PRATO
, a See also:town and episcopal see of See also:Tuscany, See also:Italy, in the See also:province of See also:Florence, 11 m. by See also:rail N.W. of Florence, 207 ft. above See also:sea-level
.
Pop
.
(1906), 20,197 (town); 55,298 (See also:commune)
.
It is situated on the Bisenzio, and is dominated by a See also:medieval See also:castle and surrounded by walls of the 11th and 14th centuries
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The See also:cathedral of St See also:Stephen was begun in the 12th See also:century in the Tuscan Romanesque See also:style; to this See also:period belongs the narrow See also:nave with its wide See also:arches; the raised transepts and the chapels were added by Giovanni See also:Pisano in 1317–1320; the campanile See also:dates from 1340 (it is a much smaller and less elaborate version of See also:Giotto's campanile at Florence), while the See also:facade, also of alternate See also:- WHITE
- WHITE, ANDREW DICKSON (1832– )
- WHITE, GILBERT (1720–1793)
- WHITE, HENRY KIRKE (1785-1806)
- WHITE, HUGH LAWSON (1773-1840)
- WHITE, JOSEPH BLANCO (1775-1841)
- WHITE, RICHARD GRANT (1822-1885)
- WHITE, ROBERT (1645-1704)
- WHITE, SIR GEORGE STUART (1835– )
- WHITE, SIR THOMAS (1492-1567)
- WHITE, SIR WILLIAM ARTHUR (1824--1891)
- WHITE, SIR WILLIAM HENRY (1845– )
- WHITE, THOMAS (1628-1698)
- WHITE, THOMAS (c. 1550-1624)
white See also:sandstone and See also:green See also:serpentine, belongs to 1413
.
It has a See also:fine See also:doorway with a bas-See also:relief by See also:Andrea della Robbia over it; but the most striking See also:external feature is the lovely open-See also:air See also:pulpit at an See also:angle of the See also:building, erected by See also:Donatello and Michelozzo for displaying to the See also:people without See also:risk the Virgin's See also:girdle, brought from the See also:Holy See also:Land by a See also:knight of Prato in 1130
.
The pulpit itself has beautiful reliefs of dancing See also:children; beneath it is a splendid See also:bronze See also:capital
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The See also:contract was given out in 1428, but the See also:work was seriously begun only in 1434 and finished in 1438
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The See also:Chapel of the Girdle has See also:good frescoes by Agnolo See also:Gaddi (1365), a statue of the Virgin by Giovanni Pisano, and a handsome bronze open-work See also:screen
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The frescoes in the See also:choir, with scenes from the See also:life of St See also:John the Baptist and St Stephen, are by Fra Filippo See also:Lippi (1456–1466) and are his best work; the See also:dance of See also:Salome and the lying in See also:state of St Stephen are the finest of the See also:series
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Among other See also:works of See also:art may be mentioned the See also:clay statue of the Madonna dell' Ulivo by Benedetto da Maiano
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The massive old Palazzo Pretorio (13th century) has been somewhat modified in details; the adjacent Palazzo Comunale contains a small picture See also:gallery
1 This See also:combination of characters for many years led systematizers astray, though some of them were from the first correct in their notions as to the See also:Pratincole's position
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See also:Linnaeus, even in his latest publication, placed it in the genus Hirundo; but the interleaved and annotated copies of his Systema naturae in the Linnean Society's library show the See also:species marked for separation and insertion in the See also:- ORDER
- ORDER (through Fr. ordre, for earlier ordene, from Lat. ordo, ordinis, rank, service, arrangement; the ultimate source is generally taken to be the root seen in Lat. oriri, rise, arise, begin; cf. " origin ")
- ORDER, HOLY
Order Grallae—Pratincola trachelia being the name by which he had meant to designate it in any future edition
.
He seems to have been induced to this See also:change of view mainly through a specimen of the See also:bird sent to him by John White, the See also:brother of See also:- GILBERT
- GILBERT (KINGSMILL) ISLANDS
- GILBERT (or GYLBERDE), WILLIAM (1544-1603)
- GILBERT, ALFRED (1854– )
- GILBERT, ANN (1821-1904)
- GILBERT, GROVE KARL (1843– )
- GILBERT, J
- GILBERT, JOHN (1810-1889)
- GILBERT, MARIE DOLORES ELIZA ROSANNA [" LOLA MONTEZ "] (1818-1861)
- GILBERT, NICOLAS JOSEPH LAURENT (1751–1780)
- GILBERT, SIR HUMPHREY (c. 1539-1583)
- GILBERT, SIR JOSEPH HENRY (1817-1901)
- GILBERT, SIR WILLIAM SCHWENK (1836– )
Gilbert White; but the See also:opinion published in 1769 by Scopoli (See also:Ann
.
I. hilt. naturalis, p. i io) had doubtless contributed thereto, though the earlier See also:judgment to the same effect of See also:Brisson, as mentioned above, had been disregarded
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Different erroneous assignments of the See also:form have been made even by See also:recent authors, who neglected the clear See also:evidence afforded by the See also:internal structure of the Pratincole
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For instance, Sundevall in 1813 (Tentamen, p
.
86) placed Glareola among the Caprimulgidae, a position which See also:osteology shows cannot be maintained for a moment.with works by Filippo and Filippino Lippi
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A beautiful Madonna by the latter (1497) is in a small See also:street See also:shrine at the corner of the Via S
.
Margherita
.
The See also:- CHURCH
- CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
- CHURCH, FREDERICK EDWIN (1826-1900)
- CHURCH, GEORGE EARL (1835–1910)
- CHURCH, RICHARD WILLIAM (1815–189o)
- CHURCH, SIR RICHARD (1784–1873)
Church of S
.
Domenico is a See also:Gothic edifice of 1281; that of S
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See also:Francesco has an almost See also:Renaissance facade, fine cloisters with a good 15th-century See also:tomb, and a See also:chapter-See also:house with Giottesque frescoes
.
The Madonna del Buon Consiglio has some good reliefs by Andrea della Robbia, by whom is also the beautiful See also:frieze in the Madonna delle Carceri
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This church, by Giuliano da See also:Sangallo (1485–1491), is a See also:Greek See also:cross, with See also:barrel vaults over the arms, and a See also:dome; it is a fine work, and the decoration of the exterior in See also:marble of different See also:colours (unfinished) is of a See also:noble simplicity
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Some remains exist of the 13th-century fortress, and the large Piazza Mercatale is picturesque
.
The works of art visible in Prato are due, as will be seen, entirely to Florentine artists
.
As a whole the town has a somewhat See also:modern aspect
.
The See also:industries of Prato embrace the manufacture of woollens (the most important), See also:straw-plaiting, biscuits, hats, See also:macaroni, candles, See also:silk, See also:olive oil, clothing and See also:furniture, also See also:copper and See also:iron works, and See also:printing
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Prato is said to be first mentioned by name in 1107, but the cathedral appears as See also:early as 1048 as the See also:parish church of Borgo Cornio or Santo Stefano
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It was subject to the See also:Alberti until 118o, and was then under the Imperial supremacy
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It appears to have freed itself from this at the end of the 13th century
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In 1313 the town acknowledged the authority of See also:Robert, See also:- KING
- KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
- KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
- KING, CHARLES WILLIAM (1818-1888)
- KING, CLARENCE (1842–1901)
- KING, EDWARD (1612–1637)
- KING, EDWARD (1829–1910)
- KING, HENRY (1591-1669)
- KING, RUFUS (1755–1827)
- KING, THOMAS (1730–1805)
- KING, WILLIAM (1650-1729)
- KING, WILLIAM (1663–1712)
king of See also:Naples, and in 135o Niccola Acciajoli, See also:seneschal of See also:Joanna, sold it to the Florentines for 17,500 florins of See also:gold
.
In 1512 it was sacked by the Spaniards under See also:General See also:Cardona
.
In 1653 it obtained the See also:rank of See also:city
.
See E
.
Corradini, Prato (See also:Bergamo, 1905)
.
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