CHRISTINE DE See also:PISAN (1364-c. 1430)
, See also:French poet, of See also:Italian See also:birth, was See also:born at See also:Venice in 1364
.
When she was four years old she was brought to her See also:father, a councillor of the Venetian See also:Republic, in See also:Paris, where he held See also:- OFFICE (from Lat. officium, " duty," " service," a shortened form of opifacium, from facere, " to do," and either the stem of opes, " wealth," " aid," or opus, " work ")
office as astrologer to See also:Charles V
.
At fifteen Christine married See also:Etienne du See also:Castel, who became Charles's See also:notary and secretary
.
After the See also:- KING
- KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
- KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
- KING, CHARLES WILLIAM (1818-1888)
- KING, CLARENCE (1842–1901)
- KING, EDWARD (1612–1637)
- KING, EDWARD (1829–1910)
- KING, HENRY (1591-1669)
- KING, RUFUS (1755–1827)
- KING, THOMAS (1730–1805)
- KING, WILLIAM (1650-1729)
- KING, WILLIAM (1663–1712)
king's See also:death in 138o her father lost his See also:appointment, and died soon after; and when Christine's See also:husband died in 1389 she found herself without a See also:protector, and with three See also:children depending on her
.
This determined her to have recourse to letters as a means of livelihood
.
Her first See also:ballads were written to the memory of her husband, and as love poems were the See also:fashion she continued to write others—lais, virelais, rondeaux and jeux a vendre—though she took the precaution to assure her readers (Cent balades, No
.
50) that they were merely exercises
.
In 1399 she began to study the Latin poets, and between that See also:- TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
- TIME, MEASUREMENT OF
- TIME, STANDARD
time and 1405, as she herself declares, she composed some fifteen important See also:works, chiefly in See also:prose, besides See also:minor pieces
.
The See also:earl of See also:Salisbury, who was in Paris on the occasion of the See also:marriage of See also:Richard II. with See also:Isabella of See also:France (1396), took her See also:elder son, See also:Jean du Castel (b
.
1384), and reared him as his own; the boy, after Salisbury's death (1400). being received by See also:- PHILIP
- PHILIP (Gr.'FiXtrsro , fond of horses, from dn)^eiv, to love, and limos, horse; Lat. Philip pus, whence e.g. M. H. Ger. Philippes, Dutch Filips, and, with dropping of the final s, It. Filippo, Fr. Philippe, Ger. Philipp, Sp. Felipe)
- PHILIP, JOHN (1775-1851)
- PHILIP, KING (c. 1639-1676)
- PHILIP, LANOGRAVE OF HESSE (1504-1567)
Philip of See also:Burgundy, at whose See also:desire Christine wrote Le Livre See also:des faitz et bonnes mceurs du sayge See also:roy Charles' (1405), valuable as a first-See also:hand picture of Charles V. and his See also:court
.
Her Mutation de See also:fortune, in which she finds See also:room for a See also:great See also:deal of See also:history and See also:philosophy, was presented to the same See also:patron on New See also:Year's See also:Day, 1404
.
It possesses an introduction of great autobiographical See also:interest
.
In La See also:Vision (1405) she tells her own history, by way of See also:defence against those who objected to her pretensions as a moralist
.
See also:- HENRY
- HENRY (1129-1195)
- HENRY (c. 1108-1139)
- HENRY (c. 1174–1216)
- HENRY (Fr. Henri; Span. Enrique; Ger. Heinrich; Mid. H. Ger. Heinrich and Heimrich; O.H.G. Haimi- or Heimirih, i.e. " prince, or chief of the house," from O.H.G. heim, the Eng. home, and rih, Goth. reiks; compare Lat. rex " king "—" rich," therefore " mig
- HENRY, EDWARD LAMSON (1841– )
- HENRY, JAMES (1798-1876)
- HENRY, JOSEPH (1797-1878)
- HENRY, MATTHEW (1662-1714)
- HENRY, PATRICK (1736–1799)
- HENRY, PRINCE OF BATTENBERG (1858-1896)
- HENRY, ROBERT (1718-1790)
- HENRY, VICTOR (1850– )
- HENRY, WILLIAM (1795-1836)
Henry IV. of See also:England desired her to make his court her See also:home, and she received a like invitation from Galeazzo See also:Visconti, See also:tyrant of See also:Milan
.
She preferred, however, to remain in France, where she enjoyed the favour of Charles VI., the See also:dukes of See also:Berry and Burgundy, the duchess of See also:Bourbon and others
.
Christine was a See also:champion of her own See also:sex
.
In her Dit de la See also:rose (1402) she describes an See also:- ORDER
- ORDER (through Fr. ordre, for earlier ordene, from Lat. ordo, ordinis, rank, service, arrangement; the ultimate source is generally taken to be the root seen in Lat. oriri, rise, arise, begin; cf. " origin ")
- ORDER, HOLY
order of the rose, the members of which bind themselves by See also:vow to defend the See also:honour of See also:women
.
Her Epitre au dieu d'amour (1399) is a defence of women against the See also:satire of Jean de Meun, and initiated a prolonged dispute with two great scholars of her time, Jean de See also:Montreuil (d
.
1415) and Gonthier See also:Col, who undertook the defence of the See also:Roman de la rose
.
Christine wrote about 1407 two books for women, La Cite des dames and Le Livre des trois vertus, or Le Tresor de to cite des dames
.
She was devoted to her adopted See also:country
.
During the See also:civil See also:wars she wrote a Lamentation (1410) and a Livre
' See C
.
B
.
See also:Petitot, Collection See also:complete des memoires relatifs a 1'histoire de France (1st See also:series. vols. v. and vi., 1818, &c.l
.
See also:Part of the first See also:Bronze See also:Door of the See also:Baptistery at See also:Florence, by See also:Andrea See also:Pisano
.
Pisano about 130v, and worked with him on the See also:sculpture for S
.
Maria della See also:Spina at See also:Pisa and elsewhere
.
But it is at Florence
that his See also:chief works were executed, and the formation of his mature See also:style was due rather to See also:Giotto than to his earlier See also:master
.
Of the three See also:world-famed bronze doors of the Florentine baptistery, the earliest one—that on the See also:south See also:side—was the See also:work of Andrea; he spent many years on it; and it was finally set up in 1336.1 It consists of a number of small See also:quatrefoil panels—the See also:lower eight containing single figures of the Virtues, and the See also:rest scenes from the See also:life of the Baptist
.
Andrea Pisano, while living in Florence, also produced many important works of See also:marble sculpture, all of which show strongly Giotto's See also:influence
.
In some cases probably they were actually designed by that artist, as, for in-stance, the See also:double See also:band of beautiful See also:panel-reliefs which Andrea executed for the great campanile
.
The subjects of these are the Four Great Prophets, the Seven Virtues, the Seven Sacraments, the Seven Works of See also:Mercy and the Seven See also:Planets
.
The duomo contains the chief of Andrea's other Florentine works in marble
.
In 1347 he was appointed architect to the duomo of See also:Orvieto, which had already been designed and begun by Lorenzo Maitani
.
The exact date of his death is not known, but it must have been shortly before the year 1349
.
Andrea Pisano had two sons, Nino and Tommaso—both, especially the former, sculptors of considerable ability
.
Nino was very successful in his statues of the Madonna and See also:Child, which are full of human feeling and soft loveliness—a perfect embodiment of the See also:Catholic ideal of the Divine See also:Mother
.
Andrea's chief See also:- PUPIL (Lat. pupillus, orphan, minor, dim. of pupus, boy, allied to puer, from root pm- or peu-, to beget, cf. "pupa," Lat. for " doll," the name given to the stage intervening between the larval and imaginal stages in certain insects)
pupil was Andrea di Cione, better known as See also:Orcagna (q.v.)
.
Balduccio di Pisa, another, and in one See also:branch (that of sculpture) equally gifted pupil, executed the wonderful See also:shrine of S
.
Eustorgio at Milan—a most magnificent See also:mass of sculptured figures and reliefs
.
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