See also:

• GEORGE
• GEORGE, 8TH MARQUESS OF TWEEDDALE (1787-1876)
• GEORGE, HENRY (1839—1897)
• GEORGE, LAKE
• GEORGE, SAINT (d. 303)

GEORGE See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

JOHN See also:

• GEORGE JOHN PINWELL (1842-1875)

PINWELL (1842-1875)  , See also:

• BRITISH

British See also:

• WATER

water-See also:

• COLOUR (Lat. color, connected with celare, to hide, the root meaning, therefore, being that of a covering)

colour painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• WYCOMBE (officially CHEPPING WYCOMBE, also CHIPPING or HIGH WYCOMBE)

Wycombe, and educated at Heatherley's See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy . He is one of the most interesting personalities in the little See also:

• GROUP

group of water-colour painters which included See also:

• FREDERICK
• FREDERICK (Mod. Ger. Friedrich; Ital. Federigo; Fr. Frederic and Federic; M.H.G. Friderich; O.H.G. Fridurih, " king or lord of peace," from O.H.G. fridu, A.S. frith, " peace," and rfh " rich," " a ruler," for derivation of which see HENRY)

Frederick See also:

• WALKER, FRANCIS AMASA (1840-1897)
• WALKER, FREDERICK (184o--1875)
• WALKER, GEORGE (c. 1618-169o)
• WALKER, HENRY OLIVER (1843— )
• WALKER, HORATIO (1858– )
• WALKER, JOHN (1732—1807)
• WALKER, OBADIAH (1616-1699)
• WALKER, ROBERT (d. c. 1658)
• WALKER, ROBERT JAMES (1801-1869)
• WALKER, SEARS COOK (1805—1853)
• WALKER, THOMAS (1784—1836)
• WALKER, WILLIAM (1824-1860)

Walker and A . B . See also:

• HOUGHTON, RICHARD MONCKTON MILNES, 1ST BARON (1809—1885)

Houghton, a group whose See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style was directly derived from the practice of See also:

• DRAWING

drawing upon See also:

• WOOD, ANTHONY A2 (1632-1695)
• WOOD, JOHN GEORGE (1827—1889)
• WOOD, MRS HENRY [ELLEN] (1814—1887)
• WOOD, SEARLES VALENTINE (1798—188o)

wood for See also:

• BOOK

book See also:

• ILLUSTRATION

illustration . He was one of the most delightful book illustrators of his See also:

• DAY (O. Eng. dreg, Ger. Tag; according to the New English Dictionary, " in no way related to the Lat. dies")
• DAY, JOHN (1574-1640?)
• DAY, THOMAS (1748-1789)

day, poetic in See also:

• IMAGINATION

imagination, with considerable inventive See also:

• POWER [WILLIAM GRATTAN] TYRONE (1797-1841)

power and an admirable sense of colour . As he died See also:

• YOUNG
• YOUNG, A
• YOUNG, ARTHUR (1741-1820)
• YOUNG, BRIGHAM (1801-1877)
• YOUNG, CHARLES MAYNE (1777–1856)
• YOUNG, EDWARD (1683–1765)
• YOUNG, JAMES (1811-1883)
• YOUNG, THOMAS (1773-1829)

young his See also:

• WORKS

works are few, but their promise was so See also:

• GREAT

great that had he lived he would probably have attained a very high position . His See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early See also:

• LIFE

life was one of considerable privation . In 1862 he entered at Heatherley's studio and there obtained his See also:

• ART

art See also:

• EDUCATION

education . His earliest drawings appeared in Lilliput See also:

• LEVEE (from Fr. lever, to raise)
• LEVEE (from the French substantival use of lever, to rise; there is no French substantival use of levee in the English sense)

Levee . He did a little See also:

• WORK

work for Fun and executed several designs for the silversmiths, Elkingtons . In 1863 his first drawing appeared in Once a See also:

• WEEK (from A.S. wicu, Germanic *wikon, probably=change, turn)

Week,631 and from that See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time his work was in See also:

• CONSTANT, BENJAMIN (1845-1902)

constant demand . There are many of his compositions in See also:

• GOOD, JOHN MASON (1764-1827)

Good Words, The See also:

• SUNDAY

Sunday See also:

• MAGAZINE

Magazine, The See also:

• QUIVER

Quiver and See also:

• LONDON

London Society, but his most important productions made for the Dalziel See also:

• BROTHERS, RICHARD (1757-1824)

brothers were illustrations of See also:

• GOLDSMITH
• GOLDSMITH, LEWIS (c. 1763–1846)
• GOLDSMITH, OLIVER (1728–1774)

Goldsmith, of See also:

• JEAN

Jean See also:

• INGELOW, JEAN (1820—1897)

Ingelow's poems, See also:

• ROBERT
• ROBERT (1275—1343)
• ROBERT, HUBERT (1753-1808)
• ROBERT, LOUIS LEOPOLD (1794-1835)

Robert See also:

• BUCHANAN
• BUCHANAN, CLAUDIUS
• BUCHANAN, GEORGE (1506–1582)
• BUCHANAN, JAMES (1791-1868)
• BUCHANAN, ROBERT WILLIAMS (1841-1901)

Buchanan's See also:

• BALLADS

Ballads of the Affections, and the Arabian Nights .

Of See also:

• PINWELL, GEORGE JOHN (1842-1875)

Pinwell's pictures in colour, which are distinguished by a remarkable, See also:

• JEWEL, JOHN (1522-1571)

jewel-like quality and marked by his strong love of pure, See also:

• BRIGHT, JOHN (1811-188g)
• BRIGHT, SIR CHARLES TILSTON

bright colour and opalescent effect, the See also:

• CHIEF (from Fr. chef, head, Lat. caput)

chief are the two scenes from the Pied See also:

• PIPER, CARL, COUNT (1647-1716)

Piper of See also:

• HAMELIN, FRANCOIS ALPHONSE (1796-1864)

Hamelin, See also:

• GILBERT
• GILBERT (KINGSMILL) ISLANDS
• GILBERT (or GYLBERDE), WILLIAM (1544-1603)
• GILBERT, ALFRED (1854– )
• GILBERT, ANN (1821-1904)
• GILBERT, GROVE KARL (1843– )
• GILBERT, J
• GILBERT, JOHN (1810-1889)
• GILBERT, MARIE DOLORES ELIZA ROSANNA [" LOLA MONTEZ "] (1818-1861)
• GILBERT, NICOLAS JOSEPH LAURENT (1751–1780)
• GILBERT, SIR HUMPHREY (c. 1539-1583)
• GILBERT, SIR JOSEPH HENRY (1817-1901)
• GILBERT, SIR WILLIAM SCHWENK (1836– )

Gilbert d See also:

• BECKET, THOMAS (c. 1118—1170)

Becket's Troth, Out of Tune or The Old See also:

• CROSS

Cross, A Seat in St See also:

• JAMES
• JAMES (Gr. 'IlrKw,l3or, the Heb. Ya`akob or Jacob)
• JAMES (JAMES FRANCIS EDWARD STUART) (1688-1766)
• JAMES, 2ND EARL OF DOUGLAS AND MAR(c. 1358–1388)
• JAMES, DAVID (1839-1893)
• JAMES, EPISTLE OF
• JAMES, GEORGE PAYNE RAINSFOP
• JAMES, HENRY (1843— )
• JAMES, JOHN ANGELL (1785-1859)
• JAMES, THOMAS (c. 1573–1629)
• JAMES, WILLIAM (1842–1910)
• JAMES, WILLIAM (d. 1827)

James's See also:

• PARK (Fr. part; Ital. parco; Sp. Marque; O.Eng. pearroc; connected with Ger. pferch, fold, and pfarrei, district, translating med. Lat. parochia, parish)
• PARK, EDWARDS AMASA (1808–1900)
• PARK, MUNGO (1771-1806?)

Park, and The See also:

• ELIXIR (from the Arabic al-iksir, probably an adaptation of the Gr. Eilpiov, a powder used for drying wounds, from Opbs, dry)

Elixir of Life . In 1874 Pinwell See also:

• FELL
• FELL, JOHN (1625-1686)

fell seriously See also:

• ILL

ill and went to See also:

• AFRICA
• AFRICA, ROMAN

Africa for the See also:

• WINTER, JOHN STRANGE
• WINTER, PETER (c. 1755-1825)

winter . He painted several remarkable pictures at See also:

• TANGIER (locally TANJAH)

Tangier, but his strength gradually See also:

• BROKE, or BROOKE, ARTHUR (d. 1563)
• BROKE, SIR PHILIP BOWES VERE, BART

broke down and he returned to See also:

• DIE
• DIE (Fr. de, from Lat. datum, given)

die in his wife's arms on the 8th of See also:

• SEPTEMBER (Lat. septem, seven)

September 1875 . Pinwell was an exhibitor at the See also:

• DUDLEY
• DUDLEY, BARONS AND EARLS OF
• DUDLEY, EDMUND (c. 1462—1510)
• DUDLEY, SIR ROBERT (1573—1649)
• DUDLEY, THOMAS (1576-1653)

Dudley See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

gallery, and in 1869 was elected See also:

• ASSOCIATE (Lat. associates, from ad, to, and sociare to join)

associate of the Royal Water-Colour Society and full member in 1870; to this gallery he contributed fifty-nine works . A See also:

• POSTHUMOUS

posthumous See also:

• EXHIBITION

exhibition of his works was held in 1876 in See also:

• BOND
• BOND, SIR EDWARD AUGUSTUS (1815-1898)

Bond See also:

• STREET
• STREET, GEORGE EDMUND (1824-1881)

Street . See Life of See also:

• GEORGE
• GEORGE, 8TH MARQUESS OF TWEEDDALE (1787-1876)
• GEORGE, HENRY (1839—1897)
• GEORGE, LAKE
• GEORGE, SAINT (d. 303)

George J . Pinwell, by George C . See also:

• WILLIAMSON, ALEXANDER WILLIAM (1824–1904)
• WILLIAMSON, SIR JOSEPH (1633–1701)
• WILLIAMSON, WILLIAM CRAWFORD (18r6–1895)

Williamson, See also:

• QUARTO

quarto, 1900 . (G . C .