Goth. reiks; compare Lat. rex " king "—" rich," therefore " mig
- HENRY, EDWARD LAMSON (1841– )
- HENRY, JAMES (1798-1876)
- HENRY, JOSEPH (1797-1878)
- HENRY, MATTHEW (1662-1714)
- HENRY, PATRICK (1736–1799)
- HENRY, PRINCE OF BATTENBERG (1858-1896)
- HENRY, ROBERT (1718-1790)
- HENRY, VICTOR (1850– )
- HENRY, WILLIAM (1795-1836)
HENRY See also:HUGO [properly HENRY See also:HUGH See also:PEARSON] See also:PIERSON (181 1873)
, See also:English composer, was the son of the Rev
.
Dr See also:Pearson of St See also:John's See also:College, See also:- OXFORD
- OXFORD, EARLS OF
- OXFORD, EDWARD DE VERE, 17TH EARL
- OXFORD, JOHN DE VERE, 13TH EARL OF (1443-1513)
- OXFORD, PROVISIONS OF
- OXFORD, ROBERT DE VERE, 9TH EARL OF (1362-1392)
- OXFORD, ROBERT HARLEY, 1ST
Oxford, where he was See also:born in 1815; his See also:father afterwards became See also:dean of See also:Salisbury
.
See also:Pierson was educated at See also:Harrow and Trinity College, See also:Cambridge, and was at first intended for the career of See also:medicine
.
His musical See also:powers were too strong to be repressed, and after receiving instruction from See also:Attwood and A
.
T
.
Corfe he went in 1839 to See also:Germany to study under C
.
H
.
Rink, Tomaschek and Reissiger
.
He was elected See also:Reid See also:Professor of See also:Music in See also:Edinburgh in 1844, but, owing to a disagreement with the authorities, he resigned in the following See also:year, and definitely adopted Germany as his See also:country about the same See also:- TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
- TIME, MEASUREMENT OF
- TIME, STANDARD
time, making the See also:change in his names noted above
.
His two operas, Leila (See also:Hamburg, 1848) and See also:Contarini (Hamburg, 1872), have not retained their hold upon the See also:German public as his music to See also:Faust has done, a See also:work which until quite recently was frequently associated with See also:Goethe's See also:drama
.
Ile was never recognized in See also:England as he was in Germany, for most of his career See also:fell in the See also:period of the Mendelssohn See also:fashion
.
His' most important work was the See also:oratorio See also:Jerusalem, produced at the See also:Norwich Festival of 1852, and subsequently given in See also:London (Sacred See also:Harmonic Society, 1853) and See also:Wurzburg (1862)
.
For the Norwich Festival (at one of the meetings a selection from his Faust music was given with success) he began an oratorio, See also:Hezekiah, in 1869; it was not finished, but was given in a fragmentary See also:condition at the festival of that year
.
These two large See also:works and a number of Pierson's songs, as well as the three overtures played at the Crystal See also:Palace, reveal undeniable originality and a See also:wealth of melodic ideas
.
He was weak in contrapuntal skill, and his music was wanting in outline and coherence; but in more fortunate conditions his See also:great gifts might have been turned to better See also:account
.
He died at See also:Leipzig on the 28th of See also:January 1873, and was buried at Sonning, Berks., of which See also:parish his See also:brother, See also:Canon Pearson, was See also:rector
.
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