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BLATERPFEIFE See also: medieval simplified bagpipe, consisting of an insufflation See also: tube, a bladder and a chaunter; the dcuble See also: reed in its socket at the top of the chaunter being concealed within the bladder
.
In the See also: platerspiel we recognize the early medieval See also: chorus, a word which in medieval Latin was frequently used also for the bagpipe
.
In the earlier forms of platerspiels of which we possess illustrations, such as the well-known example of the 13th century reproduced by See also: Martin
See also: Gerbert from a MS. at St See also: Blasius, the bladder is unusually large, and the chaunter has, instead of a See also: bell, the See also: grotesque See also: head of an animal with gaping jaws
.
At first the chaunter was a straight conical tube terminating in a bell, as in the bagpipe
.
The later See also: instruments have a See also: pipe of larger calibre more or less curved and bent back as in the See also: cromorne
.
One of these appears in the 13th-century See also: Spanish MS., known as the
Cantigas de See also: Santa Maria' in the Escurial, together with a platerspiel having two pipes, a chaunter and a See also: drone See also: side by side
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Another is figured by Virdung (1511)
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There was practically no technical difference between the bent platerspiel and the cromorne, the only distinction being the See also: form and See also: size of the air-chamber in which the reed was set in vibration by the compressed air forced into it through the insufflation tube or the raised slit respectively of the two instruments
.
The earlier form of platerspiel is found at the end of the 15th century, in the magnificent See also: Book of See also: Hours, known as the See also: Sforza Book' (Brit
.
See also: Mus.)
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An interesting allusion to the platerspiel occurs in an old See also: English ballad.3 Eight shepherds were playing on various instruments: " the fyrst hed ane drone bagpipe, the next hed ane pipe maid of ane bleddir and of ane See also: reid, the thrid playit on ane See also: trump, &c.," from which it is evident that the platerspiel retained its individuality and did not become merged in the bagpipe
.
(K
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