GIUSEPPE OTTAVIO See also:

• GIUSEPPE OTTAVIO PITONI (1657-1743)

PITONI (1657-1743)  , See also:

• ITALIAN

Italian musical composer, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• RIETI (anc. Reate)

Rieti on the 18th of See also:

• MARCH
• MARCH (1) (from Fr. marcher, to walk; the earliest sense in French appears to be " to trample," and the origin has usually been found in the Lat. marcus, hammer; Low Lat. marcare, to hammer; hence to beat the road with the regular tread of a soldier: cf.
• MARCH, AUZIAS (c. "1395-1458)
• MARCH, EARLS OF
• MARCH, FRANCIS ANDREW (1825– )

March 1657 . He came to See also:

• ROME
• ROME (Roma)

Rome as a boy and sang in the See also:

• CHOIR (0. Fr. cuer from Lat. chorus; pronounced quire, and until the end of the 17th century so spelt, the spelling being altered to agree with the Fr. chceur)

choir of SS Apostoli . See also:

• FOGGIA

Foggia gave him instructions in See also:

• COUNTERPOINT (Lat. contrapunctus, " point counter point," " note against note ")

counterpoint, and he became See also:

• MAESTRO

maestro di Cappella, first at Terra di Rotondo and later (1673) at See also:

• ASSISI (anc. Asisium)

Assisi . In 1676 he went to Rieti, and in 1677 to Rome, where he held various appointments, dying on the 1st of See also:

• FEBRUARY

February 1743 as maestro di Cappella at St Marco, where he was buried . See also:

• PITONI, GIUSEPPE OTTAVIO (1657-1743)

Pitoni appears to have devoted himself exclusively to See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

church See also:

• MUSIC

music, and although he did not disdain the See also:

• MODERN

modern See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style with instrumental See also:

• ACCOMPANIMENT (i.e. that which " accompanies ")

accompaniment, he is best known by his Masses and other See also:

• WORKS

works in the manner of See also:

• PALESTRINA, GIOVANNI PIERLUIGI DA (1526-1594)

Palestrina . Several volumes of his autograph See also:

• COMPOSITION
• COMPOSITION (Lat. compositio, from componere, to put together)

composition are in the See also:

• SANTINI, GIOVANNI (1787-1877)

Santini Library at Ibliinster .