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POGGIO (1380-1459)

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Originally appearing in Volume V21, Page 891 of the 1911 Encyclopedia Britannica.
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POGGIO (1380-1459)  . Gian See also:Francesco See also:Poggio See also:Bracciolini, See also:Italian See also:scholar of the See also:Renaissance, was See also:born in 138o at Terranuova, a See also:village in the territory of See also:Florence . He studied Latin under See also:John of See also:Ravenna, and See also:Greek under See also:Manuel Chrysoloras . His distinguished abilities and his dexterity as a copyist of See also:MSS. brought him into See also:early See also:notice with the See also:chief scholars of Florence . Coluccio Salutati and Niccolo de' See also:Niccoli befriended him, and in the See also:year 1402 or 1403 he was received into the service of the See also:Roman See also:curia . His functions were those of a secretary; and, though he profited by benefices conferred on him in lieu of See also:salary, he remained a layman to the end of his See also:life . It is noticeable that, while he held his See also:office in the curia through that momentous See also:period of fifty years which witnessed the See also:Councils of See also:Constance and of See also:Basel, and the final restoration of the papacy under See also:Nicholas V., his sympathies were never attracted to ecclesiastical affairs . Nothing marks the See also:secular attitude of the Italians at an See also:epoch which decided the future course of both Renaissance and See also:Reformation more strongly than the mundane proclivities of. this apostolic secretary, See also:heart and soul devoted to the resuscitation of classical studies amid conflicts of popes and antipopes, cardinals and councils, in all of which he See also:bore an See also:official See also:part . Thus, when his duties called him to Constance in 1414, he employed his leisure in exploring the See also:libraries of Swiss and Swabian convents . The treasures he brought to See also:light at See also:Reichenau, Weingarten, and above all St See also:Gall, restored many lost masterpieces of Latin literature, and supplied students with the texts of authors whose See also:works had hitherto been accessible only in mutilated copies . In one of his epistles he describes how he recovered See also:Quintilian, part of See also:Valerius See also:Flaccus, and the commentaries of Asconius Pedianus at St Gall . MSS. of See also:Lucretius, See also:Columella, Silius Italicus, See also:Manilius and See also:Vitruvius were unearthed, copied by his See also:hand, and communicated to the learned .

Wherever Poggio went he carried on the same See also:

industry of See also:research . At See also:Langres he discovered See also:Cicero's Oration for See also:Caecina, at See also:Monte Cassino a MS. of See also:Frontinus . He also could boast of having recovered See also:Ammianus See also:Marcellinus, Nonius See also:Marcellus, See also:Probus, Flavius See also:Caper and See also:Eutyches . If a codex could not be obtained by See also:fair means, he was ready to use See also:fraud, as when he bribed a See also:monk to abstract a See also:Livy and an Ammianus from the See also:convent library of Hersfield . Resolute in recognizing erudition as the chief concern of See also:man, he sighed over the folly of popes and princes, who spent their See also:time in See also:wars and ecclesiastical disputes when they might have been more profitably employed in reviving the lost learning of antiquity . This point of view is eminently characteristic of the earlier Italian Renaissance . The men of that nation and of that epoch were See also:bent on creating a new intellectual See also:atmosphere for See also:Europe by means of vital contact with antiquity . Poggio, like See also:Aeneas Sylvius See also:Piccolomini (See also:Pius II.), was a See also:great traveller, and wherever he went he brought enlightened See also:powers of observation trained in liberal studies to See also:bear upon the See also:manners of the countries he visited . We owe to his See also:pen curious remarks on See also:English and Swiss customs, valuable notes on the remains of See also:antique See also:art in See also:Rome, and a singularly striking portrait of See also:Jerome of See also:Prague as he appeared before the See also:judges who condemned him to the stake . It is necessary to dwell at length upon Poggio's devotion to the task of recovering the See also:classics, and upon his disengagement from all but humanistic interests, because these were the most marked feature of his See also:character and career . In literature he embraced the whole See also:sphere of contemporary studies, and distinguished himself as an orator, a writer of rhetorical See also:treatises, a panegyrist of the dead, a violent impugner of the living, a translator from the Greek, an epistolographer and See also:grave historian and a facetious compiler of fabliaux in Latin . On his moral essays it may suffice to notice the See also:dissertations On See also:Nobility, On Vicissitudes of See also:Fortune, On the Misery of Human Life, On the Infelicity of Princes and On See also:Marriage in Old See also:Age .

These compositions belonged to a See also:

species which, since See also:Petrarch set the See also:fashion, were very popular among Italian scholars . They have lost their value, except for the few matters of fact embedded in a See also:mass of See also:commonplace meditation, and for some occasionally brilliant illustrations . Poggio's See also:History of Florence, written in avowed See also:imitation of Livy's manner, requires See also:separate mention, since it exemplifies by its defects the weakness of that merely stylistic treatment which deprived so much of See also:Bruni's, Carlo See also:Aretino's and See also:Bembo's See also:work of See also:historical See also:weight . A somewhat different See also:criticism must be passed on the Facetiae, a collection of humorous and indecent tales expressed in such Latinity as Poggio could command . This See also:book is chiefly remarkable for its unsparing satires on the monastic orders and the secular See also:clergy . It is also noticeable as illustrating the latinizing tendency of an age which gave classic See also:form to the lightest essays of the See also:fancy . Poggio, it may be observed, was a fluent and copious writer in the Latin See also:tongue, but not an elegant scholar . His knowledge of the See also:ancient authors was wide, but his See also:taste was not select, and his erudition was superficial . His See also:translation of See also:Xenophon's Cyropaedia into Latin cannot be praised for accuracy . Among contemporaries he passed for one of the most formidable polemical or gladiatorial rhetoricians; and a considerable See also:section of his extant works are invectives, One of these, the Dialague against Hypocrites, was aimed in a spirit of vindictive hatred at the vices of ecclesiastics; another, written at the See also:request of Nicholas V., covered the See also:anti-See also:pope See also:Felix with scurrilous abuse . But his most famous compositions in this See also:kind are the See also:personal invectives which he discharged against See also:Filelfo and See also:Valla . All the resources of a copious and. unclean Latin vocabulary were employed to degrade the See also:objects of his See also:satire; and every See also:crime of which humanity is capable was ascribed to them without discrimination .

In Filelfo and Valla Poggio found his match; and See also:

Italy was amused for years with the spectacle of their indecent combats . To dwell upon such See also:literary infamies would be below the dignity of the historian, were it not that these habits of the early Italian humanists imposed a fashion upon Europe which extended to the later age of See also:Scaliger's contentions with Scioppius and See also:Milton's with See also:Salmasius . The greater part of Poggio's See also:long life was spent in attendance to his duties in the papal curia at Roane and else-where . But about the year 1452 he finally retired to Florence, where he was admitted to the burghership, and on the See also:death of Carlo Aretino in 1453 was appointed See also:chancellor and historiographer to the See also:republic . He had already built himself a See also:villa in Valdarno, which he adorned with a collection of antique See also:sculpture, coins and See also:inscriptions . In 1435 he had married a girl of eighteen named Vaggia, of the famous Buondelmonte See also:blood . His declining days were spent in the See also:discharge of his See also:honourable Florentine office and in the See also:composition of his history . He died in 1459, and was buried in the See also:church of See also:Santa Croce . A statue by See also:Donatello and a picture by See also:Antonio del Pollajuolo remained to commemorate a See also:citizen who chiefly for his services to humanistic literature deserved the notice of posterity . Poggio's works were printed at Basel in 1538, " ex aedibus Henrici Petri.' Dr Shepherd's Life of Poggio Bracciolini (1802) is a See also:good authority on his See also:biography . For his position in the history of the revival, see Voigt's Wiederbelebung See also:des classischen Alterthums, and See also:Symonds's Renaissance in Italy . (J .

A .

End of Article: POGGIO (1380-1459)
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