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See also: born at See also: Vienne, department of See also: Isere, on the 1st of See also: June 1814
.
He was bred a lawyer, and his first performance in literature was a See also: translation of See also: Manfred (1837)
.
His See also: play Lucrece was represented at the Thedtre See also: Francais on the 1st of See also: April 1843
.
This date is a kind of epoch in literature and dramatic See also: history, because it marked a reaction against the romantic See also: style of See also: Dumas and Hugo
.
He received in 1845 the prize awarded by the See also: Academy for a tragedy " to oppose a dike to the waves of romanticism." See also: Ponsard adopted the liberty of the romantics with regard to the unities of See also: time and place, but he reverted to the more sober style of earlier French drama
.
The tastes and capacities of the greatest tragic actress of the See also: day, See also: Rachel, suited his methods, and this contributed greatly to his own popularity
.
He followed up Lucrece with See also: Agnes de Meranie (1846), See also: Charlotte See also: Corday (1850), and others
.
Ponsard accepted the See also: empire, though with no very See also: great See also: enthusiasm, and received the See also: post of librarian to the senate, which, however, he soon resigned, fighting a bloodless duel with a journalist on the subject
.
L'Honneur et l'argent, one of his most successful plays, was acted in 1853, and he became an Academician in 1855
.
For some years he did little, but in 1866 he obtained great success with Le See also: Lion amoureux, another play dealing with the revolutionary epoch
.
His Galilee, which excited great opposition in the clerical See also: camp, was produced early in 1867
.
He died in See also: Paris on the 7th of See also: July of the same See also: year, soon after his nomination to the commandership of the See also: Legion of Honour
.
Most of Ponsard's plays hold a certain steady level of See also: literary and dramatic ability, but his popularity is in the See also: main due to the fact that his appearance coincided with a certain public weariness of the extravagant and unequal style of 1830
.
His tEuvres completes were published in Paris (3 vols., 1865–1876)
.
See La Fin du thedtre romantique et See also: Francois Ponsard d'apres See also: des documents inedits (1899), by C
.
Latreille
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