See also:

• HENRY
• HENRY (1129-1195)
• HENRY (c. 1108-1139)
• HENRY (c. 1174–1216)
• HENRY (Fr. Henri; Span. Enrique; Ger. Heinrich; Mid. H. Ger. Heinrich and Heimrich; O.H.G. Haimi- or Heimirih, i.e. " prince, or chief of the house," from O.H.G. heim, the Eng. home, and rih, Goth. reiks; compare Lat. rex " king "—" rich," therefore " mig
• HENRY, EDWARD LAMSON (1841– )
• HENRY, JAMES (1798-1876)
• HENRY, JOSEPH (1797-1878)
• HENRY, MATTHEW (1662-1714)
• HENRY, PATRICK (1736–1799)
• HENRY, PRINCE OF BATTENBERG (1858-1896)
• HENRY, ROBERT (1718-1790)
• HENRY, VICTOR (1850– )
• HENRY, WILLIAM (1795-1836)

HENRY See also:

• PORTER
• PORTER, BENJAMIN CURTIS (1843– )
• PORTER, DAVID (1780-1843)
• PORTER, DAVID DIXON (1813-1891)
• PORTER, ENDYMION (1587–1649)
• HENRY PORTER (ft. 1596-1599)
• PORTER, HORACE (1837– )
• PORTER, JANE (1776–1850)
• PORTER, MARY (d. 1765)
• PORTER, NOAH (1811–1892)

PORTER (ft. 1596-1599)  , See also:

• ENGLISH

English dramatist, author of The Two Angry See also:

• WOMEN

Women of See also:

• ABINGDON

Abingdon, may probably be identified with the See also:

• HENRY
• HENRY (1129-1195)
• HENRY (c. 1108-1139)
• HENRY (c. 1174–1216)
• HENRY (Fr. Henri; Span. Enrique; Ger. Heinrich; Mid. H. Ger. Heinrich and Heimrich; O.H.G. Haimi- or Heimirih, i.e. " prince, or chief of the house," from O.H.G. heim, the Eng. home, and rih, Goth. reiks; compare Lat. rex " king "—" rich," therefore " mig
• HENRY, EDWARD LAMSON (1841– )
• HENRY, JAMES (1798-1876)
• HENRY, JOSEPH (1797-1878)
• HENRY, MATTHEW (1662-1714)
• HENRY, PATRICK (1736–1799)
• HENRY, PRINCE OF BATTENBERG (1858-1896)
• HENRY, ROBERT (1718-1790)
• HENRY, VICTOR (1850– )
• HENRY, WILLIAM (1795-1836)

Henry See also:

• PORTER
• PORTER, BENJAMIN CURTIS (1843– )
• PORTER, DAVID (1780-1843)
• PORTER, DAVID DIXON (1813-1891)
• PORTER, ENDYMION (1587–1649)
• PORTER, HENRY (ft. 1596-1599)
• PORTER, HORACE (1837– )
• PORTER, JANE (1776–1850)
• PORTER, MARY (d. 1765)
• PORTER, NOAH (1811–1892)

Porter who matriculated at Brasenose See also:

• COLLEGE (Collegium)

College, See also:

• OXFORD
• OXFORD, EARLS OF
• OXFORD, EDWARD DE VERE, 17TH EARL
• OXFORD, JOHN DE VERE, 13TH EARL OF (1443-1513)
• OXFORD, PROVISIONS OF
• OXFORD, ROBERT DE VERE, 9TH EARL OF (1362-1392)
• OXFORD, ROBERT HARLEY, 1ST

Oxford, on the 19th of See also:

• JUNE

June 1589, and is described as aged sixteen and the son of a See also:

• GENTLEMAN (from Lat. gentilis, " belonging to a race or gens," and " man "; Fr. gentilhomme, Span. gentil hombre, Ital. gentil huomo, in its original and strict signification, a term denoting a man of good family, the Lat. generosus (its invariable transl

gentleman of See also:

• LONDON

London . From 1596 to 1599 he was engaged in See also:

• WRITING
• WRITING (the verbal noun of " to write," O. Eng. writan, to inscribe)

writing plays for See also:

• HENSLOWE, PHILIP (d. 1616)

Henslowe for the See also:

• ADMIRAL

admiral's men, and his closest See also:

• ASSOCIATE (Lat. associates, from ad, to, and sociare to join)

associate seems to have been Henry See also:

• CHETTLE, HENRY (1564?–16o7?)

Chettle . The earlier entries in Henslowe's See also:

• DIARY

Diary are respectful in See also:

• TONE, THEOBALD WOLFE (1763-1798)

tone, and the considerable sums paid to " Mr Porter" prove that his plays were popular . Henslowe secured in See also:

• FEBRUARY

February 1599 the See also:

• SOLE (Solea)

sole rights of any See also:

• PLAY

play in which Porter had a See also:

• HAND
• HAND (a word common to Teutonic languages; cf. Ger. Hand, Goth. handus)
• HAND, FERDINAND GOTTHELF (1786-185r)

hand, the See also:

• CONSIDERATION (from Lat. considerare, to look at closely, examine, generally taken to be from con-, and the base seen in sidus, sideris, a star, the word being supposed to be originally an astrological or astronomical term)

consideration being an advance of See also:

• FORTY

forty shillings . As See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time goes on he is familiarly referred to as " Harry Porter "; his borrowings become more frequent, and the sums less, until on the 16th of See also:

• APRIL

April 1599 he obtained a See also:

• LOAN (adapted from the Scandinavian form of a word common to Teutonic languages, cf. Swed. Mn, Icel. lan, Dut. leen; the O.E. laen appears in " lend," the ultimate source is seen in the root of Gr. Xeiaecv and Lat. linquere, to leave)

loan of twelve pence in See also:

• EXCHANGE

exchange for a See also:

• BOND
• BOND, SIR EDWARD AUGUSTUS (1815-1898)

bond to pay all he owed to Henslowe—twentyfive shillings—on See also:

• PAIN (from Lat. poena, Gr. robin, penalty, that which must be paid: O. Fr. peine)
• PAIN, BARRY (1867– )

pain of forfeiting ten pounds . Whether he paid or not does not appear, but his last loan is recorded on the 26th of May 1599, after which nothing further is known of him . It seems in the highest degree unlikely that he is the Henry Porter who took his degree as See also:

• MUS

Mus . Bac. at See also:

• CHRIST (Gr. X pLQTOS, Anointed)
• CHRIST, WILHELM VON (1831-1906)

Christ See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

Church in 1600 after twelve years' study, and whose skill in sacred See also:

• MUSIC

music is celebrated in an See also:

• EPIGRAM

epigram by See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

John See also:

• WEEVER
• WEEVER, JOHN (1576-1632)

Weever . The entries in Henslowe's Diary indicate that he wrote a play called Love Prevented (1598), Hot Anger soon See also:

• COLD (in O. Eng. cald and ceald, a word coming ultimately from a root cognate with the Lat. gelu, gelidus, and common in the Teutonic languages, which usually have two distinct forms for the substantive and the adjective, cf. Ger. Kolte, kalt, Dutch koude

Cold, with Chettle and See also:

• BEN (from Old Eng. bennan, within)

Ben See also:

• JONSON

Jonson (1598), the second See also:

• PART

part of The Two Angry Women of Abingdon (1598), The Four Merry Women of Abingdon (1599), and The Spencers (1599), with Chettle . None of these are extant, unless, as has been suggested, Love Prevented is another name for The Pleasant See also:

• HISTORY

History of the two angry women of Abingdon . With the humorous mirth of See also:

• DICK, ROBERT
• DICK, THOMAS (1774-1857)

Dick Coomes and See also:

• NICHOLAS
• NICHOLAS (1841– )
• NICHOLAS (or NICLAES), HENRY (or HENDRIK) (c. 1501-C. 158o)
• NICHOLAS, SIR EDWARD (1593-1669)
• NICHOLAS, ST

Nicholas Proverbes, two serving men (1599), the importance of which is well described by See also:

• PROFESSOR (the Latin noun formed from the verb profiteri, to declare publicly, to acknowledge, profess)

Professor Gayley: " As a See also:

• COMEDY

comedy of unadulterated native flavour, breathing rural See also:

• LIFE

life and See also:

• MANNERS, CHARLES (1857– )

manners and the See also:

• MODERN

modern spirit, constructed with knowledge of the See also:

• STAGE (Fr. 6/age; from Lat. stare, to stand)

stage, and without affectation or constraint, it has no foregoing analogue except perhaps The Pinner of See also:

• WAKEFIELD
• WAKEFIELD, GILBERT (1756-1801)

Wakefield . No play preceding or contemporary yields an easier conversational See also:

• PROSE

prose, not even the Merry Wives." See also:

• ALEXANDER
• ALEXANDER (1461-1506)
• ALEXANDER (ALEXANDER OF BATTENBERG) (1857-1893)
• ALEXANDER (ALEXANDER OsxENOVici) (1876-1903)
• ALEXANDER, ARCHIBALD (1772—1851)
• ALEXANDER, FRANCIS (1800—1881)
• ALEXANDER, GEORGE (1858— )
• ALEXANDER, JOHN WHITE (1856- )
• ALEXANDER, JOSEPH ADDISON (18o9—186o)
• ALEXANDER, SIR JAMES EDWARD (1803—1885)
• ALEXANDER, WILLIAM (1824— )
• ALEXANDER, WILLIAM LINDSAY (1808—1884)

Alexander See also:

• DYCE, ALEXANDER (1798–1869)
• DYCE, WILLIAM (1806–1864)

Dyce edited the Angry Women for the See also:

• PERCY (FAMILY)
• PERCY, SIR HENRY
• PERCY, THOMAS (1729-1811)
• PERCY, THOMAS (c. 156o-16os)

Percy Society in 1841; and it is included in W .

C . See also:

• HAZLITT, WILLIAM (1778-1830)

Hazlitt's edition of See also:

• DODSLEY, ROBERT (1703-1764)

Dodsley's Old Plays (1874) . It was edited by See also:

• HAVELOCK, SIR HENRY (1795-18J7)

Havelock See also:

• ELLIS (originally SHARPE), ALEXANDER JOHN (1814-189o)
• ELLIS, GEORGE (1753-1815)
• ELLIS, ROBINSON (1834- )
• ELLIS, SIR HENRY (1777-1869)
• ELLIS, WILLIAM (1794 – 1872)

Ellis in See also:

• NERO (37-68)

Nero and other plays (1888, " Mermaid See also:

• SERIES (a Latin word from serere, to join)

Series,") and in Representative English Comedies (1903), with an introduction by the See also:

• GENERAL
• GENERAL (Lat. generalis, of or relating to a genus, kind or class)

general editor, Professor C . M . Gayley .