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PRATINAS (the quantity of the second vowel is doubtful) , one of the See also: oldest tragic poets of Athens, was a native of Phlius in See also: Peloponnesus
.
About 500 B.C. he competed with See also: Choerilus and See also: Aeschylus, when the latter made his first appearance as a writer for the stage
.
Pratinas was also the introducer of satyric dramas as a See also: species of entertainment distinct from tragedy, in which the rustic merry-makings and the extravagant dances of the See also: satyrs were retained
.
The associations of his home, not far from See also: Corinth, where See also: Arion was said to have established the cyclic choruses of satyrs, may account for his preference for this kind of drama
.
Pratinas was also a writer of dithyrambs and the choral odes called hyporchemata (a considerable fragment of one of these is preserved in See also: Athenaeus xiv
.
617)
.
It is related that, during the performance of one of his plays, the scaffolding of the wooden stage gave way, in consequence of which the Athenians built a theatre of See also: stone; but
See also: recent excavations make it doubtful whether a stone theatre existed in Athens at so early a date
.
A monument was erected by the inhabitants of Phlius in honour of Pratinas's son Aristias, who, with his See also: father, enjoyed the reputation of excelling all, with the exception of Aeschylus, in the composition of satyric dramas, one of which was called Cyclops
.
See See also: Pausanias ii
.
13; Suidas q.v.; fragments in T
.
See also: Bergk, Poetae lyrici graeci, vol. iii
.
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