KARL VON See also:PILOTY (1826-1886)
, See also:German painter, was See also:born at See also:Munich, on the 1st of See also:October 1826
.
His See also:father, See also:Ferdinand See also:Piloty (d
.
1844), enjoyed a See also:great reputation as a lithographer
.
In 184o he was admitted as a student of the Munich See also:Academy, under the artists Schorn and Schnorr
.
After a See also:journey to See also:Belgium, See also:France and See also:England, he commenced See also:work as a painter of genre pictures, and in 1853 produced a work, See also:Die Amme (" The Wet See also:Nurse "), which, on See also:account of its originality of See also:style,--See also:PIMENTO
caused a considerable sensation in See also:Germany at the See also:- TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
- TIME, MEASUREMENT OF
- TIME, STANDARD
time
.
But he soon forsook this See also:branch of See also:painting in favour of See also:historical
subjects, and produced in 1854 for See also:- KING
- KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
- KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
- KING, CHARLES WILLIAM (1818-1888)
- KING, CLARENCE (1842–1901)
- KING, EDWARD (1612–1637)
- KING, EDWARD (1829–1910)
- KING, HENRY (1591-1669)
- KING, RUFUS (1755–1827)
- KING, THOMAS (1730–1805)
- KING, WILLIAM (1650-1729)
- KING, WILLIAM (1663–1712)
King See also:Maximilian II
.
" The
See also:Adhesion of Maximilian I. to the See also:Catholic See also:League in 1609."
It was succeeded by " Seni at the Dead See also:Body of See also:Wallenstein " (1855), which gained for the See also:young painter the membership of the Munich Academy, where he succeeded Schorn (his See also:brother-in-See also:law) as See also:professor
.
Among other well-known See also:works by Piloty are the " See also:Battle of the See also:- WHITE
- WHITE, ANDREW DICKSON (1832– )
- WHITE, GILBERT (1720–1793)
- WHITE, HENRY KIRKE (1785-1806)
- WHITE, HUGH LAWSON (1773-1840)
- WHITE, JOSEPH BLANCO (1775-1841)
- WHITE, RICHARD GRANT (1822-1885)
- WHITE, ROBERT (1645-1704)
- WHITE, SIR GEORGE STUART (1835– )
- WHITE, SIR THOMAS (1492-1567)
- WHITE, SIR WILLIAM ARTHUR (1824--1891)
- WHITE, SIR WILLIAM HENRY (1845– )
- WHITE, THOMAS (1628-1698)
- WHITE, THOMAS (c. 1550-1624)
White See also:Mountain near See also:Prague," " See also:Nero Dancing upon the Ruins of See also:Rome " (1861), " See also:Godfrey of See also:Bouillon on a See also:Pilgrimage to the See also:Holy See also:Land " (1861), " Galileo in See also:Prison " (1864), and " The See also:Death of See also:Alexander the Great " (unfinished), his last great work
.
He also executed a number of mural paintings for the royal See also:palace in Munich
.
For See also:Baron von Schach he painted the justly celebrated " See also:Discovery of See also:America." In 1874 he was appointed keeper of the Munich Academy, being after-wards ennobled by the king of See also:Bavaria
.
Piloty was the fore-most representative of the realistic school in Germany
.
He was a most successful teacher, and among his more famous pupils may be mentioned See also:Makart, See also:Lenbach, Defregger, Max and Griitzner
.
He died at Munich on the 21st of See also:July 1886
.
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