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CHRISTINE DE PISAN (1364-c. 1430)

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Originally appearing in Volume V21, Page 648 of the 1911 Encyclopedia Britannica.
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CHRISTINE DE See also:

PISAN (1364-c. 1430)  , See also:French poet, of See also:Italian See also:birth, was See also:born at See also:Venice in 1364 . When she was four years old she was brought to her See also:father, a councillor of the Venetian See also:Republic, in See also:Paris, where he held See also:office as astrologer to See also:Charles V . At fifteen Christine married See also:Etienne du See also:Castel, who became Charles's See also:notary and secretary . After the See also:king's See also:death in 138o her father lost his See also:appointment, and died soon after; and when Christine's See also:husband died in 1389 she found herself without a See also:protector, and with three See also:children depending on her . This determined her to have recourse to letters as a means of livelihood . Her first See also:ballads were written to the memory of her husband, and as love poems were the See also:fashion she continued to write others—lais, virelais, rondeaux and jeux a vendre—though she took the precaution to assure her readers (Cent balades, No . 50) that they were merely exercises . In 1399 she began to study the Latin poets, and between that See also:time and 1405, as she herself declares, she composed some fifteen important See also:works, chiefly in See also:prose, besides See also:minor pieces . The See also:earl of See also:Salisbury, who was in Paris on the occasion of the See also:marriage of See also:Richard II. with See also:Isabella of See also:France (1396), took her See also:elder son, See also:Jean du Castel (b . 1384), and reared him as his own; the boy, after Salisbury's death (1400). being received by See also:Philip of See also:Burgundy, at whose See also:desire Christine wrote Le Livre See also:des faitz et bonnes mceurs du sayge See also:roy Charles' (1405), valuable as a first-See also:hand picture of Charles V. and his See also:court . Her Mutation de See also:fortune, in which she finds See also:room for a See also:great See also:deal of See also:history and See also:philosophy, was presented to the same See also:patron on New See also:Year's See also:Day, 1404 . It possesses an introduction of great autobiographical See also:interest .

In La See also:

Vision (1405) she tells her own history, by way of See also:defence against those who objected to her pretensions as a moralist . See also:Henry IV. of See also:England desired her to make his court her See also:home, and she received a like invitation from Galeazzo See also:Visconti, See also:tyrant of See also:Milan . She preferred, however, to remain in France, where she enjoyed the favour of Charles VI., the See also:dukes of See also:Berry and Burgundy, the duchess of See also:Bourbon and others . Christine was a See also:champion of her own See also:sex . In her Dit de la See also:rose (1402) she describes an See also:order of the rose, the members of which bind themselves by See also:vow to defend the See also:honour of See also:women . Her Epitre au dieu d'amour (1399) is a defence of women against the See also:satire of Jean de Meun, and initiated a prolonged dispute with two great scholars of her time, Jean de See also:Montreuil (d . 1415) and Gonthier See also:Col, who undertook the defence of the See also:Roman de la rose . Christine wrote about 1407 two books for women, La Cite des dames and Le Livre des trois vertus, or Le Tresor de to cite des dames . She was devoted to her adopted See also:country . During the See also:civil See also:wars she wrote a Lamentation (1410) and a Livre ' See C . B . See also:Petitot, Collection See also:complete des memoires relatifs a 1'histoire de France (1st See also:series. vols. v. and vi., 1818, &c.l .

See also:

Part of the first See also:Bronze See also:Door of the See also:Baptistery at See also:Florence, by See also:Andrea See also:Pisano . Pisano about 130v, and worked with him on the See also:sculpture for S . Maria della See also:Spina at See also:Pisa and elsewhere . But it is at Florence that his See also:chief works were executed, and the formation of his mature See also:style was due rather to See also:Giotto than to his earlier See also:master . Of the three See also:world-famed bronze doors of the Florentine baptistery, the earliest one—that on the See also:south See also:side—was the See also:work of Andrea; he spent many years on it; and it was finally set up in 1336.1 It consists of a number of small See also:quatrefoil panels—the See also:lower eight containing single figures of the Virtues, and the See also:rest scenes from the See also:life of the Baptist . Andrea Pisano, while living in Florence, also produced many important works of See also:marble sculpture, all of which show strongly Giotto's See also:influence . In some cases probably they were actually designed by that artist, as, for in-stance, the See also:double See also:band of beautiful See also:panel-reliefs which Andrea executed for the great campanile . The subjects of these are the Four Great Prophets, the Seven Virtues, the Seven Sacraments, the Seven Works of See also:Mercy and the Seven See also:Planets . The duomo contains the chief of Andrea's other Florentine works in marble . In 1347 he was appointed architect to the duomo of See also:Orvieto, which had already been designed and begun by Lorenzo Maitani . The exact date of his death is not known, but it must have been shortly before the year 1349 . Andrea Pisano had two sons, Nino and Tommaso—both, especially the former, sculptors of considerable ability .

Nino was very successful in his statues of the Madonna and See also:

Child, which are full of human feeling and soft loveliness—a perfect embodiment of the See also:Catholic ideal of the Divine See also:Mother . Andrea's chief See also:pupil was Andrea di Cione, better known as See also:Orcagna (q.v.) . Balduccio di Pisa, another, and in one See also:branch (that of sculpture) equally gifted pupil, executed the wonderful See also:shrine of S . Eustorgio at Milan—a most magnificent See also:mass of sculptured figures and reliefs .

End of Article: CHRISTINE DE PISAN (1364-c. 1430)
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