See also:

• GEORGE
• GEORGE, 8TH MARQUESS OF TWEEDDALE (1787-1876)
• GEORGE, HENRY (1839—1897)
• GEORGE, LAKE
• GEORGE, SAINT (d. 303)

GEORGE See also:

• POWELL, FREDERICK YORK (1850-1904)
• GEORGE POWELL (c. 1658-1714)
• POWELL, JOHN WESLEY (1834–1902)
• POWELL, VAVASOR (1617-1670)

POWELL (c. 1658-1714)  , See also:

• ENGLISH

English actor and playwright, was the son of an actor of the same name (d. c . 1698), with whom, as the See also:

• KING
• KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
• KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
• KING, CHARLES WILLIAM (1818-1888)
• KING, CLARENCE (1842–1901)
• KING, EDWARD (1612–1637)
• KING, EDWARD (1829–1910)
• KING, HENRY (1591-1669)
• KING, RUFUS (1755–1827)
• KING, THOMAS (1730–1805)
• KING, WILLIAM (1650-1729)
• KING, WILLIAM (1663–1712)

king of Bakam, he first appeared in 1687, as Emanuel in The See also:

• ISLAND (O.E. ieg =isle, +land')

Island Princess, See also:

• TATE, JAMES (1771-1843)
• TATE, NAHUM (1652-1715)
• TATE, RALPH (1840-1901)
• TATE, SIR HENRY, BART

Tate's version of See also:

• FLETCHER, ALICE CUNNINGHAM (1845– )
• FLETCHER, ANDREW
• FLETCHER, GILES (c. 1548-1611)
• FLETCHER, GILES (c. 1584-1623)
• FLETCHER, JOHN WILLIAM (1729-1785)
• FLETCHER, PHINEAS (1582-1650)

Fletcher's See also:

• PLAY

play . He wrote or adapted See also:

• ALPHONSE, COUNT OF TOULOUSE AND OF POITIERS (I220-1271)

Alphonse, King of See also:

• NAPLES
• NAPLES (Ital. Napoli, and Lat. Neapolis)
• NAPLES, KINGDOM OF

Naples (1661), Treacherous See also:

• BROTHERS, RICHARD (1757-1824)

Brothers (1676), and Very See also:

• GOOD, JOHN MASON (1764-1827)

Good Wife (1693), and acted in them and in a See also:

• LONG, GEORGE (1800-1879)
• LONG, JOHN DAVIS (1838– )

long See also:

• LIST (O.E. lisle, a Teutonic word, cf. Dut. lust, Ger. Leiste, adapted in Ital. lista and Fr. lisle)
• LIST, FRIEDRICH (1789-1846)

list of contemporary plays almost until his See also:

• DEATH

death . As a tragedian he succeeded to many of See also:

• BETTERTON, THOMAS (c. 1635-1710)

Betterton's parts, but not to his See also:

• GENIUS (from Lat. genere, gignere)

genius .