See also:

• POUND
• POUND (2)—(a)

POUND (2)—(a)  a measure of See also:

• WEIGHT

weight; (b) an See also:

• ENGLISH

English See also:

• MONEY

money of See also:

• ACCOUNT
• ACCOUNT (through O. Fr. acont, Late Lat. comptum, cornputare, to calculate)

account . (a) The English See also:

• STANDARD
• STANDARD, BATTLE OF THE

standard unit of weight is the See also:

• AVOIRDUPOIS

avoirdupois See also:

• POUND
• POUND (2)—(a)

pound of 7000 grains . The earliest weight in the English See also:

• SYSTEM

system was the Saxon pound, subsequently known as the See also:

• TOWER (Lat. turris; Fr. tour, clocker; Ital. torre; Ger. Thurm)

Tower pound, from the old See also:

• MINT
• MINT (Lat. moneta; Mid. Eng. mynt)

mint pound kept in the Tower of See also:

• LONDON

London . The Tower pound weighed 5400 grains and this weight of See also:

• SILVER

silver was coined into 240 pence or 20 shillings, hence pound in sense (2) (a pound weight of silver) . The pound See also:

• TROY
• TROY, JEAN FRANCOIS DE (1679–1752)

troy, probably introduced from See also:

• FRANCE
• FRANCE, ANATOLE (1844– )

France, was in use as See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early as 1415 and was adopted as the legal standard for See also:

• GOLD
• GOLD [symbol Au, atomic weight 195.7(H = 1),197.2(0 =16)]

gold and silver in 1527 . The See also:

• ACT (Lat. actus, actum)

act which abolished the Tower pound (18 See also:

• HEN

Hen . VIII.: the " pounde Troye which exceedeth the pounde Tower in weight iii quarters of the oz.") substituted a pound of 5760 grains, at which the pound troy still remains . There was in use together with the pound troy,. the See also:

• MERCHANT (O. Fr. marcheant, modern marchand; from Lat. mercari, to trade, merx, goods, merchandise)

merchant's pound, weighing 6750 grains, which was established about 1270 for all commodities except gold, silver and medicines, but it was generally superseded by the pound avoirdupois about 1330 . There was also in use for a See also:

• SHORT, FRANCIS JOB (1857– )

short See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time another merchant's pound, introduced from France and See also:

• GERMANY
• GERMANY (Ger. Deutschland)

Germany; this pound weighed 7200 grains . The pound avoirdupois has remained in use continuously since the 14th See also:

• CENTURY (from Lat. centuria, a division of a hundred men)

century, although it may have varied slightly at different periods—the Elizabethan standard was probably 7002 grains . The standard pound troy, placed together with the standard yard in the custody of the clerk of the See also:

• HOUSE
• HOUSE (O. Eng. hiss, a word common to Teutonic languages, cf. Dut. huis, Ger. Haus; in Gothic it is only found in gudhiss, a temple; it may be ultimately connected with the root of " hide," conceal)

House of See also:

• COMMONS

Commons by a See also:

• RESOLUTION

resolution of the House of the 2nd of See also:

• JUNE

June 1758, was destroyed at , the burning of the houses of See also:

• PARLIAMENT (Anglo-Lat. parliamentum, Fr. parlement, from parler, to speak)

parliament in 1834 . In 1838 a See also:

• COMMISSION (from Lat. commissio, committere)

commission was appointed to consider the restoration of the See also:

• STANDARDS

standards, and in consequence of their See also:

• REPORT (O.Fr. report or raport, modern rapport, from O.Fr. reporter, mod. rap porter, Lat. reportare, to bring back, in poetical use only, of bringing back an account, news, &c.)

report in 1841 the pound avoirdupois of 7000 grains was substituted for the pound troy as the standard .

A new standard pound avoirdupois was made under the direction of a See also:

• COMMITTEE (from commute, an Anglo-Fr. past participle of commettre, Lat. committere, to entrust; the modern Fr. equivalent comite is derived from the Eng.)

committee appointed in 1834 (which reported in 1854), by comparison with authenticated copies of the See also:

• ORIGINAL

original standard (see Phil . Trans . 1856) . This standard pound was legalized by an act of 1855 (18 & 1g Vict. c . 72) . The standard avoirdupois pound is made of See also:

• PLATINUM [symbol Pt, atomic weight 145.0 (0=16)]

platinum, in the See also:

• FORM (Lat. forma)

form of a See also:

• CYLINDER (Gr. KvAwSpos, from KvXivaety, to roll)

cylinder nearly 1.35 in. high and 1.15 in. in See also:

• DIAMETER (from the Cr. &a, through, µErpov, measure)

diameter . It has a groove or channel See also:

• ROUND (O. Fr. rond, Lat. rotundus, the Fr. is the source also of Du. rond; Ger., Swed., Dan. and Nor. rond)

round it to enable it to be lifted by means of an See also:

• IVORY (Fr. ivoire, Lat. ebur)
• IVORY, SIR JAMES (1765-1842)

ivory See also:

• FORK (Lat. furca)

fork (for See also:

• ILLUSTRATION

illustration see WEIGHTS AND See also:

• MEASURES

MEASURES) and is marked " P.S . 1844 . T lb." P.S. meaning See also:

• PARLIAMENTARY

Parliamentary Standard . It is preserved at the Standards See also:

• OFFICE (from Lat. officium, " duty," " service," a shortened form of opifacium, from facere, " to do," and either the stem of opes, " wealth," " aid," or opus, " work ")

Office, in the custody of the See also:

• BOARD (O. Eng. bord)

Board of See also:

• TRADE (O. Eng. trod, footstep, from tredan, to tread; in M. Eng. the forms teed, trod and trade appear, the last in the sense of a beaten track)
• TRADE, BOARD OF

Trade . Copies were also deposited at the Houses of Parliament, the Royal Mint, the Royal See also:

• OBSERVATORY

Observatory and with the Royal Society . See the Reports of the Standards Commission (6 parts, 1868-1873), especially 3rd report (on the abolition of troy weight) and 5th report (on the business of the Standards Dept. and the See also:

• CONDITION (Lat. condicio, from condicere, to agree upon, arrange; not connected with conditio, from condere, conditum, to put together)

condition of the See also:

• OFFICIAL (Late Lat. QJicialis, for class. Lat. apparitor, from officium, office, duty)

official standards and apparatus; description of the reverification of the various official standards, with diagrams) .

(b) The English monetary unit is the pound; it was originally a pound weight of silver (hence written for See also:

• LIBRA (" THE BALANCE ")

libra, See also:

• LAT

Lat. pound weight), coined into twenty shillings, and is now represented by the gold See also:

• SOVEREIGN

sovereign (q.v.) . The pound Scots was at one time of the same value as the English pound, but through See also:

• GRADUAL (Med. Lat. gradualis, of or belonging to steps or degrees; gradus, step)

gradual debasement of the coinage was reduced at the See also:

• ACCESSION (from Lat. accedere, to go to, to approach)

accession of See also:

• JAMES
• JAMES (Gr. 'IlrKw,l3or, the Heb. Ya`akob or Jacob)
• JAMES (JAMES FRANCIS EDWARD STUART) (1688-1766)
• JAMES, 2ND EARL OF DOUGLAS AND MAR(c. 1358–1388)
• JAMES, DAVID (1839-1893)
• JAMES, EPISTLE OF
• JAMES, GEORGE PAYNE RAINSFOP
• JAMES, HENRY (1843— )
• JAMES, JOHN ANGELL (1785-1859)
• JAMES, THOMAS (c. 1573–1629)
• JAMES, WILLIAM (1842–1910)
• JAMES, WILLIAM (d. 1827)

James I. to about one-twelfth of the value of the English pound, and was divided into twenty shillings, each about the value of an English See also:

• PENNY (Mid. Eng. peni or peny, from O. Eng. form penig, earlier penning and pending; the word appears in Ger. Pfennig and Du. penning; it has been connected with Du. pand, Ger. Pfand, and Eng. " pawn,". the word meaning a little pledge or token, or with G
• PENNY, GIANFRANCESCO (1488–1528)

penny . The See also:

• EGYPTIAN

Egyptian pound, written LE, is a gold See also:

• COIN
• COIN (older forms of the word are coyne, quoin and coign, all derived through the O. Fr. coing, and cuigne from Lat. cuneus, a wedge)

coin of Too piastres, and was made the monetary unit of the See also:

• COUNTRY (from the Mid. Eng. contre or contrie, and O. Fr. cuntree; Late Lat. contrata, showing the derivation from contra, opposite, over against, thus the tract of land which fronts the sight, cf. Ger. Gegend, neighbourhood)

country by a See also:

• DECREE (from the past participle, decretus, of Lat. decernere)

decree of the 14th of See also:

• NOVEMBER (Lat. novem, nine)

November 1885 . Its weight is 8.544 grammes of gold 0.875 See also:

• FINE

fine and its value in English standard gold is 1, os . 6+d . The See also:

• TURKISH

Turkish pound is written T . The Turkish monetary system is dealt with at length under See also:

• TURKEY

TURKEY: Monetary System . Valuable See also:

• INFORMATION (from Lat. informare, to give shape or form to, to represent, describe)

information from the See also:

• HISTORICAL

historical point of view will be found in the Reports of the Standards Commission quoted above, and in H . W . Chisholm's On the See also:

• SCIENCE (Lat. scientia, from scire; to learn, know)

Science of Weighing and Measuring (1877) and his Seventh See also:

• ANNUAL

Annual Report as See also:

• WARDEN

warden of the standards; R . Ruding, See also:

• ANNALS (Annales, from annus, a year)

Annals of the Coinage (1819) and H . J .

Chaney, Our See See also:

• SANDRART, JOACHIM VON (s6o6-1688)

Sandrart, Acad. See also:

• NOB

nob. See also:

• ART

art . Pict.; Lettres de See also:

• NICOLAS
• NICOLAS, SIR NICHOLAS HARRIS (1799–1848)

Nicolas Poussin Weights and Measures (1897) . (T . A . I.) POUSSIN, NICOLAS (1594–1665), See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• LES

Les Andelys (See also:

• EURE

Eure) in June 1594 . Early sketches attracted the See also:

• NOTICE

notice of Quentin Varin, a See also:

• LOCAL

local painter, whose See also:

• PUPIL (Lat. pupillus, orphan, minor, dim. of pupus, boy, allied to puer, from root pm- or peu-, to beget, cf. "pupa," Lat. for " doll," the name given to the stage intervening between the larval and imaginal stages in certain insects)

pupil Poussin became, till he went to See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris, where he entered the studio of See also:

• FERDINAND
• FERDINAND (1577-1650)
• FERDINAND (COLOGNE)
• FERDINAND (Span. Fernando or Hernando; Ital. Ferdinando or Ferrante; in O. H. Ger. Herinand, i.e. " brave in the host," from O. H. G. Heri, "army," A. S. here, Mod. Ger. Heer, and the Goth. nan]jan, " to dare ")
• FERDINAND, MAXIMILIAN KARL LEOPOLD MARIA

Ferdinand Elle, a See also:

• FLEMING, PAUL (1609-1640)
• FLEMING, RICHARD (d. 1431)
• FLEMING, SIR SANDFORD (1827- )
• FLEMING, SIR THOMAS (1S44-1613)

Fleming, and then of the Lorrainer L'Allemand . He found French art in a See also:

• STAGE (Fr. 6/age; from Lat. stare, to stand)

stage of transition: the old See also:

• APPRENTICESHIP (from Fr. apprendre, to learn)

apprenticeship system was disturbed, and the academical See also:

• SCHOOLS

schools destined to supplant it were not yet established; but, having met See also:

• COURTOIS, JACQUES (1621–1676)

Courtois the mathematician, Poussin was fired by the study of his collection of engravings after See also:

• ITALIAN

Italian masters . After two abortive attempts to reach See also:

• ROME
• ROME (Roma)

Rome, he See also:

• FELL
• FELL, JOHN (1625-1686)

fell in with the See also:

• CHEVALIER, ALBERT (1861– )
• CHEVALIER, MICHEL (1806-1879)
• CHEVALIER, ULYSSE (1841– )

chevalier See also:

• MARINI (or MARINO), GIAMBATTISTA (1569-1625)

Marini at See also:

• LYONS
• LYONS (Fr. Lyon)
• LYONS, COUNCILS OF
• LYONS, EDMUND LYONS, BARON (1790-1858)
• LYONS, RICHARD BICKERTON PEMELL LYONS, 1ST EARL (1817–1887)

Lyons . Marini employed him on illustrations to his poems, took him into his See also:

• HOUSEHOLD, ROYAL

household, and in 1624 enabled Poussin (who had been detained by commissions in Lyons and Paris) to rejoin him at Rome . There, his See also:

• PATRON

patron having died, Poussin fell into See also:

• GREAT

great See also:

• DISTRESS

distress . Falling See also:

• ILL

ill he was received into the house of his compatriot Dughet and nursed by his daughter See also:

• ANNA
• ANNA (Hindustani ana)
• ANNA, BALDASARRE

Anna Maria to whom in 1629, Poussin was married . Among his first patrons were See also:

• CARDINAL (Lat. cardinalis)

Cardinal See also:

• BARBERINI

Barberini, for whom was painted the " See also:

• DEATH

Death of Germanicus " (Barberini See also:

• PALACE (Lat. Palatium, the name given by Augustus to his residence on the Palatine Hill)

Palace); Cardinal Omodei, for whom he produced, in 163o, the " Triumphs of See also:

• FLORA

Flora " (Louvre); Cardinal de See also:

• RICHELIEU, ARMAND EMMANUEL SOPHIE SEPTEMANIE DU PLESSIS
• RICHELIEU, ARMAND JEAN DU PLESSIS
• RICHELIEU, LOUIS FRANCOIS ARMAND DU PLESSIS

Richelieu, who commissioned a Bacchanal (Louvre) ; Vicenzo See also:

• GIUSTINIANI

Giustiniani, for whom was executed the " See also:

• MASSACRE

Massacre of the Innocents," of which there is a first See also:

• SKETCH (directly adapted from Dutch schets, which was taken from Ital. schizzo, a rough draft, Lat. schedium, something hastily made, Gr. oxE&os, sudden, off-hand, axeb6v, near by; Ger. Skizze and Fr. esquisse are from the same source)

sketch in the See also:

• BRITISH

British Museum; Cassiano dal Pozzo, who became the owner of the first See also:

• SERIES (a Latin word from serere, to join)

series of the " Seven Sacraments " (Belvoir See also:

• CASTLE
• CASTLE (Lat. castellum, a fort, diminutive of castra, a camp; Fr. chateau and chdtel)

Castle); and Fieart de Chanteloup, with whom in 164o Poussin, at the See also:

• CALL (from Anglo-Saxon ceallian, a common Teutonic word, cf. Dutch kallen, to talk or chatter)

call of Sublet de Noyers, returned to France .

See also:

• LOUIS
• LOUIS (804–876)
• LOUIS (893–911)
• LOUIS, JOSEPH DOMINIQUE, BARON (1755-1837)
• LOUIS, or LEWIS (from the Frankish Chlodowich, Chlodwig, Latinized as Chlodowius, Lodhuwicus, Lodhuvicus, whence-in the Strassburg oath of 842-0. Fr. Lodhuwigs, then Chlovis, Loys and later Louis, whence Span. Luiz and—through the Angevin kings—Hungarian

Louis XIII. conferred on him I the See also:

• TITLE (0. Fr. title, mod. titre, from Lat. titulus)

title of " first painter in See also:

• ORDINARY (med. Lat. ordinarius, Fr. ordinaire)

ordinary," and in two years at Paris he produced several pictures for the royal chapels (the " Last Supper," painted for See also:

• VERSAILLES

Versailles, now in the Louvre) and eight cartoons for the Gobelins, the series of the " Labours of See also:

• HERCULES
• HERCULES (0. Lat. Hercoles, Hercles)

Hercules " for the Louvre, the " See also:

• TRIUMPH (triumphus)

Triumph of Truth " for Cardinal Richelieu (Louvre), and much See also:

• MINOR
• MINOR (Lat. for smaller, lesser)
• MINOR, ROBERT CRANNELL (1839-1904)

minor See also:

• WORK

work . In 1643, disgusted by the intrigues of See also:

• SIMON, ABRAHAM (1622-1692)
• SIMON, JULES FRANCOIS (1814–1896)
• SIMON, RICHARD (1638–1712)
• SIMON, SIR JOHN (1816–1904)
• SIMON, THOMAS (c. 1623-1665)

Simon See also:

• VOUET, SIMON (1590-1649)

Vouet, Feuquieres and the architect See also:

• LEMERCIER, LOUIS JEAN NEPOMUCENE (1771–1840)

Lemercier, Poussin withdrew to Rome . There, in 1648, he finished for De Chanteloup the second series of the " Seven Sacraments " (See also:

• BRIDGEWATER, FRANCIS EGERTON, 3RP DUKE OF (1736-1803)
• BRIDGEWATER, FRANCIS HENRY EGERTON

Bridgewater See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

Gallery), and also his See also:

• NOBLE, SIR ANDREW (1832- )

noble landscape with See also:

• DIOGENES

Diogenes throwing away his See also:

• SCOOP (from M. L. Ger. or M. Du. schope, cf. Du. schoep, a bailing vessel, Ger. schopfen, and, from M. Du. schoppe, Ger. Schuppe, shovel)

Scoop (Louvre); in 1649 he painted the " See also:

• VISION (from Lat. videre, to see), or SIGHT

Vision of St See also:

• PAUL
• PAUL (PAULUS)

Paul " (Louvre) for the comic poet See also:

• SCARRON, PAUL (1610-166o)

Scarron, and in 1651 the " See also:

• HOLY

Holy See also:

• FAMILY

Family " (Louvre) for the See also:

• DUKE (corresponding to Fr. duc, Ital. duca, Ger. Herzog)

duke of Crequi . See also:

• YEAR

Year by year he continued to produce an enormous variety of See also:

• WORKS

works, many of which are included in the See also:

• LIST (O.E. lisle, a Teutonic word, cf. Dut. lust, Ger. Leiste, adapted in Ital. lista and Fr. lisle)
• LIST, FRIEDRICH (1789-1846)

list given by Felibien . He died on the 19th of November 1665 and was buried in the See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

church of St See also:

• LAWRENCE
• LAWRENCE (LAURENTIUS, LORENZO), ST
• LAWRENCE, AMOS (1786—1852)
• LAWRENCE, AMOS ADAMS (1814–1886)
• LAWRENCE, GEORGE ALFRED (1827–1876)
• LAWRENCE, JOHN LAIRD MAIR LAWRENCE, 1ST BARON (1811-1879)
• LAWRENCE, SIR HENRY MONTGOMERY (1806–1857)
• LAWRENCE, SIR THOMAS (1769–1830)
• LAWRENCE, STRINGER (1697–1775)

Lawrence in See also:

• LUCINA

Lucina, his wife having predeceased him . The finest collection of Poussin's paintings as well as of his drawings is possessed by the Louvre; but, besides the pictures in the See also:

• NATIONAL

National Gallery and at See also:

• DULWICH

Dulwich, See also:

• ENGLAND
• ENGLAND, THE CHURCH OF

England possesses several of his most considerable works: The " Triumph of See also:

• PAN (" pasturer ")
• PAN (common in various forms to many Teutonic languages, cf. Ger. Pfanne; it is generally taken to be an early adaptation in a shortened form of Lat. patina, shallow bowl or dish, from patere, to lie open)

Pan " is at Baisildon (See also:

• BERKSHIRE [abbreviated Berks, pronounced Berkshire]
• BERKSHIRE, THOMAS HOWARD, 1ST EARL OF (1587–1669)

Berkshire), and his great allegorical See also:

• PAINTING

painting of the " Arts " at Knowsley . At Rome, in the See also:

• COLONNA
• COLONNA, GIOVANNI PAOLO (circa 1637—1695)
• COLONNA, VITTORIA (1490-1547)

Colonna and Valentini Palaces, are notable works by him, and one of the private apartments of See also:

• PRINCE
• PRINCE (Lat. princeps, from primus capio, " I am the first to take "; Ital. principe, Fr. prince)

Prince See also:

• DORIA, ANDREA (1466-156o)

Doria is decorated by a great series of landscapes in distemper . Through-out his See also:

• LIFE

life he stood aloof from the popular See also:

• MOVEMENT

movement of his native school . French art in his See also:

• DAY (O. Eng. dreg, Ger. Tag; according to the New English Dictionary, " in no way related to the Lat. dies")
• DAY, JOHN (1574-1640?)
• DAY, THOMAS (1748-1789)

day was purely decorative, but in Poussin we find a survival of the impulses of the See also:

• RENAISSANCE, THE

Renaissance coupled with conscious reference -to classic work as the standard of excellence . In See also:

• GENERAL
• GENERAL (Lat. generalis, of or relating to a genus, kind or class)

general we see his paintings at a great disadvantage, for the See also:

• COLOUR (Lat. color, connected with celare, to hide, the root meaning, therefore, being that of a covering)

colour, even of the best preserved, has changed in parts, so that the keeping is disturbed; and the noble construction of his designs can be better seen in engravings than in the original . Amongst the many who have reproduced his works See also:

• AUDRAN
• AUDRAN, EDMOND (1842-19o1)

Audran, Claudine Stella, Picart and Pesne are the most successful . Poussin See also:

• LEFT

left no See also:

• CHILDREN, LAW RELATING TO

children, but he adopted as his son Gaspar Dughet (Gasparo Duche), his wife's See also:

• BROTHER

brother, who took the name of Poussin .

GASPAR POUSSIN (1613–1675) devoted himself to landscape painting and rendered admirably the severer beauties of the See also:

• ROMAN

Roman Campagna; a noteworthy series of works in See also:

• TEMPERA (the Italian term), or DISTEMPER

tempera representing various sites near Rome is to be seen in the Colonna Palace; but one of his finest easel-pictures, the " See also:

• SACRIFICE (from Lat. sacrificium; sacer, holy, and facere, to make)

Sacrifice of See also:

• ABRAHAM, or ABRAM (Hebrew for " father is high ")

Abraham," formerly the See also:

• PROPERTY

property of the Colonna, is now, with other works by the same painter, in the National Gallery, London . The frescoes executed by Gaspar Poussin in S . Martino di Monti are in a See also:

• BAD, BCD

bad See also:

• STATE
• STATE, GREAT OFFICERS OF

state of preservation . The Louvre does not possess a single work by his See also:

• HAND
• HAND (a word common to Teutonic languages; cf. Ger. Hand, Goth. handus)
• HAND, FERDINAND GOTTHELF (1786-185r)

hand . Gaspar died at Rome on the 27th of May 1675 . (Paris, 1824) ; Felibien, Entretiens ; See also:

• GAULT

Gault de St Germain, See also:

• VIE

Vie de Nicolas Poussin (18o6); D'Argenville, Abrege de la vie See also:

• DES

des peintres; Bouchitte, Poussin et son suvre (1858) ; See also:

• EMILIA

Emilia F . S . See also:

• PATTISON, MARK (1813-1884)

Pattison (See also:

• LADY (0. Eng. hlaefdige, Mid. Eng. ldfdi, lavedi; the first part of the word is hldf, loaf, bread, as in the corresponding hldford, lord; the second part is usually taken to be from the root dig-, to knead, seen also in " dough "; the sense development fr

Lady See also:

• DILKE, SIR CHARLES WENTWORTH

Dilke), Documents inedits, Le Poussin, in L'Art (1882) .