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See also: medieval chamber See also: organ which could be carried from place to place without being taken to pieces, and when played was placed on a table or See also: stool and required a blower for the bellows, as well as a performer
.
It was larger and more cumbersome than the portative (q.v.), with which it has often been confounded
.
The See also: positive had usually but one kind of See also: pipe, the open diapason of 2 ft. See also: tone, and in the 16th century the best typos had three registers by means of which each note could be sounded with its fifth and octave, or each by itself, or again in combinations of twos
.
The positive differed from the See also: regal in having flue pipes, whereas the latter had beating reeds in tiny pipes, one or two inches long, concealed behind the keyboard
.
During the early See also: middle ages most of the pneumatic See also: organs belonged to this type
.
A well-known instance of an early positive or portable organ of the 4th century occurs on the obelisk erected to the memory of See also: Theodosius the See also: Great, on his See also: death in A.D
.
395
.
Among the illuminated See also: manuscripts of the See also: British Museum miniatures abound representing interesting varieties of the portable organ of the middle ages; such as Add
.
MS
.
29902 (fol
.
6) and Add
.
MS
.
27695b (fol . 13), See also: Cotton MS
.
Tiberius A VII. fol
.
Io4d., all of the 14th century, Add
.
MS
.
28962, Add
.
MS
.
17280, both of the 15th century
.
These little organs were to be found at every kind of See also: function, See also: civil and religious; they were used in the dwellings and chapels of the See also: rich; at banquets and See also: court functions; in choirs and See also: music See also: schools; and in the small orchestras of See also: Peri and Monteverdi at the dawn of the musical drama or See also: opera
.
(K
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