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PORTATIVE See also: medieval See also: organ carried by the performer, who manipulated the bellows with one See also: hand and fingered the keys with the other
.
This small instrument was necessarily made as See also: simple as possible
.
On a small rectangular See also: wind chest or See also: reservoir, fed by means of a single bellows placed at the back, in front, or at the right See also: side, were arranged the pipes —one, two or three to a note—supported by more or less ornamental uprights and an oblique See also: bar
.
The most See also: primitive See also: style of keyboard consisted merely of sliders pushed in to make the note See also: sound and restored to their normal position by a See also: horn spring; the See also: reverse See also: action was also in use, the keys being furnished with knobs or handles
.
Towards the See also: middle of the 13th century the portatives represented in the miniatures of illuminated See also: MSS. first show signs of a real keyboard with balanced keys, as in the 13th century See also: Spanish MS., known as the Cantigas de See also: Santa Maria,' containing four full pages of miniatures of instrumentalists, fifty-one in number
.
From the position of the performer's thumb it is evident that the keys are pressed down to make the notes sound
.
There are nine pipes and the same number of keys, sufficient for the diatonic octave of C major with the B flat added
.
The pipes put into these small See also: organs were flue pipes, their intonation must have been very unstable owing to the irregularity of the wind supply fed by a single bellows, the pressure being at the mercy of the performer's hand
.
Increased pressure in pipes with fixed mouthpieces, such as organ pipes, produces a rise in See also: pitch
.
These medieval portative organs, so extensively used during the 14th and 15th centuries, were revivals of those used by the See also: Romans, of which a specimen excavated at See also: Pompeii in 1876 is preserved in the Museum at Naples
.
The See also: case See also: measures 141 in. by 91 in. and contains nine pipes, of which the longest measures but 94 in.; six of the pipes have oblong holes at a See also: short distance from the top similar to those made in gamba pipes of See also: modern organs to give them their reedy quality, and also to those cut in the See also: bamboo pipes of the See also: Chinese See also: Cheng, which is a primitive organ furnished with See also: free reeds
.
From the description of these remains by C
.
F . Abdy See also: Williams,' it would seem that a See also: bronze See also: plate 111 in. by 24 in. having 18 rectangular slits arranged in three rows to See also: form vandykes was found inside the case, with three little plates of bronze just wide enough to pass through the slits lying by it ; this plate possibly formed See also: part of the mechanism for the sliders of the keys
.
The small instrument often taken for a See also: syrinx on a contorniate of Sallust in the See also: Cabinet Imperial de See also: France in See also: Paris may be meant for a See also: miniature portative
.
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